Gelenek ile modernizmin bir araya geldi\u011fi M\u00fcnih,<\/strong> Bavyera\u2019n\u0131n ba\u015fkenti ve Oktoberfest\u2019in anavatan\u0131d\u0131r.<\/p>\n II. D\u00fcnya Sava\u015f\u0131’nda \u015fehrin yar\u0131s\u0131ndan fazlas\u0131 y\u0131k\u0131lm\u0131\u015f. Y\u0131k\u0131lan bu binalar\u0131n yerine M\u00fcnih; asl\u0131na uygun bir \u015fekilde \u015fehrin tarihi dokusu korunarak yeniden in\u015fa edilmi\u015f. \u015eehir son derece estetik ve Gotik mimari \u00f6rnekleri ile dolu b\u00fcy\u00fcleyici binalara, sokaklara sahip. Teknolojinin yo\u011fun oldu\u011fu bir \u015fehir olmas\u0131n\u0131n yan\u0131 s\u0131ra tarihi de i\u00e7ine alan, sanatla yo\u011frulmu\u015f, ye\u015fillikler i\u00e7inde e\u015fsiz bir \u015fehir.<\/p>\n M\u00fcnih \u201cOctoberfest\u201d ile de tan\u0131yor. Ancak bilinenin aksine asl\u0131nda bira festivali olarak ba\u015flamam\u0131\u015f.<\/p>\n Bavyera Veliaht Prensi Ludwig ve e\u015fi Saksonya-Hildburghausen Prensesi Therese\u2019nin evliliklerinin y\u0131l d\u00f6n\u00fcm\u00fc kutlamas\u0131 ile ba\u015flam\u0131\u015f. Yeni \u00e7ift 1810\u2019da evlenince, kraliyet ailesi bunu bira olmadan halka a\u00e7\u0131k bir parti ile kutlam\u0131\u015f.<\/p>\n Her sene kutlamalarda at yar\u0131\u015flar\u0131 yap\u0131l\u0131rm\u0131\u015f. Yakla\u015f\u0131k 10 y\u0131l sonra bira sat\u0131c\u0131lar\u0131 olaya dahil olmu\u015f.<\/p>\n Ayr\u0131ca festival Eyl\u00fcl ay\u0131nda ba\u015fl\u0131yor.<\/p>\n M\u00fcnih, genel olarak Almanya\u2019n\u0131n di\u011fer b\u00fcy\u00fck \u015fehirlerine k\u0131yasla biraz daha pahal\u0131\u00a0bir \u015fehir.<\/p>\n Almanya denilince akl\u0131m\u0131za gelen geleneksel k\u0131yafetler giymi\u015f, biray\u0131 ve bretzeli \u00e7ok seven Almanlar; asl\u0131nda Bavyera’y\u0131 temsil ediyor. M\u00fcnih, ger\u00e7ek Bavyera’y\u0131 deneyimlemek i\u00e7in harika bir mek\u00e2nd\u0131r.<\/p>\n M\u00fcnih\u2019te 1. G\u00fcn Gezdi\u011fimiz Yerler:<\/strong><\/p>\n 1. Marien Meydan\u0131 (Marienplatz)<\/strong><\/p>\n Sanatsal mimariye sahip binalar\u0131n bulundu\u011fu, M\u00fcnih’in kent meydan\u0131d\u0131r.<\/p>\n Meydan\u0131n ortas\u0131nda, meydana ad\u0131n\u0131 veren Meryem S\u00fctunu da yer al\u0131yor. An\u0131t, 1638 y\u0131l\u0131nda \u0130sve\u00e7 i\u015fgalinin sona ermesini kutlamak i\u00e7in dikilmi\u015f.<\/p>\n Meydan zaman\u0131nda su\u00e7lular\u0131n as\u0131ld\u0131\u011f\u0131 yer olarak da kullan\u0131lm\u0131\u015f.<\/p>\n Meydanda bir kutlamaya denk geliyoruz. Ellerinde biralar\u0131 ile geleneksel k\u0131yafetlerini giymi\u015f erkekler dikkatimizi \u00e7ekiyor. Ben onlar\u0131n foto\u011fraf\u0131n\u0131 \u00e7ekmek isterken onlar beni de foto\u011frafa dahil ediyorlar.<\/p>\n Art arda atl\u0131 bira arabalar\u0131 ge\u00e7iyor.<\/p>\n Marienplatz’\u0131n kuzey taraf\u0131nda Yeni Belediye Binas\u0131 (Neues Rathaus), do\u011fu taraf\u0131nda Eski Belediye Binas\u0131 (Altes Rathaus) ve g\u00fcneyinde Aziz Petrus Kilisesi bulunuyor.<\/p>\n Noel’e \u00fc\u00e7 hafta kala Marienplatz’ta kurulan \u00fcnl\u00fc M\u00fcnih Noel Pazar\u0131’n\u0131n \u00e7ok g\u00fczel oldu\u011fu s\u00f6yleniyor. \u0130n\u015fallah o zaman da geliriz \ud83d\ude42<\/p>\n 2. Yeni Belediye Binas\u0131 (<\/strong>Neues Rathaus)<\/strong><\/p>\n Baz\u0131lar\u0131 halka a\u00e7\u0131k 400 odas\u0131 bulunan Yeni Belediye Binas\u0131n\u0131n yap\u0131m\u0131 1905\u2019te tamamlanm\u0131\u015f.<\/p>\n Belediye binas\u0131n\u0131n Glockenspiel kulesinde (Saat Kulesi) yap\u0131lan g\u00f6steri turistlerin ilgi oda\u011f\u0131. Burada eski folklorik hikayeler anlatmak i\u00e7in dans eden heykelcikler var. Danslar\u0131; bir kraliyet d\u00fc\u011f\u00fcn\u00fcn\u00fc, bir m\u0131zrak d\u00f6v\u00fc\u015f\u00fc turnuvas\u0131n\u0131 veya geleneksel bir dans\u0131 g\u00f6steriyormu\u015f.<\/p>\n Meydan\u0131n kar\u015f\u0131s\u0131nda bir \u00e7at\u0131 kat\u0131nda, Yeni Belediye Binas\u0131 ve Frauen Kilisesi’nin harika manzaras\u0131na sahip Cafe Glockenspiel’e gittik. Belediye Binas\u0131’ndaki bu g\u00fczel g\u00f6steri biz oradayken ba\u015flad\u0131 ve yukar\u0131dan seyretme f\u0131rsat\u0131m\u0131z oldu.<\/p>\n Belediye Binas\u0131\u2019n\u0131n kulesinden \u015fehrin manzaras\u0131n\u0131 seyretmek de m\u00fcmk\u00fcn. Yukar\u0131ya asans\u00f6r ile \u00e7\u0131k\u0131labiliyor. Binaya giri\u015f i\u00e7in gi\u015feden bilet al\u0131n\u0131yor.<\/p>\n 3. Eski Belediye Binas\u0131 (Altes Rathaus)<\/strong><\/p>\n 14. y\u00fczy\u0131ldan kalma Gotik bir belediye binas\u0131d\u0131r.<\/p>\n G\u00fcn\u00fcm\u00fczde kulesinde \u201cOyuncak M\u00fczesi\u201d bulunuyor.<\/p>\n 4. Aziz Peter Kilisesi<\/strong><\/p>\n M\u00fcnih’in en eski kilisesi olarak kabul edilen Aziz Peter Kilisesi ayn\u0131 zamanda \u015fehrin en \u00f6nemli simge yap\u0131lar\u0131ndan biri. 1158 y\u0131l\u0131nda yap\u0131lm\u0131\u015f.<\/p>\n 1327 y\u0131l\u0131nda b\u00fcy\u00fck yang\u0131nda kule hari\u00e7 kilisenin her yeri yanm\u0131\u015f ve kilisenin yerine yenisi Gotik bir tarzda yap\u0131lm\u0131\u015f.<\/p>\n 17. y\u00fczy\u0131lda R\u00f6nesans tarz\u0131na g\u00f6re tek k\u00fclahl\u0131 bir kule yap\u0131lm\u0131\u015f fakat buras\u0131 2. D\u00fcnya Sava\u015f\u0131nda bombalanm\u0131\u015f ve ciddi zarar g\u00f6rm\u00fc\u015f.<\/p>\n Kilisenin 91 metrelik kulesi \u201cAlter Peter\u201d (Eski Peter) olarak biliniyor. Kilisenin kulesine merdivenlerle \u00e7\u0131karak yine nefis Marienplatz manzaras\u0131 seyredilebilir.<\/p>\n 5. Frauen Kilisesi (Kad\u0131nlar Kilisesi, Meryem Ana Kilisesi)\u00a0<\/strong><\/p>\n Bina, zengin Gotik s\u00fcslemeler ile sade bir \u015fekilde tasarlanm\u0131\u015f.<\/p>\n \u00dc\u00e7 nefli katedralin 99 metre y\u00fcksekli\u011finde iki kulesi bulunuyor. Bu kulelerden de \u015fehir manzaras\u0131 seyredilebilir.<\/p>\n \u015eehirde kanunen hi\u00e7bir yeni binan\u0131n bu harika siluete sahip katedralin manzaras\u0131n\u0131 engellemesine izin verilmiyormu\u015f.<\/p>\n Vitraylar olduk\u00e7a modern g\u00f6z\u00fck\u00fcyordu.<\/p>\n 1622’de \u00f6len Bavyera \u0130mparatoru Ludwig’in mezar\u0131.<\/p>\n 1945’te bombaland\u0131ktan sonra restore edilen kilise, efsanevi \u201c\u015eeytan’\u0131n Ayak \u0130zi\u201d ile \u00fcnl\u00fcd\u00fcr.<\/span> Eski bir efsaneye g\u00f6re mimar Halsbach, b\u00f6ylesi b\u00fcy\u00fck bir kiliseyi yapmak i\u00e7in \u015feytandan destek istemi\u015f. Bunun i\u00e7in kilisenin penceresi olmamas\u0131 ko\u015fulunu kabul etmi\u015f. Ama pencere yapm\u0131\u015f ve giri\u015fte g\u00f6r\u00fcnmemesi i\u00e7in onlar\u0131 g\u00f6r\u00fc\u015ften kapatacak s\u00fctunlar tasarlam\u0131\u015f. Kilise tamamlan\u0131nca \u015feytan kiliseye gelmi\u015f. Giri\u015fte durmu\u015f ve pencereleri g\u00f6remeyince kahkaha atarak aya\u011f\u0131n\u0131 yere vurmu\u015f. \u0130z b\u00f6ylelikle olu\u015fmu\u015f. Ancak birka\u00e7 ad\u0131m at\u0131nca pencereleri g\u00f6rm\u00fc\u015f\u00a0 ve kand\u0131r\u0131ld\u0131\u011f\u0131n\u0131 anlam\u0131\u015f. Bir g\u00f6r\u00fc\u015fe g\u00f6re ayak izi sinirlenince yere vurmas\u0131 ile olu\u015fmu\u015f. Onun so\u011fuk esintisinin bug\u00fcn h\u00e2l\u00e2 orada hissedilebilece\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcyor.<\/p>\n 6. Pazar Yeri (Viktualienmarkt)<\/strong><\/p>\n Marienplatz\u2019a \u00e7ok yak\u0131n \u015fehrin en pop\u00fcler pazar yeri. Buras\u0131 pek \u00e7ok taze \u015fark\u00fcteri \u00fcr\u00fcn\u00fcn\u00fcn yan\u0131 s\u0131ra biblolar ve \u00e7i\u00e7eklerin de sat\u0131ld\u0131\u011f\u0131 bir \u00e7ift\u00e7i pazar\u0131. Hediyelik e\u015fya sat\u0131c\u0131lar\u0131 da bulunuyor.<\/p>\n M\u00fcnih\u2019e \u00f6zg\u00fc yiyecekleri burada bulmak m\u00fcmk\u00fcn.\u00a0Oturup yemek yenebilecek mekanlar da mevcut.<\/p>\n Meydan ayn\u0131 zamanda \u00e7e\u015fitli sanat\u00e7\u0131lar\u0131n yapt\u0131\u011f\u0131 heykellerle donat\u0131lm\u0131\u015f. \u00dcnl\u00fc akt\u00f6r ve \u015fark\u0131c\u0131lar\u0131n heykelleri bulunuyor. Alman halk \u015fark\u0131c\u0131s\u0131 Roider Jackl’in heykeli.<\/p>\n Rischart Cafe<\/strong><\/p>\n Pazar\u0131n kar\u015f\u0131s\u0131nda iki katl\u0131 Rischart Cafe de bulunuyor. Pazar\u0131n hareketlili\u011fini buradan seyretmek de olduk\u00e7a cazip.<\/p>\n Yolda bir bando tak\u0131m\u0131na denk geliyoruz. Yine bir \u015fenli\u011fi yakalad\u0131k.<\/p>\n 7. Hofbrauhaus Restoran<\/strong><\/p>\n D\u00fcnyan\u0131n en \u00fcnl\u00fc birahanesi olarak M\u00fcnih\u2019te gezilecek yerler listesine girmeye hak kazanm\u0131\u015f.<\/p>\n Biras\u0131n\u0131n yan\u0131 s\u0131ra geleneksel Bavyera yemekleri ile de \u00fcnl\u00fcym\u00fc\u015f.<\/p>\n \u0130\u00e7erisi m\u00fcthi\u015f kalabal\u0131k.<\/p>\n Tarihi 16. y\u00fczy\u0131la dayanan Neo-R\u00f6nesans tarz\u0131na sahip bu \u00fcnl\u00fc Bavyera restoran\u0131nda m\u00fczik yapan mini bir orkestra da bulunuyor.<\/p>\n Restoranda geleneksel kost\u00fcml\u00fc garsonlar taraf\u0131ndan hizmet veriliyor.<\/p>\n Buradan Maximilian Caddesine ge\u00e7iyoruz. 19. y\u00fczy\u0131lda yap\u0131lan cadde ad\u0131n\u0131 yapt\u0131r\u0131c\u0131s\u0131 olan Kral II. Maximilian’dan alm\u0131\u015f. \u015eehrin 4 \u00f6nemli bulvar\u0131ndan biri Maximilian \u00fcnl\u00fc markalar\u0131n bulundu\u011fu bir al\u0131\u015fveri\u015f caddesi ayn\u0131 zamanda.<\/p>\n 8. Max-Joseph-Platz<\/strong><\/p>\n Maximilian caddesi \u00fczerinde ad\u0131n\u0131 yine kraldan alan meydan.<\/p>\n Meydan\u0131n ortas\u0131nda Bavyera’n\u0131n ilk kral\u0131 I. Maximilian Joseph’in bronz heykeli var. Roma tarz\u0131 bir sandalyede oturan kral\u0131 Roma k\u0131yafetiyle g\u00f6steriyor.<\/p>\n Heykel, kabartmalarla s\u00fcslenmi\u015f bir kaide \u00fczerine yerle\u015ftirilmi\u015f. Kral\u0131n hemen alt\u0131nda, bilim, din ve sanat, tar\u0131m ve adalet ile 1818’de Bavyera anayasas\u0131n\u0131n olu\u015fturulmas\u0131n\u0131 tasvir eden d\u00f6rt panel var. Kaidenin alt\u0131nda her k\u00f6\u015fede oturan d\u00f6rt aslan vard\u0131r.<\/p>\n Meydan\u0131n do\u011fu taraf\u0131nda 1818 y\u0131l\u0131nda a\u00e7\u0131lan M\u00fcnih Ulusal Tiyatrosu, kuzey taraf\u0131nda ise M\u00fcnih Residence’\u0131n Kraliyet Binalar\u0131 bulunuyor.<\/p>\n 9. Ulusal Tiyatro<\/strong><\/p>\n I. Maximilian taraf\u0131ndan 1811-1818 y\u0131llar\u0131nda yapt\u0131r\u0131lm\u0131\u015f.<\/p>\n Ba\u015f\u0131na gelmeyen kalmam\u0131\u015f binan\u0131n.<\/p>\n Karl von Fischer taraf\u0131ndan tasarlanan bina i\u00e7in, ayn\u0131 y\u0131l a\u00e7\u0131l\u0131\u015f\u0131 yap\u0131lan Paris’teki Odeon binas\u0131 \u00f6rnek al\u0131nd\u0131. \u0130n\u015faat\u0131 1811’de ba\u015flad\u0131. Ancak 1813’te finansman sorunlar\u0131 nedeniyle kesintiye u\u011frad\u0131. 1817 y\u0131l\u0131nda tamamlanmam\u0131\u015f binada yang\u0131n \u00e7\u0131kt\u0131. 1818’de tekrar a\u00e7\u0131ld\u0131. 1823’te ba\u015fka bir yang\u0131nla yok oldu.<\/p>\n Leo von Klenze taraf\u0131ndan tasarlanan ikinci tiyatronun portikosu ve \u00fc\u00e7gen al\u0131nl\u0131\u011f\u0131 Neo-Grek \u00f6zellikler ta\u015f\u0131yordu. \u0130laveten giri\u015finde Korint s\u00fctunlar bulunuyordu. Sahne geni\u015fletilmi\u015fti.<\/p>\n Tiyatro binas\u0131 1943’te m\u00fcttefiklerin hava sald\u0131r\u0131s\u0131 s\u0131ras\u0131nda y\u0131k\u0131ld\u0131.<\/p>\n \u00dc\u00e7\u00fcnc\u00fc ve mevcut tiyatro (1958-1963) y\u0131l\u0131nda in\u015fa edildi. Biraz daha b\u00fcy\u00fcd\u00fc ve 2.100 koltuk kapasiteli oldu. Binada Karl von Fischer’in orijinal neo-klasik tasar\u0131m\u0131\u00a0 yeniden yarat\u0131ld\u0131.<\/p>\n Tiyatro d\u00fcnyan\u0131n 3. b\u00fcy\u00fck sahnesine sahip.<\/p>\n Bizim i\u00e7ine girme f\u0131rsat\u0131m\u0131z olmad\u0131.<\/p>\n<\/div>\n 10. Residenz Saray\u0131 ve M\u00fczesi<\/strong><\/p>\n 1385’te \u015fehrin kuzeydo\u011fu k\u00f6\u015fesinde bir kale olarak ba\u015flayan yap\u0131, y\u00fczy\u0131llar boyunca h\u00fck\u00fcmdarlar taraf\u0131ndan muhte\u015fem bir saraya d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f. Binalar ve bah\u00e7eler giderek \u015fehrin i\u00e7lerine kadar uzanm\u0131\u015f.<\/p>\n<\/div>\n 1508’den 1918’e kadar Bavyera d\u00fcklerinin, elekt\u00f6rlerin ve krallar\u0131n\u0131n h\u00fck\u00fcmet merkezi ve ikametg\u00e2h\u0131 olarak hizmet etmi\u015f.<\/p>\n Residenz Saray\u0131’n\u0131n g\u00fcney b\u00f6l\u00fcm\u00fc, 1826-1835 y\u0131llar\u0131 aras\u0131nda Leo von Klenze taraf\u0131ndan, Kral I. Ludwig’in iste\u011fi \u00fczerine, Floransa’daki Palazzo Pitti’den ilham al\u0131narak in\u015fa edildi.<\/p>\n Rezidans\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131 II. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda y\u0131k\u0131ld\u0131 ve 1945’ten itibaren yava\u015f yava\u015f yeniden in\u015fa edildi.<\/p>\n Almanya’n\u0131n en b\u00fcy\u00fck \u015fehir i\u00e7i saray\u0131d\u0131r.<\/p>\n M\u00fcnih Saray M\u00fczesi<\/strong><\/p>\n M\u00fcnih Rezidans\u0131 1920’den beri m\u00fcze olarak halka a\u00e7\u0131k ve bug\u00fcn Avrupa’n\u0131n en \u00f6nemli saray m\u00fczelerinden biri.<\/p>\n G\u00f6rkemli Herk\u00fcl Salonu, hazinesi ve bir\u00e7ok tarihi odas\u0131 bulunuyor.<\/p>\n Bina; Bavyera’y\u0131 \u00f6nce d\u00fck, 17. y\u00fczy\u0131ldan itibaren elekt\u00f6r ve 1806’dan 1918’e kadar kral olarak y\u00f6neten Wittelsbach Hanesi’nin y\u00f6neticilerini yans\u0131tan bir an\u0131tt\u0131r.<\/p>\n 11. Odeon Meydan\u0131<\/strong><\/p>\n Max-Joseph Meydan\u0131’ndan sonra gelen meydand\u0131r.<\/p>\n Hofgarten\u2019\u0131n k\u00f6\u015fesinde yer al\u0131yor. Burada \u015fehrin sembolik an\u0131tlar\u0131ndan baz\u0131lar\u0131 bulunuyor.<\/p>\n 12. Feldherrnhalle (S<\/strong>aha Polisleri Salonu, Feld Mare\u015fallerin Kona\u011f\u0131)<\/strong><\/p>\n Floransa’daki Loggia dei Lanzi \u00f6rnek al\u0131narak modellenmi\u015f bir sundurma an\u0131t. Floransa’y\u0131 hat\u0131rlatt\u0131\u011f\u0131 i\u00e7in buray\u0131 \u00e7ok sevdim.<\/p>\n 1841 y\u0131l\u0131nda Bavyera Kral\u0131 I. Ludwing taraf\u0131ndan Bavyera Ordusu\u2019nu onurland\u0131rmak i\u00e7in yapt\u0131r\u0131lm\u0131\u015f.<\/p>\n Otuz Y\u0131l Sava\u015flar\u0131\u2019nda Bavyera\u2019y\u0131 y\u00f6neten ve Napolyon’a kar\u015f\u0131 m\u00fccadeleye \u00f6nc\u00fcl\u00fck eden iki askeri liderin heykelleri konmu\u015f.<\/p>\n Fransa-Prusya Sava\u015f\u0131\u2019ndan sonra 1892’de an\u0131t\u0131n merkezine, Frans\u0131zlara kar\u015f\u0131 kazan\u0131lan zaferi ve Almanya’n\u0131n birle\u015fmesini temsil eden Ferdinand von Miller\u2019in bir heykel grubu eklenmi\u015f.<\/p>\n Aslanlar, 1906 y\u0131l\u0131nda Loggia dei Lanzi’deki Medici aslanlar\u0131na g\u00f6nderme olarak eklenmi\u015f.<\/p>\n<\/div>\n 13. Theatiner Kilisesi (Tiyatro Kilisesi, St. Kajetan)<\/strong><\/p>\n Koyu sar\u0131 cephesi, heybetli g\u00f6r\u00fcn\u00fcm\u00fc ile ben buraday\u0131m diyen, \u015fehrin en g\u00fczel yap\u0131lar\u0131ndan biridir ve Odeon Meydan\u0131’na hakimdir.<\/p>\n Bak\u0131r \u00e7at\u0131l\u0131 iki kulesi ve 70 metre y\u00fcksekli\u011finde g\u00f6steri\u015fli kubbesi bulunur.<\/p>\n \u0130\u00e7i ise neredeyse tamamen beyazd\u0131r ve al\u00e7\u0131 i\u015f\u00e7ili\u011fi bulunur.<\/p>\n<\/div>\n \u0130ki kurucu Henriette Adelaide ve Ferdinand Maria ile o\u011fullar\u0131 Max Emanuel de dahil olmak \u00fczere Wittelsbach Hanesi \u00fcyelerinin dinlenme yeridir.<\/p>\n Kilise; saray kilisesi i\u015flevinin yan\u0131 s\u0131ra, Theatine rahipleri i\u00e7in dini bir kilise olarak da hizmet vermi\u015ftir.<\/p>\n Feldherrnhalle gibi kilise de \u0130talyan tarz\u0131nda in\u015fa edilmi\u015ftir. Bu nedenle Odeon Meydan\u0131’n\u0131n\u00a0g\u00fcney k\u0131sm\u0131\u00a0genellikle “M\u00fcnih’teki \u0130talya’n\u0131n bir par\u00e7as\u0131” olarak an\u0131l\u0131yor.<\/p>\n 14. H<\/strong>ofgarten<\/strong><\/p>\n Residans Saray\u0131’n\u0131n arkas\u0131nda 17. y\u00fczy\u0131ldan kalma \u0130talyan tarz\u0131 bir R\u00f6nesans bah\u00e7esidir.<\/p>\n 1807’de Napolyon Bonapart, askerlerine yer a\u00e7mak i\u00e7in bah\u00e7enin bir k\u0131sm\u0131n\u0131n y\u0131k\u0131lmas\u0131n\u0131 emretmi\u015f.<\/p>\n 1815’te Kral I. Ludwig, avlu bah\u00e7esini \u00e7e\u015fmeler ve heykeller gibi ek \u00f6zelliklerle restore edip geni\u015fletmi\u015f.<\/p>\n Uzun tarihi nedeniyle Hofgarten farkl\u0131 mimari tarzlar\u0131n bir kombinasyonuna sahiptir.<\/p>\n Avlu bah\u00e7esinin ortas\u0131nda, mitolojiden sahneleri tasvir eden fresklerle s\u00fcslenmi\u015f sekiz kemerli, avc\u0131l\u0131k tanr\u0131\u00e7as\u0131 Diana’n\u0131n ad\u0131n\u0131 ta\u015f\u0131yan Diana K\u00f6\u015fk\u00fc yer al\u0131yor.<\/p>\n Hofgarten’in bir k\u00f6\u015fesinde m\u00fczik ve \u015fiir tanr\u0131s\u0131 Apollon’a adanm\u0131\u015f bir tap\u0131nak bulunuyor.<\/p>\n Yaz aylar\u0131nda, Diana Pavilion’da konserler d\u00fczenleniyormu\u015f.<\/p>\n \u00a015. <\/strong>\u0130ngiliz Bah\u00e7esi<\/strong><\/p>\n Avrupa’n\u0131n en b\u00fcy\u00fck \u015fehir parklar\u0131 aras\u0131nda yer al\u0131yor.<\/p>\n 1789 y\u0131l\u0131nda Elekt\u00f6r Karl Theodor taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015f ve Bavyera h\u00fck\u00fcmetine dan\u0131\u015fmanl\u0131k yapan Amerika do\u011fumlu bilim adam\u0131 Benjamin Thompson taraf\u0131ndan tasarlanm\u0131\u015f.<\/p>\n Park\u0131n ortas\u0131nda Kleinhesseloher g\u00f6l\u00fc var. \u0130\u00e7inde \u00f6rdekler y\u00fcz\u00fcyor.<\/p>\n Dinlenmek, e\u011flenmek ve spor yapmak i\u00e7in ideal bir park.<\/p>\n Seehaus<\/strong><\/p>\n Burada bulunan Seehaus Bira bah\u00e7esi de \u015fehrin en eskisiymi\u015f. Biz de g\u00f6l kenar\u0131ndaki bu restoranda oturup yeme\u011fimizi yedik.<\/p>\n G\u00f6l\u00fcn k\u0131y\u0131s\u0131ndan bize yana\u015f\u0131p yemek bekleyen \u00f6rdekleri biraz besledik.<\/p>\n Biz g\u00fcn\u00fcn yorgunlu\u011fu ile gidemedik ama bah\u00e7enin i\u00e7inde 18. y\u00fczy\u0131lda Avrupa\u2019n\u0131n oryantal hayranl\u0131\u011f\u0131n\u0131n bir izi olarak yap\u0131lan \u00c7in Kulesi, bir tepenin \u00fczerinden \u015fehrin m\u00fckemmel manzaras\u0131n\u0131 sunan 1838\u2019den kalma Yunan tarz\u0131 Monopteros Tap\u0131na\u011f\u0131 ve 1972 Olimpiyatlar\u0131 i\u00e7in bir \u00f6rdek g\u00f6letinin yan\u0131nda in\u015fa edilen Japon \u00c7ay Evi bulunuyormu\u015f.<\/p>\n Yemek sonras\u0131 otelimize u\u011fray\u0131p k\u0131sa bir mola verdikten sonra ak\u015fam i\u00e7in haz\u0131rlan\u0131yoruz.<\/p>\n 16. Cafe Zeitgeist<\/strong><\/p>\n G\u00fcn\u00fcn son dura\u011f\u0131 olan, T\u00fcrk Caddesi’ndeki Cafe Zeitgeist’e gidiyoruz. Zeitgeist; ortak zaman ruhu demekmi\u015f.<\/p>\n M\u00fcnih’te 2. G\u00fcn Gezdi\u011fimiz Yerler:<\/strong><\/p>\n Bug\u00fcn az zaman\u0131m\u0131z var ve biraz a\u011f\u0131rdan alaca\u011f\u0131z.<\/p>\n Cafe Jasmin<\/strong><\/p>\n Sabah kahvalt\u0131 i\u00e7in Cafe Joon’a gidecektik. Ama yer bulamay\u0131nca hepimizin ho\u015funa giden Cafe Jasmin’de karar k\u0131ld\u0131k.<\/p>\n 1. Nymphenburh Saray\u0131<\/strong><\/p>\n (Nymphe; peri demek)<\/p>\n \u015eehrin kuzey bat\u0131s\u0131nda bulunan saray, eski \u015fehre yakla\u015f\u0131k 6 km mesafede.<\/p>\n<\/div>\n Nymphenburg, Almanya’n\u0131n en b\u00fcy\u00fck ve Avrupa’n\u0131n en \u00f6nemli saraylar\u0131ndan biridir.<\/p>\n Elekt\u00f6r Ferdinand Maria, saray\u0131 uzun zamand\u0131r beklenen o\u011fullar\u0131 Max Emanuel’in do\u011fumu i\u00e7in e\u015fi Savoylu Henriette Adelaide’ye hediye olarak 1664-1679 y\u0131llar\u0131nda in\u015fa ettirmi\u015f.<\/p>\n Saray; 18. y\u00fczy\u0131lda Bavyera Elekt\u00f6rleri ve Krallar\u0131 i\u00e7in yazl\u0131k ikametg\u00e2h olarak hizmet vermi\u015f.<\/p>\n Bug\u00fcn saray park\u0131yla birlikte \u015fehrin en b\u00fcy\u00fck ikinci ye\u015fil alan\u0131d\u0131r.<\/p>\n Ba\u015flang\u0131\u00e7ta Barok bir saray olarak tasarland\u0131. Rokoko ve neoklasik unsurlar \u00e7ok daha sonra eklendi.<\/p>\n \u0130ki y\u00fczy\u0131l boyunca eklemeler ve de\u011fi\u015fimler ge\u00e7iren saray k\u00fc\u00e7\u00fck bir k\u0131r eviyken \u00f6zellikle mimar Joseph Effner taraf\u0131ndan \u00fc\u00e7 kanatl\u0131 b\u00fcy\u00fck bir komplekse d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/p>\n 1-Ta\u015f Salon<\/p>\n Kuzey Daire\u00a0\u00a02-Kuzey giri\u015f odas\u0131\u00a0\u00a03-\u00d6n oda\u00a0\u00a04-Yatak odas\u0131\u00a0 5-Yaz\u0131 dolab\u0131<\/p>\n Kuzey Karl Theodor odalar\u0131\u00a0 6-Max Emanuel’in B\u00fcy\u00fck G\u00fczellikler Galerisi\u00a0 7-Arma odas\u0131\u00a0\u00a08-Karl Theodor odas\u0131\u00a0\u00a09-Kuzey Galerisi<\/p>\n G\u00fcney Daire 10-G\u00fcney giri\u015f odas\u0131 11-\u00d6n oda 12-Yatak odas\u0131 13-\u00c7in lake dolap\u00a0 14-G\u00fcney Galeri<\/p>\n G\u00fcney Karl Theodor odalar\u0131 14a+b-Antre ve yaz\u0131 dolab\u0131<\/p>\n Krali\u00e7enin Dairesi\u00a0 15-Salon\/I. Ludwig’in G\u00fczellikler Galerisi 16-\u00c7al\u0131\u015fma odas\u0131 17-Nedime odas\u0131\u00a0 18-K\u00fc\u00e7\u00fck Galeri\u00a0 19-Dinleyici odas\u0131 20-Yatak odas\u0131<\/p>\n 21-Kral II. Maximilian’\u0131n Banyosu<\/p>\n 1- B\u00fcy\u00fck Salon (Ta\u015f Salon)<\/strong><\/p>\n Saray kompleksindeki merkez odad\u0131r. Rokoko tarz\u0131ndad\u0131r. Ta\u015f Salonun her iki taraf\u0131nda da prenslere ait oturma ve kabul odalar\u0131 bulunmaktad\u0131r.<\/p>\n Tavan resmi, h\u00fck\u00fcmdar\u0131n bar\u0131\u015f\u0131 getirme ve alma g\u00f6revini simgeleyen Olimpos cennetini tasvir ediyor. Park taraf\u0131ndaki periler, saray\u0131n ad\u0131na at\u0131fta bulunarak tanr\u0131\u00e7a Flora’ya sayg\u0131lar\u0131n\u0131 sunarlar.<\/p>\n 2- Kuzey giri\u015f odas\u0131<\/strong><\/p>\n Odadaki Joseph Vivien’in 1711 tarihli tablosunda Elekt\u00f6r Max Emanuel, \u00a0ba\u015far\u0131l\u0131 bir general portresiyle Namur surlar\u0131n\u0131n \u00f6n\u00fcnde z\u0131rhl\u0131 olarak tasvir ediliyor.<\/p>\n Tavandaki resim, 1675 civar\u0131ndaki ilk in\u015faat d\u00f6neminde yap\u0131lm\u0131\u015ft\u0131r. Venedikli sanat\u00e7\u0131 Antonio Zanchi’ye aittir ve tar\u0131m tanr\u0131\u00e7as\u0131 Ceres’i g\u00f6sterir.<\/p>\n 3- \u00d6n oda<\/strong><\/p>\n Odadaki b\u00fcy\u00fck resim\u00a0Max Emanuel’in en b\u00fcy\u00fck o\u011flu Elekt\u00f6r Prensi Karl Albrecht’i maiyetiyle birlikte avlan\u0131rken g\u00f6steriyor. K\u00fc\u00e7\u00fck portrelerde erkek ve k\u0131z karde\u015fleri g\u00f6r\u00fcl\u00fcyor.<\/p>\n Zarif masa Floransa’daki Medici saray at\u00f6lyesinden.<\/p>\n 6- Max Emanuel’in B\u00fcy\u00fck G\u00fczellikler Galerisi<\/strong><\/p>\n Se\u00e7men Max Emanuel’in B\u00fcy\u00fck G\u00fczellikler Galerisi, XIV. Louis’in saray\u0131nda Pierre Gobert taraf\u0131ndan 1715 civar\u0131nda yap\u0131lm\u0131\u015f be\u015f kad\u0131n portresini g\u00f6steriyor.<\/p>\n 8-<\/strong>\u00a0Karl Theodor Odas\u0131<\/strong><\/p>\n Bu odada Aziz George Tarikat\u0131’n\u0131n B\u00fcy\u00fck \u00dcstad\u0131 olarak Se\u00e7men Karl Theodor’un yan\u0131 s\u0131ra onun ilk ve ikinci e\u015finin de portreleri yer al\u0131yor.<\/p>\n 10-<\/strong>\u00a0G\u00fcney Giri\u015f Odas\u0131<\/strong><\/p>\n Buras\u0131 Elekt\u00f6r Henriette Adelaide’nin dairesine eri\u015fimi sa\u011flayan \u00f6n odayd\u0131.<\/p>\n Ta\u015f Salonun her iki yan\u0131ndaki iki s\u00fcitin her odas\u0131nda, (2 ve 10 nolu odalar) Nymphenburg’un bir k\u0131r evi olarak i\u015flevini vurgulayan bir dizi do\u011fa tanr\u0131\u00e7as\u0131n\u0131n tavan resmi vard\u0131. Bu odada Antonio Triva’n\u0131n yapt\u0131\u011f\u0131 tavan resmi; su perisi Arethusa’y\u0131 g\u00f6steriyor.<\/p>\n Tabloda Elekt\u00f6r Karl Albrecht, imparatorluk tac\u0131, k\u00fcre ve asadan olu\u015fan ni\u015fanlarla \u0130mparator VII. Karl olarak g\u00f6steriliyor. A\u015fa\u011f\u0131daki dore oymada Kutsal Roma \u0130mparatorlu\u011fu’nun \u00e7ift kartall\u0131 Bavyera armas\u0131 bulunmaktad\u0131r. Di\u011fer tablo, Habsburg prensesi olan e\u015fi Maria Amalia’yi tasvir ediyor.<\/p>\n 16-<\/strong>\u00a0Salon\/Kral I. Ludwig’in G\u00fczellikler Galerisi<\/strong><\/p>\n G\u00fcn\u00fcm\u00fczde, M\u00fcnih Residenz’in Festival Salonu Binas\u0131 i\u00e7in tasarlanan Kral I. Ludwig’in (h\u00fck\u00fcmdarl\u0131\u011f\u0131 1825-1848) G\u00fczellikler Galerisi burada sergileniyor.<\/p>\n Joseph Stieler, kral taraf\u0131ndan, Max Emanuel’in G\u00fczellikler Galerisi’nde (Oda 6) oldu\u011fu gibi sadece saraydaki han\u0131mlar\u0131 de\u011fil, ayn\u0131 zamanda toplumun her kesiminden bu \u00fcnl\u00fc ve g\u00fczel kad\u0131n dizisini resmetmesi i\u00e7in g\u00f6revlendirildi.<\/p>\n En \u00e7ok bilinenleri muhtemelen bir ayakkab\u0131c\u0131n\u0131n k\u0131z\u0131 olan “Sch\u00f6ne M\u00fcnchnerin” (M\u00fcnih’in G\u00fczeli) Helene Sedlmayr (Sa\u011fdaki)<\/p>\n ve 1848’de I. Ludwig’in tahttan feragat etmeye zorland\u0131\u011f\u0131 devrimin nedeni olan “\u0130spanyol” dans\u00e7\u0131 Lola Montez’dir. (Sa\u011fdaki)<\/p>\n 17-<\/strong>\u00a0Krali\u00e7e’nin \u00e7al\u0131\u015fma odas\u0131<\/strong><\/p>\n K\u00fc\u00e7\u00fck bir sandalye tak\u0131m\u0131 ve bir \u00e7izim masas\u0131yla donat\u0131lm\u0131\u015f bu oda, daha samimi resepsiyonlar ve Krali\u00e7e Caroline’\u0131n ki\u015fisel ilgi alanlar\u0131 i\u00e7in ayr\u0131lm\u0131\u015ft\u0131.<\/p>\n Paris’ten gelen egzotik de\u011ferli ah\u015faplarla s\u00fcslenmi\u015f yuvarlak masa, Bavyera kraliyet \u00e7iftine hediye edilmi\u015f olabilir. Yald\u0131zl\u0131 bronzdan yap\u0131lm\u0131\u015f firavun b\u00fcstleri, Napolyon d\u00f6neminin M\u0131s\u0131r tarz\u0131n\u0131 yans\u0131t\u0131r. Portreler Caroline ve kocas\u0131 Kral I. Max Joseph’i g\u00f6steriyor.<\/p>\n Caroline, bu zarif odan\u0131n kuma\u015flar\u0131n\u0131 Lyon’daki, \u00fcnl\u00fc ipek fabrikas\u0131 olan Pernon’dan sipari\u015f etti. 2020 y\u0131l\u0131nda art\u0131k mevcut olmayan ay\u00e7i\u00e7e\u011fi bezemeli ve turuncu-sar\u0131 bord\u00fcrl\u00fc mavi ipek \u015fam duvar kaplamas\u0131, orijinal desen ve dokumaya g\u00f6re ba\u015far\u0131yla yeniden yarat\u0131ld\u0131. Ge\u00e7i\u015fleri olan ayr\u0131nt\u0131l\u0131 perdeler de yeniden yap\u0131ld\u0131. G\u00fc\u00e7l\u00fc renkler ve canl\u0131 kontrastlar saray \u0130mparatorlu\u011fu stilinin tipik \u00f6zellikleriydi.<\/p>\n 19-<\/strong>\u00a0Krali\u00e7e’nin izleyici odas\u0131<\/strong><\/p>\n Caroline’\u0131n seyirci odas\u0131n\u0131n zarif maun mobilyalar\u0131 Paris’te yap\u0131ld\u0131. Mahkeme t\u00f6renine uygun olarak duvar boyunca yerle\u015ftirilir. Bu mobilyalar \u00e7a\u011fda\u015f zevklere kar\u015f\u0131l\u0131k geliyordu. Ancak bu ayn\u0131 zamanda Napolyon’la olan siyasi ittifak\u0131 da yans\u0131t\u0131yordu. Bunun sonucunda Bavyera hem b\u00fcy\u00fcd\u00fc hem de \u00f6nemi artt\u0131.<\/p>\n Evlenmeden \u00f6nce Baden Prensesi olan Krali\u00e7e Caroline, Max I. Joseph’in ikinci kar\u0131s\u0131yd\u0131 Sanat\u00e7\u0131 olarak e\u011fitim alm\u0131\u015f bu zeki, kendine g\u00fcvenen kad\u0131n, \u00e7evresinin hem rahat hem de temsili olmas\u0131n\u0131 istiyordu.<\/p>\n 20- Krali\u00e7enin yatak odas\u0131-Kral II. Ludwig’in do\u011fum yeri<\/strong><\/p>\n Krali\u00e7e Caroline’\u0131n yatak odas\u0131 h\u00e2l\u00e2 orijinal mobilyalar\u0131n\u0131 koruyor. Maun mobilyalar\u0131 1815 y\u0131l\u0131nda M\u00fcnih’te yap\u0131lm\u0131\u015ft\u0131r. Yuvarlak girintili ni\u015fte \u00e7ift ki\u015filik yatak bulunmaktad\u0131r. G\u00fcnd\u00fczleri y\u00fcksek bir \u00e7er\u00e7eveye yay\u0131lan \u00f6rt\u00fc ile gizleniyordu.<\/p>\n 1842’de Bavyera Veliaht Prensi II. Maximilian<\/span>\u00a0ve e\u015fi Prusyal\u0131 Marie, Nymphenburg Saray\u0131’na yerle\u015fti.\u00a01845’te Veliaht Prenses, taht\u0131n varisi olan II. Ludwig’i bu odada do\u011furdu. \u00c7ocu\u011fa, ayn\u0131 g\u00fcn do\u011fan b\u00fcy\u00fckbabas\u0131 I. Ludwig’in onuruna Ludwig ad\u0131 verildi.<\/p>\n Saray\u0131n i\u00e7ini gezdikten sonra arkadaki b\u00fcy\u00fck bah\u00e7elere ge\u00e7iyoruz. Bah\u00e7eler tam bir terapi yeri. Bol a\u011fa\u00e7, ye\u015fillik, havuzlar, \u00e7e\u015fmeler, g\u00f6letler ve k\u00fc\u00e7\u00fck saraylar bulunuyor.<\/p>\n Antik Yunan tanr\u0131 ve tanr\u0131\u00e7a heykelleri bah\u00e7elere yerle\u015ftirilmi\u015f.<\/p>\n Park Saraylar\u0131<\/strong><\/p>\n Amalienburg<\/strong><\/p>\n 1734-1739 y\u0131l\u0131nda Elekt\u00f6r Karl Albrecht, \u0130mparator I. Joseph’in k\u0131z\u0131 olan e\u015fi Maria Amalia i\u00e7in k\u00fc\u00e7\u00fck bir keyif saray\u0131 ve av k\u00f6\u015fk\u00fc olan Amalienburg’u yapt\u0131rm\u0131\u015f.<\/p>\n Amalienburg, Avrupa Rokoko tarz\u0131n\u0131n en se\u00e7kin eserlerinden biridir.<\/p>\n Ya\u015fl\u0131 Fran\u00e7ois Cuvillies, mimari ve dekorasyon tasar\u0131mc\u0131s\u0131 olarak g\u00f6rev ald\u0131. Cuvillies, saray c\u00fccesi iken Bavyera Elekt\u00f6r\u00fc II. Maximilian Emanuel ile ya\u015fad\u0131\u011f\u0131 mucizevi kar\u015f\u0131la\u015fma sonucunda yetene\u011fini tam anlam\u0131yla ortaya koymu\u015f ve d\u00fcnya \u00e7ap\u0131nda tan\u0131nan bir mimar haline gelmi\u015f.<\/p>\n Saray\u0131n d\u0131\u015f cephesi olduk\u00e7a sade. \u0130\u015flevine uygun olarak ana giri\u015fin hemen \u00fczerine av ve ay tanr\u0131\u00e7as\u0131 Diana kabartmas\u0131 yap\u0131lm\u0131\u015f.<\/p>\n Saray\u0131n i\u00e7inde ise renk, hareket ve g\u00fczellik var.<\/p>\n Aynal\u0131 Salon (B\u00fcy\u00fck Salon), \u00a0Bavyera’n\u0131n g\u00fcm\u00fc\u015f ve mavi renkleriyle i\u015flenmi\u015f.<\/p>\n S\u00fcl\u00fcn Odas\u0131; 1734 y\u0131l\u0131nda Amalienburg yak\u0131n\u0131nda kurulan S\u00fcl\u00fcn Bah\u00e7esi’ne bir g\u00f6ndermedir.<\/p>\n Mutfak egzotik havas\u0131yla dikkat \u00e7eker.\u00a0Mavi-beyaz tavan \u00c7in sahneleriyle boyan\u0131rken, duvarlar Hollanda \u00e7inileriyle s\u00fcslenmi\u015ftir.<\/p>\n Magdalenenklause<\/strong><\/p>\n Saray arazisindeki di\u011fer bir k\u00f6\u015fk, Joseph Effner taraf\u0131ndan 1725-1728 y\u0131llar\u0131 aras\u0131nda in\u015fa edilmi\u015ftir.<\/p>\n Magdalenenklause, bir ke\u015fi\u015fin ya\u015fam alan\u0131 olarak tasarland\u0131 ve orman\u0131n i\u00e7inde yap\u0131ld\u0131. Kiremitlerle yap\u0131lm\u0131\u015f ve k\u0131smen s\u0131val\u0131 olan yap\u0131, d\u0131\u015far\u0131dan harabe g\u00f6r\u00fcn\u00fcm\u00fcnde. Eskidi\u011fi d\u00fc\u015f\u00fcn\u00fclen yap\u0131 asl\u0131nda sanatsal olarak bir harabeyi and\u0131racak \u015fekilde tasarlanm\u0131\u015f. Duvardaki \u00e7atlaklar ve ufalanan s\u0131va, d\u00fcnyevi her \u015feyin zay\u0131fl\u0131\u011f\u0131n\u0131 simgeliyor.<\/p>\n Az vakti olan h\u0131zl\u0131 gezginler olarak saray\u0131 1,5 saatte gezdik. Ancak tabii ki b\u00f6yle bir \u015faheser i\u00e7in bu s\u00fcrenin \u00e7ok yetersiz oldu\u011fu a\u015fikar.<\/span><\/p><\/div>\n Sadece bah\u00e7esine bile bir g\u00fcn ay\u0131r\u0131p hem gezip, g\u00f6r\u00fcp hem de dinlenmek, keyif yapmak gerekir diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n Saraya gelirken yolda Cafe Schloss’u g\u00f6z\u00fcm\u00fcze kestirmi\u015ftik. \u00c7\u0131k\u0131\u015fta orada mola verdik.<\/p>\n Cafe Schloss<\/strong><\/p>\n Bu sene kurban bayram\u0131 ve babalar g\u00fcn\u00fc art arda oldu. Babalar g\u00fcn\u00fcn\u00fc de kutlad\u0131k.<\/p>\n Almanya’n\u0131n me\u015fhur\u00a0Apfelstrudel<\/strong> (Elmal\u0131 strudel)’ini denedim. Bir \u00e7e\u015fit elmal\u0131 turta. Tarifinin T\u00fcrkiye\u2019den geldi\u011fi s\u00f6yleniyor.<\/p>\n 2. Sendlinger Kap\u0131s\u0131<\/strong><\/p>\n Orta\u00e7a\u011f d\u00f6neminden M\u00fcnih\u2019te kalan \u00fc\u00e7 gotik \u015fehir kap\u0131s\u0131ndan biri. Tarihi 14. y\u00fczy\u0131la uzan\u0131yor.<\/p>\n Ayn\u0131 isimli meydanda bulunuyor.<\/p>\n Buras\u0131 ayn\u0131 zamanda Marien Meydan\u0131\u2019na giden pop\u00fcler Sendlinger Caddesi\u2019nin de ba\u015flang\u0131c\u0131d\u0131r.<\/p>\n Otelimiz de buraya \u00e7ok yak\u0131nd\u0131.<\/p>\n 3. Asam Kilisesi<\/strong><\/p>\n M\u00fcnih\u2019te \u00fcnl\u00fc al\u0131\u015fveri\u015f caddesi Sendlinger caddesinde bulunan ge\u00e7 Barok tarz\u0131 bir kilise.<\/p>\n Kilise, 1733-1746 y\u0131llar\u0131 aras\u0131nda heykelt\u0131ra\u015f ve ressam Asam karde\u015fler taraf\u0131ndan \u00f6zel kiliseleri olarak in\u015fa edilmi\u015f.<\/p>\n Hatta iki karde\u015f \u0130talya\u2019da Lorenzo Bernini ustadan ders alm\u0131\u015flar.<\/p>\n Kiliselerinin suna\u011f\u0131nda yap\u0131lan 4 kolon, Bernini\u2019nin Roma\u2019daki \u00fcnl\u00fc St. Peter\u2019in mezar\u0131ndaki 4 Bernini kolonuna g\u00f6nderme olarak yap\u0131lm\u0131\u015f.<\/p>\n Giri\u015f \u00fccretsiz. Gitti\u011fimizde kilise restorasyondayd\u0131. Ancak giri\u015f kap\u0131s\u0131 a\u00e7\u0131kt\u0131 ve antre k\u0131sm\u0131na girilebiliyordu. Ferforje kap\u0131n\u0131n aralar\u0131ndan kilisenin i\u00e7i g\u00f6r\u00fcl\u00fcyor.<\/p>\n 4. Asam Karde\u015fler Evi<\/strong><\/p>\n (Buraya gelmi\u015fken bu da bonus bir yap\u0131.)<\/p>\n Zenginlik b\u00f6yle bir \u015fey. Asam karde\u015fler \u00f6zel kilise yapm\u0131\u015flar. Hem de evlerine biti\u015fik \ud83d\ude42<\/p>\n D\u0131\u015f cephesi ne kadar s\u00fcsl\u00fc ve zarif de\u011fil mi?<\/p>\n Bu seferlik M\u00fcnih gezimiz bu kadar.<\/p>\n Bug\u00fcn 18’de Salzburg’a trenimiz oldu\u011fu i\u00e7in 17 gibi metroya binip tren gar\u0131na do\u011fru yola koyuluyoruz.<\/p>\n Bir sonraki M\u00fcnih seyahatimizde s\u0131rada Neuschwanstein \u015eatosu (Yeni Ku\u011fu Ta\u015f Saray\u0131) ve Hohenschwangau Kalesi var.<\/p>\n Ho\u015f\u00e7akal\u0131n.<\/p>\n","protected":false},"excerpt":{"rendered":" Bu sene Kurban Bayram\u0131 tatilinde (15-22 Haziran 2024) e\u015fimle M\u00fcnih, Salzburg ve Viyana seyahati planlad\u0131k. \u0130lk olarak 15-16 Haziran cumartesi-pazar g\u00fcn\u00fc M\u00fcnih’i gezdik.<\/p>\n","protected":false},"author":1,"featured_media":6477,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[385,826],"tags":[823,821,820,814,816,819,812,827,822,818,813,817,815],"class_list":["post-6440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-almanya","category-munih","tag-asamkilisesi","tag-cafe-zeitgeist","tag-englishgarten","tag-frauen","tag-hofbrauhaus","tag-hofgarten","tag-marienplatz","tag-munih","tag-nymphenburg","tag-odeon","tag-rathaus","tag-residenz","tag-viktualienmarkt"],"_links":{"self":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/6440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/comments?post=6440"}],"version-history":[{"count":24,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/6440\/revisions"}],"predecessor-version":[{"id":6549,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/6440\/revisions\/6549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media\/6477"}],"wp:attachment":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media?parent=6440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/categories?post=6440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/tags?post=6440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.yeryuzundebirkacadim.com\/wp-content\/uploads\/2024\/06\/IMG_20240615_102126-1024x577.jpg\")
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