{"id":6010,"date":"2023-12-24T21:10:39","date_gmt":"2023-12-24T18:10:39","guid":{"rendered":"http:\/\/www.yeryuzundebirkacadim.com\/?p=6010"},"modified":"2024-08-19T13:55:07","modified_gmt":"2024-08-19T10:55:07","slug":"konya","status":"publish","type":"post","link":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/2023\/12\/24\/konya\/","title":{"rendered":"Konya"},"content":{"rendered":"

KONYA<\/strong><\/p>\n

Konya \u00fclkemizin \u00f6nemli \u015fehirlerinden biridir.<\/p>\n

Nedenlerinden birincisi; Tarihi Neolitik \u00e7a\u011fa kadar (M.\u00d6. 6800) uzanan, insanl\u0131k tarihinin ilk yerle\u015fim yerlerinden biri olan \u00c7atalh\u00f6y\u00fck’\u00fcn bu ilin s\u0131n\u0131rlar\u0131 i\u00e7inde bulunmas\u0131. Ve buras\u0131 UNESCO D\u00fcnya Miras\u0131 Listesinde yer almaktad\u0131r.<\/p>\n

<\/p>\n

Yine; \u0130ncil\u2019de ad\u0131 ge\u00e7en Hatunsaray (di\u011fer isimleri Kilistra veya Lystra) bu ilimizdedir.<\/p>\n

Ayr\u0131ca \u00fcn\u00fc k\u0131talar a\u015fan s\u00fbfi Mevl\u00e2na da bu \u015fehirde ya\u015fam\u0131\u015ft\u0131r.<\/p>\n

Ve sanki her vuslat y\u0131l d\u00f6n\u00fcm\u00fcnde \u00e7a\u011f\u0131r\u0131r bizi. “Gel. Ne olursan ol gel”.<\/p>\n

Konya Tarihi<\/strong><\/p>\n

M.\u00d6. 6000’li y\u0131llarda b\u00f6lgede yerle\u015fim merkezi kuruldu\u011fu anla\u015f\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Eski \u00e7a\u011flarda \u201c\u0130konium\u201d olarak isimlendirilmi\u015ftir.<\/p>\n

Bir rivayete g\u00f6re ise Horasan b\u00f6lgesinden Anadolu’ya g\u00f6\u00e7 eden iki evliyadan biri Konya’n\u0131n ba\u011fl\u0131k ve bah\u00e7elik manzaras\u0131n\u0131 g\u00f6r\u00fcnce \u201cBuraya konal\u0131m m\u0131?\u201d demi\u015f. Arkada\u015f\u0131 ise \u201cKon ya!\u201d demi\u015f ve bu isim \u015fehrin ismi olarak kalm\u0131\u015f. Konya, T\u00fcrkler’e 211 y\u0131l ba\u015fkentlik yapm\u0131\u015ft\u0131r.<\/p>\n

Tarih boyunca Hititler, Frigler, Roma ve Bizans, B\u00fcy\u00fck Sel\u00e7uklu ve Anadolu Sel\u00e7uklu Devletleri’nin hakimiyetinde kalm\u0131\u015ft\u0131r.<\/p>\n

Sel\u00e7uklu Devleti h\u00fck\u00fcmdar\u0131 S\u00fcleyman \u015eah taraf\u0131ndan fethedilen Konya, Anadolu Sel\u00e7uklu Devleti kurulduktan sonra bu devletin hakimiyetine girmi\u015ftir.<\/p>\n

1074 y\u0131l\u0131nda kurulan ve ba\u015fkenti \u0130znik olan Anadolu Sel\u00e7uklu devleti I. Ha\u00e7l\u0131 Seferi sonunda \u0130znik\u2019i kaybedince, ba\u015fkent Konya\u2019ya ta\u015f\u0131nm\u0131\u015f ve g\u00fcnden g\u00fcne geli\u015fen, pek \u00e7ok mimar\u0131 eserle s\u00fcslenen \u015fehir, k\u0131sa zamanda Anadolu\u2019nun en geli\u015fmi\u015f \u015fehirlerinden biri haline gelmi\u015ftir.<\/p>\n

1277 y\u0131l\u0131nda Karamano\u011fullar\u0131 Beyli\u011fi y\u00f6netimine girmi\u015f ve Fatih Sultan Mehmet\u2019in Karamano\u011flu Beyli\u011fine son vermesi ile Osmanl\u0131 hakimiyetine ge\u00e7mi\u015ftir.<\/p>\n

Osmanl\u0131 \u0130mparatorlu\u011fu d\u00f6neminde Yavuz Sultan Selim taraf\u0131ndan Hz. Mevl\u00e2na\u2019n\u0131n t\u00fcrbesi yenilenmi\u015ftir.<\/p>\n

Ayr\u0131ca, II. Selim zaman\u0131nda Konya\u2019ya \u00e7e\u015fitli yat\u0131r\u0131mlar yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

II. Abd\u00fclhamit zaman\u0131nda da demiryolu getirilmi\u015ftir.<\/p>\n

I. D\u00fcnya sava\u015f\u0131ndan sonra \u00e7ok k\u0131sa bir s\u00fcre \u0130talyan i\u015fgaline u\u011frayan \u015fehir bunun d\u0131\u015f\u0131nda herhangi bir yabanc\u0131 \u00fclke i\u015fgaline maruz kalmam\u0131\u015ft\u0131r.<\/p>\n

Sel\u00e7uklu ve Osmanl\u0131 d\u00f6nemlerinde de \u00f6nemli kervan yollar\u0131n\u0131n ge\u00e7ti\u011fi bir il olarak yo\u011fun ticari faaliyetlere sahne olmu\u015ftur…<\/p>\n

Evet yine bir \u015eeb-i Arus d\u00f6nemi ve ara ara geldi\u011fimiz, g\u00fczel, ruhani Konya \u015fehrimizdeyiz.<\/p>\n

Yakla\u015f\u0131k 20 ki\u015filik bir grupla Mevl\u00e2na’y\u0131 ziyaret etmek, \u00c2yin-i \u015eerif’e kat\u0131lmak ve 1,5 g\u00fcnde toplamda 16 yeri gezmek \u00fczere haz\u0131r\u0131z.<\/p>\n

Gezimize vazge\u00e7ilmez \u015fefimiz Ali Vefa e\u015fli\u011finde ba\u015flayal\u0131m.<\/p>\n

\"\"<\/p>\n

Sabah\u0131n erken saatlerinde Sille’de kahvalt\u0131m\u0131z\u0131 yapt\u0131ktan sonra Konya’n\u0131n bat\u0131s\u0131ndan do\u011fusuna do\u011fru ilerleyece\u011fiz.<\/p>\n

Konya’da Gezilecek 16 Yer\u00a0<\/strong><\/p>\n

Birinci G\u00fcn:<\/p>\n

1. Sadreddin Konevi T\u00fcrbe ve Camisi<\/strong><\/p>\n

\u015eehrin bat\u0131s\u0131nda, Alaaddin Tepe’sine 1,5 km mesafede bulunan Sadrettin Konevi Cami, 1274 y\u0131l\u0131nda yap\u0131lm\u0131\u015f Sel\u00e7uklu d\u00f6nemine ait tarihi bir camidir.<\/p>\n

\"\"<\/p>\n

Sadrettin Konevi (1209-1274) aslen Malatyal\u0131 olup, Konya\u2019ya yerle\u015fmi\u015f, zaman\u0131n tan\u0131nm\u0131\u015f bilginlerindendir. Muhiddin \u0130bn-i Arabi\u2019den tahsil ve terbiye g\u00f6rm\u00fc\u015ft\u00fcr.<\/p>\n

K\u00fc\u00e7\u00fck ya\u015fta babas\u0131n\u0131 kaybetmi\u015ftir. Annesinin \u0130bn-i Arabi hazretleri ile evlendi\u011fi rivayet edilir. Konya\u2019da yerle\u015fti\u011fi ve \u00fcn\u00fcn\u00fc burada yapt\u0131\u011f\u0131 i\u00e7in \u201cKonevi\u201d diye an\u0131l\u0131r.<\/p>\n

Mevl\u00e2na\u2019ya hocal\u0131k etmi\u015f ve ona derin bir sevgi ile ba\u011flanm\u0131\u015ft\u0131r. Mevl\u00e2na\u2019n\u0131n vasiyeti \u00fczerine cenaze namaz\u0131n\u0131 o k\u0131ld\u0131racakken bay\u0131ld\u0131\u011f\u0131 i\u00e7in k\u0131ld\u0131ramam\u0131\u015ft\u0131r.<\/p>\n

T\u00fcrbe, Caminin do\u011fusundaki avludad\u0131r. A\u00e7\u0131k t\u00fcrbe tipinin \u00f6rne\u011fidir. T\u00fcrbenin \u015fekli Sel\u00e7uklu k\u00fcmbetlerine benzer. G\u00f6vde a\u00e7\u0131k, kaidesi mermer i\u015fleme olan t\u00fcrbenin \u00fczerinde, kafes \u015feklinde k\u00f6\u015feli ah\u015fap bir k\u00fclah vard\u0131r.<\/p>\n

\"\"<\/p>\n

2. Alaaddin Tepesi<\/strong><\/p>\n

Alaaddin Tepesi ve hemen \u00f6n\u00fcnde yer alan\u00a0Zafer Meydan\u0131 12. y\u00fczy\u0131l eserleri ile dolu bir meydand\u0131r.<\/p>\n

Bir rivayete g\u00f6re;<\/p>\n

Sultan Alaaddin, bir cami yapt\u0131rmak ister. Ve ister ki bu cami, \u015fehrin her yan\u0131ndan g\u00f6r\u00fclebilsin. \u0130stanbul gibi tepelerden olu\u015fan bir kentte, bu iste\u011fi yerine getirebilmek kolay iken, Konya gibi d\u00fcmd\u00fcz bir kentte bu pek de kolay de\u011fildir. Sultan\u0131n iste\u011finin yerine getirilebilmesi i\u00e7in, \u00f6ncelikle \u015fehrin merkezine bir tepe yapmaya, sonra da bu tepenin \u00fczerine cami in\u015fa etmeye karar verilir. Yani, d\u00fcnyan\u0131n en b\u00fcy\u00fck d\u00f6ner kav\u015faklar\u0131ndan biri olan bu tepe, y\u0131\u011fma yani yapay bir tepedir. Bir m\u00fcddet \u00f6nce y\u0131\u011fma olan topra\u011f\u0131n kaymas\u0131 sebebiyle, caminin y\u0131k\u0131lma tehlikesi belirdi\u011finden, sa\u011flamla\u015ft\u0131rma \u00e7al\u0131\u015fmalar\u0131 yap\u0131lm\u0131\u015f.<\/p>\n

Peki Sultan Alaaddin, Saray\u0131n\u0131 niye tepeye yapt\u0131rmam\u0131\u015f?<\/strong><\/p>\n

Yine rivayet odur ki; Alaaddin, cami yap\u0131m\u0131 s\u0131ras\u0131nda bir g\u00fcn tepeye \u00e7\u0131km\u0131\u015f ve \u015fehre bakm\u0131\u015f. Halk\u0131n, evlerinin damlar\u0131nda yar\u0131 \u00e7\u0131plak yatt\u0131\u011f\u0131n\u0131 g\u00f6rm\u00fc\u015f:) Bunun \u00fczerine saray\u0131n\u0131n tepenin eteklerine yap\u0131lmas\u0131n\u0131 uygun g\u00f6rm\u00fc\u015f.<\/p>\n

Tepede yer alan ve g\u00fcn\u00fcm\u00fcze kadar ula\u015fan en \u00f6nemli yap\u0131, tepenin kuzeyindeki Alaaddin Cami ve k\u00fcmbetleridir.<\/p>\n

Alaaddin Cami<\/strong><\/p>\n

Tepenin \u00fczerinde, g\u00fcn\u00fcm\u00fcze kadar ula\u015fm\u0131\u015f en \u00f6nemli eserlerden biri olan Alaeddin Cami in\u015faat\u0131, Sel\u00e7uklu Sultan\u0131 I. Mesud d\u00f6neminde ba\u015flanmas\u0131na ra\u011fmen Sultan 1. Alaeddin Keykubad d\u00f6neminde 1221 y\u0131l\u0131nda tamamlanm\u0131\u015ft\u0131r. Konya\u2019n\u0131n en b\u00fcy\u00fck ve Sel\u00e7uklulardan kalan en eski camisidir.<\/p>\n

\"\"<\/p>\n

\u00dczeri a\u011fa\u00e7 ve toprakla \u00f6rt\u00fclm\u00fc\u015ft\u00fcr. Bizans ve klasik devirlere ait 41 ta\u015f mermer s\u00fctunla (dev\u015firme malzeme) desteklenmi\u015ftir.<\/p>\n

\"\"<\/strong><\/p>\n

\"\"<\/strong><\/p>\n

Minber abanoz a\u011fac\u0131ndan birbirine ge\u00e7mi\u015f olup Anadolu Sel\u00e7uklu ah\u015fap i\u015flemecili\u011finin en g\u00fczel \u00f6rneklerindendir. 1155 y\u0131l\u0131nda Ahlatl\u0131 Mengum Berti taraf\u0131ndan yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\u00c7inilerle s\u00fcsl\u00fc mihrab\u0131n \u00f6n\u00fcnde \u00e7ini s\u00fcsl\u00fc kubbeyle \u00f6rt\u00fclm\u00fc\u015f bir alan mevcuttur. Mihrap ve kubbelerin \u00e7inileri k\u0131smen s\u00f6k\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n

\"\"\u00a0<\/strong>K\u00fcmbetler<\/strong><\/p>\n

II. K\u0131l\u0131\u00e7 Arslan taraf\u0131ndan yapt\u0131r\u0131lan avludaki b\u00fcy\u00fck t\u00fcrbe, ongen plan\u0131yla devrin di\u011fer mezar yap\u0131lar\u0131ndan farkl\u0131d\u0131r. Bu yap\u0131da II. K\u0131l\u0131\u00e7 Arslan, I. Alaaddin Keykubat dahil sekiz sultan\u0131n mezar\u0131 bulunmaktad\u0131r. Sultanlar T\u00fcrbesinin yan\u0131nda I. \u0130zzettin Keykavus’un yapt\u0131rd\u0131\u011f\u0131 ancak yar\u0131m kalan bir t\u00fcrbe daha bulunuyor. \u00c7okgen g\u00f6vdeli k\u00fcmbetlerin \u00fczeri k\u00fclahla \u00f6rt\u00fcl\u00fcd\u00fcr.<\/p>\n

Sel\u00e7uklu (II. K\u0131l\u0131\u00e7 Arslan) K\u00f6\u015fk Kal\u0131nt\u0131s\u0131<\/strong><\/p>\n

\"\"<\/p>\n

1155-1192 y\u0131llar\u0131 aras\u0131nda II. K\u0131l\u0131\u00e7 Arslan taraf\u0131ndan yapt\u0131r\u0131ld\u0131. Daha sonraki y\u0131llarda K\u0131l\u0131\u00e7 Arslan\u2019\u0131n torunu olan 1. Alaeddin Keykubad taraf\u0131ndan onar\u0131l\u0131p geni\u015fletilerek \u2018Seyran K\u00f6\u015fk\u00fc\u2019 ad\u0131n\u0131 alan yap\u0131dan g\u00fcn\u00fcm\u00fcze tu\u011fla \u00f6rg\u00fcl\u00fc bir duvar ile bunu ta\u015f\u0131yan bir kaide par\u00e7as\u0131 ula\u015ft\u0131.<\/p>\n

K\u00f6\u015fk; Sel\u00e7uklular ve Karamano\u011fullar\u0131 zamanlar\u0131nda sultanlar\u0131n k\u0131\u015fl\u0131k saray\u0131 olarak kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

3. \u0130<\/strong>nce Minareli Medrese\u00a0(Ta\u015f ve Ah\u015fap Eserler M\u00fczesi)<\/strong><\/p>\n

\"\"<\/strong><\/p>\n

Sel\u00e7uklu Veziri Sahip Ata Fahreddin Ali taraf\u0131ndan hadis ilmi okutulmak \u00fczere 1254 y\u0131l\u0131nda yapt\u0131r\u0131lm\u0131\u015ft\u0131r. Mimar\u0131 Abdullah o\u011flu Kel\u00fck\u2019t\u00fcr.<\/p>\n

Sel\u00e7uklu ta\u015f i\u015f\u00e7ili\u011fi \u015faheserlerinden olan ta\u00e7 kap\u0131s\u0131 \u00fczerinde kabartmal\u0131 geometrik ve bitkisel bezemelerle birlikte Sel\u00e7uklu s\u00fcl\u00fcs\u00fcyle yaz\u0131lm\u0131\u015f Ayet-el K\u00fcrsi ve Fetih sureleri vard\u0131r.<\/p>\n

Minare kaidesi kesme ta\u015fla kapl\u0131 tu\u011fla malzeme kullan\u0131larak yap\u0131lm\u0131\u015f ve \u00f6n cephede akant yapra\u011f\u0131 ile bezenmi\u015ftir. Minarede turkuaz mavi s\u0131rl\u0131 tu\u011flalar kullan\u0131lm\u0131\u015ft\u0131r. \u00c7ift \u015ferefeli minare; 1901\u2019de y\u0131ld\u0131r\u0131m d\u00fc\u015fmesiyle birinci \u015ferefeye kadar y\u0131k\u0131lm\u0131\u015ft\u0131r.<\/p>\n

1956 y\u0131l\u0131nda m\u00fcze haline getirilen \u0130nce Minareli Medresede; Sel\u00e7uklu, Beylikler ve Osmanl\u0131 d\u00f6nemlerine ait ta\u015f ve ah\u015fap eserler sergilenmektedir.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

4. Ak Cami (\u015eazibey Cami)<\/strong><\/p>\n

\"\"<\/p>\n

Bu minik ve \u015firin cami Karatay Medresesi’nin yak\u0131n\u0131nda yer al\u0131yor. Bu nedenle g\u00f6rmeden ge\u00e7memek laz\u0131m.<\/p>\n

Ne zaman yap\u0131ld\u0131\u011f\u0131 hakk\u0131nda bilgi mevcut de\u011fildir.<\/p>\n

2007 y\u0131l\u0131nda restore edilen cami; T\u00fcrkiye’de, minaresinin alt\u0131ndan i\u00e7eriye girilen birka\u00e7 camiden biridir.<\/p>\n

5. Karatay Medresesi (\u00c7ini Eserler M\u00fczesi)<\/strong><\/p>\n

\"\"<\/p>\n

Sultan II. \u0130zzeddin Keykavus devrinde Emir Celaleddin Karatay taraf\u0131ndan 1251 y\u0131l\u0131nda yapt\u0131r\u0131lm\u0131\u015ft\u0131r. Mimar\u0131 bilinmemektedir.<\/p>\n

\"\"<\/p>\n

Osmanl\u0131lar devrinde de kullan\u0131lan medrese 19. y\u00fczy\u0131l\u0131n sonlar\u0131nda terk edilmi\u015ftir.<\/p>\n

Anadolu Sel\u00e7uklu devri \u00e7ini i\u015f\u00e7ili\u011finde \u00f6nemli yeri bulunan Karatay medresesi 1955 y\u0131l\u0131nda “\u00c7ini Eserler M\u00fczesi\u2019 olarak ziyarete a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n

M\u00fczede, Bey\u015fehir g\u00f6l\u00fc kenar\u0131nda Kubat-Abad saray\u0131 kaz\u0131 buluntular\u0131 aras\u0131nda olan duvar \u00e7inileri, \u00e7ini ve cam tabaklar ile Konya ve y\u00f6resinde bulunan Sel\u00e7uklu ve Osmanl\u0131 d\u00f6nemlerine ait \u00e7ini ve seramik tabaklar, kandiller ve al\u00e7\u0131 buluntular\u0131 sergilenmektedir.<\/p>\n

Kubbeye ge\u00e7i\u015f unsuru olan T\u00fcrk \u00fc\u00e7genlerinde Muhammed, \u0130sa, Musa ve Davud peygamberlerin isimlerinin yan\u0131 s\u0131ra d\u00f6rt halife Ebu Bekir, \u00d6mer, Osman ve Ali’nin isimleri de bulunmaktad\u0131r.<\/p>\n

\"\"\"\"<\/p>\n

M\u00fczenin bir odas\u0131nda Celaleddin Karatay’\u0131n sandukas\u0131 bulunuyor. Sel\u00e7uklu Sultanlar\u0131n\u0131n kavga etmelerini \u00f6nleyip birlikte devleti y\u00f6netmelerini sa\u011flam\u0131\u015ft\u0131r.<\/p>\n

6. \u0130plik\u00e7i Cami<\/strong><\/p>\n

\"\"<\/p>\n

Sel\u00e7uklu d\u00f6neminden kalma cami, \u0130plik\u00e7iler \u00c7ar\u015f\u0131s\u0131na yak\u0131n oldu\u011fu i\u00e7in bu isimle an\u0131lm\u0131\u015f. Mevl\u00e2na Celaleddin bu caminin biti\u015fi\u011finde bulunan, camiden daha evvele tarihlenen \u0130plik\u00e7i Medresesi’nde dersler vermi\u015f. Ancak yap\u0131 g\u00fcn\u00fcm\u00fcze ula\u015famam\u0131\u015f.<\/p>\n

Mevl\u00e2na caddesi \u00fczerinde bulunan ve \u015eems-i Tebrizi t\u00fcrbesine giderken \u00f6n\u00fcnden ge\u00e7ilen bir camidir. Biz de d\u0131\u015f\u0131ndan foto\u011fraflad\u0131k.<\/p>\n

7. \u015eems-i Tebrizi T\u00fcrbesi ve Mescidi<\/strong><\/p>\n

Mevl\u00e2na Celaleddin R\u00fbmi’nin hayat\u0131nda en \u00f6nemli de\u011fi\u015fim \u015eems-i Tebrizi (1185-1248) ile kar\u015f\u0131la\u015fmas\u0131yla ba\u015flar. \u015eems, Mevl\u00e2na’n\u0131n hayat\u0131nda yeni ufuklar\u0131n a\u00e7\u0131lmas\u0131n\u0131 sa\u011flam\u0131\u015f, onun k\u00e2mil bir insan olma yolculu\u011funda yolda\u015f\u0131 olmu\u015ftur.<\/p>\n

Alaaddin Tepesi\u2019nin do\u011fusunda, geni\u015f bir park i\u00e7inde bulunan \u015eems-i Tebrizi T\u00fcrbe ve Mescidi\u00a0birbirine biti\u015fiktir.<\/p>\n

\"\"<\/p>\n

T\u00fcrbe, klasik Sel\u00e7uklu k\u00fcmbetleri tipindedir. Kubbenin alt\u0131nda b\u00fcy\u00fck bir sanduka mevcut olup burada \u015eems-i Tebrizi\u2019nin naa\u015f\u0131n\u0131n oldu\u011fu kabul edilmektedir.<\/p>\n

\"\"<\/p>\n

8. S\u0131r\u00e7al\u0131 Medrese\u00a0<\/strong><\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

S\u0131r\u00e7al\u0131 Medrese, 1242 y\u0131l\u0131nda II. G\u0131yaseddin Keyh\u00fcsrev zaman\u0131nda Bedreddin Muslih taraf\u0131ndan f\u0131k\u0131h ilmi okutulmak \u00fczere yapt\u0131r\u0131lm\u0131\u015ft\u0131r. \u201cA\u00e7\u0131k Avlulu Medrese\u201d tipinde in\u015fa edilen yap\u0131n\u0131n ana eyvan\u0131n sa\u011f\u0131nda ve solunda kubbeli birer oda vard\u0131r. Bunlar klasik k\u0131\u015fl\u0131k dershanelerdir.<\/p>\n

Yap\u0131n\u0131n en s\u00fcsl\u00fc ve g\u00f6steri\u015fli yeri olan ana eyvan bug\u00fcn olduk\u00e7a sa\u011flam durumda.<\/p>\n

S\u0131r\u00e7al\u0131 Medrese \u00e7inileri \u00e7ini sanat\u0131 bak\u0131m\u0131ndan k\u0131ymetlidir. Zaten \u00e7inilerinin zenginli\u011fi ve \u00e7e\u015fitlili\u011finden dolay\u0131 yap\u0131 \u201cS\u0131r\u00e7al\u0131 Medrese\u201d ad\u0131yla \u00fcnlenmi\u015f.<\/p>\n

S\u0131r\u00e7al\u0131 Medrese\u2019nin \u00fcst kat\u0131 halen R\u00f6l\u00f6ve ve An\u0131tlar M\u00fcd\u00fcrl\u00fc\u011f\u00fc\u2019nce kullan\u0131l\u0131yormu\u015f. Alt kattaki bir b\u00f6l\u00fcmde de vakfiyesine uygun olarak \u201cF\u0131k\u0131h Sohbetleri\u201d ger\u00e7ekle\u015ftiriliyormu\u015f.<\/p>\n

9. Sahip Ata Cami ve K\u00fclliyesi<\/strong><\/p>\n

Vezir Sahip Ata Fahreddin Ali; <\/strong>Sel\u00e7uklular\u0131n y\u0131k\u0131l\u0131\u015f d\u00f6nemine tan\u0131kl\u0131k etmi\u015f b\u00fcy\u00fck devlet adam\u0131d\u0131r. “Devletin Dayana\u011f\u0131” \u00fcnvan\u0131 ile an\u0131lacak kadar ba\u015far\u0131l\u0131 olan vezirin yapt\u0131rd\u0131\u011f\u0131 eserler halk aras\u0131nda “hay\u0131rlar\u0131n babas\u0131” olarak da an\u0131lmas\u0131na neden olmu\u015f.<\/p>\n

Eserlerinin ba\u015f\u0131nda da g\u00fcn\u00fcm\u00fczde m\u00fcze olarak kullan\u0131lan Sahip Ata Cami ve K\u00fclliyesi bulunuyor. 1259-1283 y\u0131llar\u0131nda in\u015fa edilmi\u015f.\u00a0<\/sup><\/p>\n

Giri\u015fte ta\u00e7 bir kap\u0131 ve bir minaresi bulunuyor. Ta\u00e7 kap\u0131n\u0131n di\u011fer yan\u0131nda bulunan ikinci minaresi 1800’lerde y\u0131ld\u0131r\u0131m d\u00fc\u015fmesi nedeni ile y\u0131k\u0131lm\u0131\u015f.<\/p>\n

G\u00f6steri\u015fli ta\u00e7 kap\u0131; ta\u015f, mermer, \u00e7ini ve s\u0131rl\u0131 tu\u011fla ile bezeli.<\/p>\n

\"\"\"\"<\/p>\n

Cami i\u00e7inde 12 ah\u015fap s\u00fctun bulunuyor. Lacivert, turkuaz bir mihraba sahip.<\/p>\n

\"\"<\/p>\n

K\u00fclliye; cami, t\u00fcrbe, medrese ve hamamdan olu\u015fmaktad\u0131r.<\/p>\n

Caminin mihrap duvar\u0131na biti\u015fik in\u015fa edilmi\u015f t\u00fcrbede Sahip Ata, e\u015fi ve \u00e7ocuklar\u0131n\u0131n kabirleri bulunuyor.<\/p>\n

Restorasyonda olan k\u00fclliyeyi ancak bu kadar foto\u011fraflayabildik.<\/p>\n

10. Aziziye Cami <\/strong><\/p>\n

Kesme ta\u015ftan yap\u0131lan cami, son d\u00f6nem Osmanl\u0131 mimarisinin en g\u00fczel \u00f6rneklerindendir. Yerindeki 1671-1676 y\u0131llar\u0131 aras\u0131nda \u015eeyh Ahmed eliyle yapt\u0131r\u0131lan cami yand\u0131\u011f\u0131 i\u00e7in 1867\u2019de Sultan Abd\u00fclaziz\u2019in annesi Pertevniyal Valide Sultan ad\u0131na yeniden yapt\u0131r\u0131lm\u0131\u015ft\u0131r. T\u00fcrk Baroku \u00fcslubunda yap\u0131lan, pencereleri kap\u0131lar\u0131ndan daha b\u00fcy\u00fck olan caminin 6 mermer s\u00fctuna oturan \u00fc\u00e7 kubbeli son cemaat yerinin iki ucunda kaideleri \u015fad\u0131rvanl\u0131, \u00fczeri kubbe ile \u00f6rt\u00fcl\u00fc iki \u015firin ve dikkat \u00e7ekici minare bulunur.<\/p>\n

Bu camiyi \u00e7ok be\u011feniyorum ve Konya’ya her geldi\u011fimde muhakkak tekrar g\u00f6r\u00fcp geziyorum.<\/p>\n

\"\"<\/p>\n

\"\"\"\"\"\"<\/p>\n

11.<\/strong>\u00a0Mevl\u00e2na M\u00fczesi<\/strong><\/p>\n

Ziyaret sebebimize geliyoruz.<\/p>\n

Otelimizden Mevl\u00e2na M\u00fczesi (2012 y\u0131l\u0131 gezimizden)<\/p>\n

\"\"<\/p>\n

Bug\u00fcn m\u00fcze olarak kullan\u0131lmakta olan Mevl\u00e2na Derg\u00e2h\u0131’n\u0131n yeri, Sel\u00e7uklu Saray\u0131’n\u0131n “G\u00fcl Bah\u00e7esi” iken bah\u00e7e Sultan Alaaddin Keykubad taraf\u0131ndan Mevl\u00e2na’n\u0131n babas\u0131 Sultan\u00fc’l-Ulema Bahaeddin Veled’e hediye edilmi\u015f.<\/p>\n

\"\"<\/p>\n

Sultan\u00fc’l-Ulema 1231 tarihinde vefat edince t\u00fcrbedeki bug\u00fcnk\u00fc yerine defnedilmi\u015f. Bu defin g\u00fcl bah\u00e7esine yap\u0131lan ilk defindir. Sultan\u00fc’l-Ulema’n\u0131n \u00f6l\u00fcm\u00fcnden sonra kendisini sevenler Mevl\u00e2na’ya m\u00fcracaat ederek babas\u0131n\u0131n mezar\u0131n\u0131n \u00fczerine bir t\u00fcrbe yapt\u0131rmak istediklerini s\u00f6ylemi\u015flerse de Mevl\u00e2na “g\u00f6k kubbeden daha iyi t\u00fcrbe mi olur” diyerek bu iste\u011fi reddetmi\u015ftir.<\/p>\n

Ancak kendisi 17 Aral\u0131k 1273 y\u0131l\u0131nda vefat edince Mevl\u00e2na’n\u0131n o\u011flu Sultan Veled, Mevl\u00e2na’n\u0131n mezar\u0131 \u00fczerine t\u00fcrbe yapt\u0131rmak isteyenlerin isteklerini kabul etmi\u015ftir.<\/p>\n

D\u00f6rt s\u00fctun (fil aya\u011f\u0131) \u00fczerinde y\u00fckselen, g\u00fcney cephesi kapal\u0131 di\u011fer \u00fc\u00e7 taraf\u0131 a\u00e7\u0131k olan t\u00fcrbe, gelene\u011fe uygun olarak mezar odas\u0131, g\u00f6vde ve k\u00fclah k\u0131s\u0131mlar\u0131ndan olu\u015fur.<\/p>\n

T\u00fcrbe zamanla de\u011fi\u015fikli\u011fe u\u011frar.\u00a0 Bug\u00fcn “Kubbe-i Hadra” (Ye\u015fil Kubbe) denilen Konya’n\u0131n simgesi olan on alt\u0131 dilimli turkuaz ye\u015fili kubbeyi 1396 y\u0131l\u0131nda Karamano\u011flu Ali Bey yapt\u0131r\u0131r. G\u00f6vde ile k\u00fclah aras\u0131nda, g\u00f6vdeyi \u00e7epe\u00e7evre saran bir \u015ferit halinde lacivert zemin \u00fczerine beyaz s\u00fcl\u00fcs hatt\u0131 ile Ayete\u2019l-K\u00fcrsi yaz\u0131l\u0131d\u0131r.<\/p>\n

Yani t\u00fcrbe Sel\u00e7uklular, kubbe ise Karamano\u011flu Beyli\u011fi taraf\u0131ndan yap\u0131lm\u0131\u015f.<\/p>\n

\"\"<\/p>\n

Bu tarihten sonra Osmanl\u0131lar D\u00f6neminde 19. y\u00fczy\u0131l\u0131n sonuna kadar yap\u0131daki restorasyon ve eklemeler devam etmi\u015ftir.<\/p>\n

Tekke ve zaviyelerin kapat\u0131lmas\u0131 kanunu ile bir-iki sene kapal\u0131 kalan Mevl\u00e2na T\u00fcrbesi 1926 y\u0131l\u0131nda “Konya Asar-\u0131 Atika M\u00fczesi” (Konya Eski Eserler M\u00fczesi) ad\u0131 alt\u0131nda m\u00fcze olarak hizmete a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n

1954 y\u0131l\u0131nda ise m\u00fczenin te\u015fhir ve tanzimi yeniden g\u00f6zden ge\u00e7irilmi\u015f ve m\u00fczenin ad\u0131 “Mevl\u00e2na M\u00fczesi” olarak de\u011fi\u015ftirilmi\u015f.<\/p>\n

Mevl\u00e2na M\u00fczesi’ni gezelim \u015fimdi.<\/p>\n

Mevl\u00e2na M\u00fczesi’nin 4 kap\u0131s\u0131 bulunuyor.<\/p>\n

Dervi\u015fan Kap\u0131s\u0131<\/strong><\/p>\n

Mevl\u00e2na M\u00fczesi\u2019nin meydana a\u00e7\u0131lan bat\u0131 y\u00f6ndeki c\u00fcmle giri\u015f kap\u0131s\u0131d\u0131r. Mevlev\u00ee dervi\u015fleri bu kap\u0131y\u0131 kulland\u0131klar\u0131 i\u00e7in bu isimle an\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Kap\u0131 kemerinin \u00fczerine Dedegan H\u00fccreleri ve Dervi\u015fan Kap\u0131s\u0131n\u0131n Sultan III. Murad taraf\u0131ndan yapt\u0131r\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6steren in\u015fa kitabesi ile daha sonra onar\u0131m\u0131 ger\u00e7ekle\u015ftiren ve Adl\u00ee mahlas\u0131yla \u015fiirler yazan Sultan II. Mahmud\u2019un tu\u011fras\u0131 konulmu\u015ftur.<\/p>\n

\u00c7elebi Kap\u0131s\u0131 (\u00c7elebiyan Kap\u0131s\u0131)<\/strong><\/p>\n

\"\"<\/p>\n

Derg\u00e2h\u0131n kuzey kap\u0131s\u0131d\u0131r. \u00c7elebi Evine ve \u00c7elebilerin ikamet etti\u011fi mahalleye a\u00e7\u0131ld\u0131\u011f\u0131 ve \u00c7elebi Efendilerce kulland\u0131\u011f\u0131 i\u00e7in \u00c7elebi Kap\u0131s\u0131 olarak adland\u0131r\u0131lm\u0131\u015ft\u0131r. (Mevlev\u00ee soyundan gelen erkeklere \u00c7elebi deniliyor.) Kap\u0131 kemeri \u00fczerinde onar\u0131m\u0131 yapt\u0131ran Sultan II. Mahmud\u2019un tu\u011fras\u0131 yer almaktad\u0131r.<\/p>\n

Hamu\u015fan Kap\u0131s\u0131 (Susmu\u015flar Kap\u0131s\u0131)<\/strong><\/p>\n

\"\"<\/p>\n

Derg\u00e2h\u0131n g\u00fcneyinde \u00dc\u00e7ler Mezarl\u0131\u011f\u0131’na bakan kap\u0131s\u0131d\u0131r. Osmanl\u0131 Sultan\u0131 II. Mahmud taraf\u0131ndan yapt\u0131r\u0131lan s\u00f6veleri g\u00f6k mermerden, sundurmas\u0131 ah\u015faptan yap\u0131lan kap\u0131n\u0131n \u00fczerinde Sultan\u0131n Adl\u00ee imzal\u0131 mermerden yap\u0131lm\u0131\u015f tu\u011fras\u0131 mevcuttur. Bu kap\u0131, hem Derg\u00e2hta g\u00f6revli olanlar\u0131n Hakk\u2019a vuslatlar\u0131ndan sonra ebedi istirahatg\u00e2hlar\u0131na u\u011furland\u0131\u011f\u0131, hem de ziyaret kast\u0131yla hamu\u015fana ge\u00e7i\u015fi sa\u011flayan kap\u0131 oldu\u011fu i\u00e7in bu adla an\u0131lm\u0131\u015f.<\/p>\n

Pir Kap\u0131s\u0131 (K\u00fcstahan Kap\u0131s\u0131)<\/strong><\/p>\n

\"\"<\/p>\n

Derg\u00e2h\u0131n do\u011fusunda G\u00fcl Bah\u00e7esi\u2019ne a\u00e7\u0131lan kap\u0131d\u0131r. Davran\u0131\u015flar\u0131 sebebiyle ihtar ve ikaz edilen, nihayet derg\u00e2htan uzakla\u015ft\u0131r\u0131lmas\u0131 gereken ki\u015filere ak\u015famdan sonra bu kap\u0131dan yol verildi\u011fi i\u00e7in K\u00fcstahan Kap\u0131s\u0131 olarak isimlendirilmi\u015ftir.<\/p>\n

\"Resim\"<\/p>\n

@tarihikonya sitesinden ald\u0131\u011f\u0131m plan<\/p>\n

M\u00fczedeki Yap\u0131lar<\/strong><\/p>\n

M\u00fcze bah\u00e7esi i\u00e7erisinde Hz. Mevl\u00e2na\u2019n\u0131n T\u00fcrbesi, Semahane, Mescit, Dervi\u015f H\u00fccreleri, Mutfak, Meydan-\u0131 \u015eerif Odas\u0131, \u00c7elebi Dairesi, \u015ead\u0131rvan, Selsebil, \u015eeb-i Arus Havuzu, H\u00fcrrem Pa\u015fa, Sinan Pa\u015fa, Hasan Pa\u015fa, Fatma Hatun, Mehmet Bey ile Eflaki Dede\u2019nin t\u00fcrbeleri yer almaktad\u0131r.<\/p>\n

M\u00fczeye Giri\u015f<\/strong><\/p>\n

M\u00fczenin avlusuna “Dervi\u015fan Kap\u0131s\u0131”ndan girilir. Avlunun kuzey ve bat\u0131 y\u00f6n\u00fc boyunca dervi\u015f h\u00fccreleri yer almaktad\u0131r. Kap\u0131dan girince iki taraf\u0131 dervi\u015f h\u00fccreleriyle \u00e7evrili bir koridorla geni\u015f avluya ge\u00e7ilir.<\/p>\n

Sa\u011f taraf yani g\u00fcney y\u00f6n\u00fc, matbah (mutfak) ve H\u00fcrrem Pa\u015fa T\u00fcrbesi’nden sonra, \u00dc\u00e7ler Mezarl\u0131\u011f\u0131’na a\u00e7\u0131lan Hamu\u015fan (Susmu\u015flar) Kap\u0131s\u0131 ile son bulur.<\/p>\n

Avlunun do\u011fusunda ise Sinan Pa\u015fa, Fatma Hatun ve Hasan Pa\u015fa t\u00fcrbeleri yan\u0131nda semahane ve mescit b\u00f6l\u00fcmleri ile Mevlana ve aile fertlerinin mezarlar\u0131n\u0131n da i\u00e7erisinde bulundu\u011fu ana bina yer al\u0131r.<\/p>\n

\u015eeb-i Arus Havuzu\u00a0\u00a0<\/strong><\/p>\n

\"\"<\/p>\n

Dervi\u015f H\u00fccrelerinin ve Matbah-\u0131 \u015eerifin \u00f6n\u00fcnde yer alan alt\u0131gen planl\u0131, mermerden yap\u0131lm\u0131\u015f bir havuzdur. Havuzun suyu ejder ba\u015fl\u0131 bir l\u00fcleden akar. \u00d6nceleri, Hz. Mevl\u00e2na\u2019n\u0131n vefat y\u0131ld\u00f6n\u00fcmlerinde bu havuzun etraf\u0131nda sema edildi\u011fi, bu sebeple \u201c\u015eeb-i Arus Havuzu\u201d dendi\u011fi rivayet edilir.<\/p>\n

Selsebil<\/strong><\/p>\n

\"\"<\/p>\n

Kuzey taraftaki Dervi\u015f h\u00fccrelerinin \u00f6n k\u0131sm\u0131nda bulunan ve ad\u0131n\u0131 cennet \u00e7e\u015fmelerinden alan Selsebil, Said Hemdem \u00c7elebi (1814-1859) taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Selsebilde, aynal\u0131\u011f\u0131ndaki \u00e7anak\u00e7\u0131klar\u0131n yukar\u0131dan a\u015fa\u011f\u0131ya 1-2-3-2 1 tertibiyle s\u0131ralanmas\u0131, bir noktadan \u00e7\u0131kan suyun, l\u00fcleler marifetiyle \u00e7anaklara da\u011f\u0131ld\u0131ktan sonra tekrar b\u00fcy\u00fck bir \u00e7anakta toplanmas\u0131 suretiyle vahdet-kesret-vahdet (birlik-\u00e7okluk-birlik) olgusu vurgulanmaktad\u0131r.<\/p>\n

\u015ead\u0131rvan<\/strong><\/p>\n

\"\"\"\"<\/p>\n

Bah\u00e7e giri\u015f avlusunun ortas\u0131nda yer alan\u00a0 16 dilimli Derg\u00e2h \u015ead\u0131rvan\u0131 1517 y\u0131l\u0131nda Yavuz Sultan Selim taraf\u0131ndan M\u0131s\u0131r seferi d\u00f6n\u00fc\u015f\u00fcnde yapt\u0131r\u0131l\u0131r. \u015ead\u0131rvan\u0131n suyu \u00c7ay\u0131rba\u011f\u0131 (Meram) mevkiinden getirilerek Mevlev\u00eehane\u2019ye vakfedilmi\u015f, getirilen su hem derg\u00e2hta kullan\u0131lm\u0131\u015f hem de civar mahalle sakinlerine da\u011f\u0131t\u0131lm\u0131\u015ft\u0131r.<\/p>\n

T\u00fcrbe Giri\u015fi<\/strong><\/p>\n

\"\"<\/p>\n

Tilavet Odas\u0131 kap\u0131s\u0131n\u0131n \u00f6n\u00fcnde mermer \u015febeke ile \u00e7evrili k\u00fc\u00e7\u00fck bir avludan B\u00e2b-\u0131 \u015eerif ile m\u00fczenin i\u00e7 k\u0131sm\u0131na girilir. Mermer s\u00f6veli, bas\u0131k kemerli bu kap\u0131n\u0131n \u00fczerinde bitki motifleri bulunan kanatlar\u0131, ah\u015faptan k\u00fcndekari tekni\u011fiyle yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Aynal\u0131\u011f\u0131nda Sultan Veled\u2019e ait \u201cEy talib, \u00f6\u011f\u00fcd\u00fcm\u00fc canla ba\u015fla kabul et. Do\u011frular\u0131n e\u015fi\u011fine ba\u015f koy\u201d anlam\u0131ndaki beyit bulunmaktad\u0131r.<\/p>\n

\"\"<\/p>\n

Tilavet Odas\u0131<\/strong><\/p>\n

Hz. Mevl\u00e2na\u2019n\u0131n t\u00fcrbesinin bulundu\u011fu \u201cHuzur-\u0131 Pir\u201d b\u00f6l\u00fcm\u00fcne ge\u00e7i\u015fi sa\u011flayan bir mekan olup, derg\u00e2hlar\u0131n a\u00e7\u0131k oldu\u011fu d\u00f6nemde sabah namaz\u0131ndan sonra Kur\u2019an-\u0131 Kerim okundu\u011fu i\u00e7in \u201cTilavet Odas\u0131\u201d olarak adland\u0131r\u0131l\u0131r. Tilavet Arap\u00e7a bir kelime olup, Kur’an-\u0131 Kerim’i g\u00fczel sesle ve usul\u00fcne uygun olarak okuma anlam\u0131na gelir. Odan\u0131n kubbesi kalem i\u015fi ve hat sanat\u0131 \u00f6rnekleriyle bezelidir. Osmanl\u0131 d\u00f6neminin me\u015fhur hattatlar\u0131n\u0131n levhalar\u0131 sergilenmektedir.<\/p>\n

Odan\u0131n akusti\u011fi de iyidir.<\/p>\n

G\u00fcm\u00fc\u015f Kap\u0131<\/strong><\/p>\n

Tilavet Odas\u0131ndan Huzur-\u0131 Pir’e ge\u00e7i\u015fi sa\u011flayan kap\u0131d\u0131r. Sokollu Mehmet Pa\u015fa’n\u0131n o\u011flu Vezir Hasan Pa\u015fa taraf\u0131ndan 1599’da hediye edilmi\u015ftir. Cevizden yap\u0131lm\u0131\u015f iki kanatl\u0131 kap\u0131n\u0131n \u00fczeri g\u00fcm\u00fc\u015f levhalar ile kaplanm\u0131\u015ft\u0131r.<\/p>\n

Hat ve tezyinat ile bezelidir.<\/p>\n

G\u00fcm\u00fc\u015f kap\u0131n\u0131n \u00fcst\u00fcnde Hattat Mehmed Sad\u0131k \u00a0taraf\u0131ndan alt\u0131n varakla yaz\u0131lm\u0131\u015f \u201cYa Hazret-i Mevl\u00e2na\u201d levhas\u0131, bunun alt\u0131nda Molla Cami\u2019nin, Hz. Mevl\u00e2na\u2019n\u0131n t\u00fcrbesini ziyaret ederken s\u00f6yledi\u011fi:<\/p>\n

“Bu makam \u00e2\u015f\u0131klar\u0131n kabesi oldu. Buraya noksan gelen tamamland\u0131” beytinin yaz\u0131l\u0131 oldu\u011fu levha bulunur.<\/p>\n

Daha altta Mevl\u00e2na Derg\u00e2h\u0131nda \u00e7ok say\u0131da onar\u0131mlar yapt\u0131ran Sultan II. Mahmud\u2019un alt\u0131n varakl\u0131 tu\u011fras\u0131 yer almaktad\u0131r.<\/p>\n

Huzur-\u0131 Pir<\/strong><\/p>\n

Huzur-\u0131 Pir; G\u00fcm\u00fc\u015f kap\u0131dan Hz. Mevl\u00e2na\u2019n\u0131n t\u00fcrbesine kadar uzanan koridorun g\u00fcney ve do\u011fu k\u0131sm\u0131nda yer alan Hz. Mevl\u00e2na\u2019n\u0131n ailesi ile Mevlev\u00ee b\u00fcy\u00fcklerinin mezarlar\u0131n\u0131n bulundu\u011fu K\u0131bab\u00fc\u2019l- Aktab (Kutuplar\u0131n Kubbeleri), Post Kubbesi, solda yani kuzey cephede aileyle birlikte Konya\u2019ya gelen Horasan erenlerinin sandukalar\u0131 ve k\u00fclliyenin ilk yap\u0131s\u0131 olan Kubbe-i Hadra\u2019dan meydana gelen alan\u0131n tamam\u0131na verilen isimdir.<\/p>\n

K\u0131bab\u00fc’l Aktab (Kutuplar\u0131n Kubbeleri)\u00a0<\/strong><\/p>\n

Salonun do\u011fusu ve g\u00fcneyi; K\u0131bab\u00fc’l Aktab denilen, Mevl\u00e2na’n\u0131n, soyundan gelenlerin ve Mevlev\u00ee b\u00fcy\u00fcklerinin mezarlar\u0131n\u0131n bulundu\u011fu yakla\u015f\u0131k 65 mezarla \u00e7evrelenir.<\/p>\n

Bu k\u0131sm\u0131n duvarlar\u0131 kalem i\u015fi ve yaz\u0131larla bezenmi\u015ftir.<\/p>\n

\"\"<\/p>\n

Do\u011fu-bat\u0131 y\u00f6n\u00fcnde uzanan mezar sandukalar\u0131n\u0131n bulundu\u011fu \u00fczeri kubbelerle \u00f6rt\u00fcl\u00fc k\u0131s\u0131m boydan boya, Sultan II. Mahmud d\u00f6neminde yapt\u0131r\u0131lan demir parmakl\u0131kla ayr\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Burada iki mihrap bulunmaktad\u0131r. Bunlardan birincisi \u00c7elebi H\u00fcsameddin\u2019in sandukas\u0131 \u00f6n\u00fcne isabet eden s\u00fctunun kuzey y\u00fcz\u00fcne gri ve ak mermer kullan\u0131larak yap\u0131lm\u0131\u015ft\u0131r. \u0130ki yan\u0131na dilimli s\u00fctun\u00e7eler yap\u0131lan mihrab\u0131n ak mermer yerle\u015ftirilen al\u0131nl\u0131\u011f\u0131na celi s\u00fcl\u00fcs hatt\u0131 ile Al-i \u0130mran suresinin 97. ayet-i kerimesinin: \u201cOraya giren emniyette olur\u201d b\u00f6l\u00fcm\u00fc yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/p>\n

Biraz ilerisindeki ikinci mihrab da Kubbe-i Hadra\u2019n\u0131n kuzeybat\u0131 k\u00f6\u015fesindeki fil aya\u011f\u0131n\u0131n kuzey y\u00fcz\u00fcn\u00fcn i\u00e7ine oyularak yap\u0131lm\u0131\u015ft\u0131r. Mihrab\u0131n hemen \u00fczerindeki mihrabiyelikte \u201cKelime-i Tevhid\u201d, onun \u00fczerinde ise m\u00fcsenna (aynal\u0131) Allah lafz\u0131 yer almaktad\u0131r.<\/p>\n

\"\"<\/p>\n

Niyaz Penceresi<\/strong>
\nHz. Mevl\u00e2na\u2019n\u0131n t\u00fcrbesi ile birlikte soyundan gelenlerin ve Mevlev\u00ee b\u00fcy\u00fcklerinin mezarlar\u0131n\u0131 g\u00f6recek bi\u00e7imde derg\u00e2h\u0131n g\u00fcney duvar\u0131na a\u00e7\u0131lm\u0131\u015f penceredir. T\u00fcrbeye girilmeden ger\u00e7ekle\u015ftirilen ziyaretlerde dua bu pencereden okunur, bu pencerenin \u00f6n\u00fcnden niyazda bulunulurdu. Pencerenin \u00e7ini i\u015flemeli kemeri \u00fczerine
\nkalem i\u015fi b\u00fcy\u00fck bir Mevlev\u00ee sikkesi resmedilmi\u015f, sikkenin \u00fczerine hat ile Hz. Mevl\u00e2na\u2019n\u0131n bir rub\u00e2isi yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Mevlev\u00ee kaynaklar\u0131nda Yavuz Sultan Selim’in M\u0131s\u0131r seferine giderken bu pencerede dua etti\u011fi s\u00f6ylenir.<\/p>\n

Atat\u00fcrk’\u00fcn, 1931 y\u0131l\u0131nda m\u00fcze ziyaretinde bu penceredeki yaz\u0131 dikkatini \u00e7ekmi\u015f ve yan\u0131nda bulunan\u00a0Hasan Ali Y\u00fccel\u2019e okumas\u0131n\u0131 ve terc\u00fcme etmesini s\u00f6ylemi\u015ftir. Fars\u00e7ay\u0131 \u00e7ok iyi bilen Hasan Ali Y\u00fccel, rub\u00e2iyi okumu\u015f ve T\u00fcrk\u00e7eye \u015f\u00f6yle \u00e7evirmi\u015ftir:<\/p>\n

“Ey keremde, y\u00fccelikte ve nur sa\u00e7\u0131c\u0131l\u0131kta g\u00fcne\u015fin, ay\u0131n, y\u0131ld\u0131zlar\u0131n kul oldu\u011fu Sen (Allah). Garip a\u015f\u0131klar, senin kap\u0131ndan ba\u015fka bir kap\u0131ya yol bulamas\u0131nlar diye \u00f6teki b\u00fct\u00fcn kap\u0131lar kapanm\u0131\u015f, yaln\u0131z senin kap\u0131n a\u00e7\u0131k kalm\u0131\u015ft\u0131r.”<\/p>\n

Atat\u00fcrk, terc\u00fcmeyi dikkatle dinledikten sonra, son c\u00fcmle \u00fczerinde durmu\u015f, \u015f\u00f6yle demi\u015ftir:<\/p>\n

“Demek b\u00fct\u00fcn kap\u0131lar kapand\u0131\u011f\u0131 halde, bu kap\u0131 a\u00e7\u0131k oluyor. Do\u011frusu ben, 1923 y\u0131l\u0131nda buray\u0131 ziyaretim s\u0131ras\u0131nda, bu Derg\u00e2h\u0131 kapatmayal\u0131m, m\u00fcze olarak halk\u0131n ziyaretine a\u00e7al\u0131m diye d\u00fc\u015f\u00fcnm\u00fc\u015f, bir y\u0131l sonra Dergah ve Tekkelerin Kapat\u0131lmas\u0131 Kanunu \u00e7\u0131kar \u00e7\u0131kmaz \u0130smet Pa\u015fa\u2019ya Mevl\u00e2na Derg\u00e2h\u0131 ve T\u00fcrbesi\u2019ni kendi e\u015fyas\u0131 ile m\u00fcze haline getiriniz demi\u015ftim. G\u00f6r\u00fcyorum ki \u015fu okunan \u015fiirin h\u00fckm\u00fcn\u00fc yerine getirmi\u015fim. Bak\u0131n\u0131z ne g\u00fczel m\u00fcze oldu buras\u0131.”<\/p>\n

Hz. Mevl\u00e2na T\u00fcrbesi<\/strong><\/p>\n

\"\"<\/p>\n

Ye\u015fil kubbenin tam alt\u0131nda, d\u00f6rt fil aya\u011f\u0131n\u0131n ortas\u0131nda Mevl\u00e2na’n\u0131n ve o\u011flu Sultan Veled’in iki sar\u0131kl\u0131 mezarlar\u0131 yer almaktad\u0131r. Arkada bulunan tek sar\u0131kl\u0131 sanduka ise Mevl\u00e2na’n\u0131n babas\u0131 Muhammed Bahaeddin Veled’e aittir.<\/p>\n

Halen Mevl\u00e2na’n\u0131n babas\u0131 Bahaeddin Veled’in mezar\u0131 \u00fczerinde bulunan ve baz\u0131 ki\u015filerin “o\u011flu gelince babas\u0131 aya\u011fa kalkm\u0131\u015f” dedikleri ah\u015fap sanduka ise, bir Sel\u00e7uklu \u015faheseri olup, 1274 y\u0131l\u0131nda Mevl\u00e2na i\u00e7in yapt\u0131r\u0131lm\u0131\u015ft\u0131r.\u00a0Sandukan\u0131n y\u00fczeyi geometrik ve bitkisel motifler ile Mesnevi ve Divan-\u0131 Kebirden al\u0131nm\u0131\u015f beyitlerden olu\u015fan yaz\u0131 ku\u015faklar\u0131 ile bezenmi\u015ftir.<\/p>\n

Kanuni, Mevl\u00e2na ve o\u011flu Sultan Veled’in mezarlar\u0131 \u00fczerine 1565 y\u0131l\u0131nda yeni bir mermer sanduka yapt\u0131r\u0131nca, ah\u015fap sanduka buradan kald\u0131r\u0131lm\u0131\u015f ve sandukas\u0131 olmayan Mevl\u00e2na’n\u0131n babas\u0131n\u0131n mezar\u0131n\u0131n \u00fczerine konulmu\u015ftur.<\/p>\n

Hz. Mevl\u00e2na’n\u0131n sandukas\u0131n\u0131n \u00fczerini \u00f6rten kubbenin i\u00e7i y\u0131ld\u0131z tonozludur. T\u00fcrbenin muhte\u015fem nak\u0131\u015flar\u0131, Sultan II. Bayezid devrinde Halepli Mevlev\u00ee Abdurrahman\u2019a yapt\u0131r\u0131lm\u0131\u015f. Sekiz k\u00f6\u015feli y\u0131ld\u0131z tonoz, duvarlar ve kubbe ayaklar\u0131n\u0131n her taraf\u0131 hatlar, geometrik ve bitkisel motiflerle bezenmi\u015f.<\/p>\n

\"\"<\/strong><\/p>\n

Sandukalar\u0131n \u00fczerinde yer alan, alt\u0131n s\u0131rma tellerle i\u015flenmi\u015f deri \u00fczerine atlas kuma\u015ftan yap\u0131lm\u0131\u015f pu\u015fide ise Sultan II. Abd\u00fclhamid taraf\u0131ndan 1894 y\u0131l\u0131nda yapt\u0131r\u0131lm\u0131\u015ft\u0131r. Hz. Pir’in ayak ucuna gelen b\u00f6l\u00fcm\u00fcne bir \u00f6nceki pu\u015fideyi yapt\u0131ran III. Selim tu\u011fras\u0131, onun alt\u0131na da kendi ketebe kayd\u0131n\u0131 koyar. Yani cihan sultanlar\u0131 Hz. Mevl\u00e2na’n\u0131n ayak ucunda huzurdad\u0131r.<\/p>\n

Ancak bu sene (2023) gitti\u011fimizde pu\u015fide san\u0131r\u0131m de\u011fi\u015ftirilmi\u015fti.<\/p>\n

Post Kubbesi<\/strong><\/p>\n

\"\"<\/p>\n

Hz. Mevl\u00e2na\u2019n\u0131n t\u00fcrbesi ile semahane aras\u0131nda k\u00fc\u00e7\u00fck kubbeye denir. Kubbe-i Hadra’n\u0131n kuzey kom\u015fulu\u011funda yer al\u0131r.<\/p>\n

\n

Sandukan\u0131n \u00f6n taraf\u0131nda 1597 y\u0131l\u0131nda Mara\u015f Beylerbeyi Mahmud Pa\u015fa taraf\u0131ndan yapt\u0131r\u0131lan G\u00fcm\u00fc\u015f Kafes<\/strong> bulunmaktad\u0131r.<\/p>\n

G\u00fcm\u00fc\u015f Kafesin hemen alt\u0131nda yer alan ve 18. y\u00fczy\u0131lda yapt\u0131r\u0131lan G\u00fcm\u00fc\u015f E\u015fik<\/strong> iki basamakl\u0131d\u0131r.<\/p>\n

Post Kubbesi alt\u0131nda, G\u00fcm\u00fc\u015f Kafes ve G\u00fcm\u00fc\u015f E\u015fik bulundu\u011fundan buraya “Pir’in Makam\u0131<\/strong>” da denir.<\/p>\n

Eski T\u00fcrk gelene\u011fine uygun olarak naa\u015flar yerin 4 metre alt\u0131nda bulunuyor.<\/p>\n

G\u00fcm\u00fc\u015f e\u015fi\u011fin alt\u0131ndan buraya inen bir merdiven varm\u0131\u015f. Ancak beton ve kur\u015funla kapat\u0131lm\u0131\u015f. Bu konuyla ilgili ilgin\u00e7 bir efsane de var.<\/p>\n<\/div>\n

Horasan Erenlerinin Sandukalar\u0131<\/strong><\/p>\n

G\u00fcm\u00fc\u015f kap\u0131dan t\u00fcrbeye do\u011fru ilerlerken solda kuzey cephede y\u00fcksek sette Horasan Erenleri’ne ait alt\u0131 sanduka bulunur. Sandukalar\u0131n ayak ucunda \u0130lhanl\u0131 H\u00fck\u00fcmdar\u0131 Ebu Said Bahad\u0131r Han taraf\u0131ndan 1327 y\u0131l\u0131nda derg\u00e2ha hediye edilen “Nisan Tas\u0131” bulunmaktad\u0131r.<\/p>\n

\"\"<\/p>\n

G\u00fcm\u00fc\u015f, bronz ve bak\u0131r kar\u0131\u015f\u0131m\u0131ndan yap\u0131lm\u0131\u015f 43 kilogram a\u011f\u0131rl\u0131\u011f\u0131ndaki tas\u0131n y\u00fczeyi yaz\u0131 ku\u015faklar\u0131, hayvan ve insan fig\u00fcrleriyle s\u00fcslenmi\u015ftir.<\/p>\n

Semahane<\/strong><\/p>\n

Mevl\u00e2na Derg\u00e2h\u0131\u2019n\u0131n ana yap\u0131lar\u0131ndan biri olan Semahaneye Post Kubbesinin alt\u0131ndan ge\u00e7iliyor.<\/p>\n

\u00c2yin-i \u015eerifin icra edildi\u011fi Semahane, bat\u0131s\u0131nda bulunan Mescidle birlikte Sultan II. Selim taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Mescid<\/strong><\/p>\n

Giri\u015f kap\u0131s\u0131 ile avluya a\u00e7\u0131lan, \u00c7era\u011f kap\u0131s\u0131ndan t\u00fcrbeye, kuzey do\u011fusundaki k\u00fc\u00e7\u00fck kap\u0131dan da Semahane\u2019ye ge\u00e7ilen Mescid, Semahane ile birlikte Sultan II. Selim taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\u015eeriat ve Tarikat sembolleri olan bu iki mekan\u0131n aras\u0131nda al\u00e7ak bir duvar bulunuyor.<\/p>\n

Her iki mekanda; Mevl\u00e2na yak\u0131nlar\u0131 ve Mevlev\u00eelere ait de\u011ferli e\u015fyalar; yazma eserler, minyat\u00fcrler, Sakal-\u0131 \u015eerif, kandil, m\u00fczik aletleri, k\u0131yafetler, ve de\u011fi\u015fik d\u00f6nemlerde m\u00fczeye ba\u011f\u0131\u015flanm\u0131\u015f materyaller sergileniyor.<\/p>\n

\"\"\"\"<\/p>\n

Kubbesindeki bord\u00fcr \u00fczerinde tekrarlayan “Ey benim halime vak\u0131f olan, sadece sana g\u00fcvenir sana dayan\u0131r\u0131m” yaz\u0131s\u0131 yer almaktad\u0131r.<\/p>\n

Mescidin tek \u015ferefeli bir minaresi de bulunuyor.<\/p>\n

Mescidde namazlar\u0131 eda etmenin yan\u0131nda ism-i cel\u00e2l zikredilir ve mesnev\u00ee okunurdu.<\/p>\n

Mescid, gerekli d\u00fczenlemeler yap\u0131larak 2014 y\u0131l\u0131nda yeniden ibadete a\u00e7\u0131lm\u0131\u015f.<\/p>\n

Evet bir mola verip t\u00fcrbeye yak\u0131n Lokmahane Restoran’da yeme\u011fimizi yiyoruz. \u00c7ok leziz y\u00f6resel yemekleri bulunan lokantan\u0131n \u00e7al\u0131\u015fanlar\u0131 da bir o kadar ilgili.<\/p>\n

Ard\u0131ndan otele gidip bir de do\u011fum g\u00fcn\u00fc kutlamas\u0131 yap\u0131yoruz.<\/p>\n

\"\"<\/p>\n

12. \u00c2yin-i \u015eerif\u00a0 (Mevl\u00e2na K\u00fclt\u00fcr Merkezi)<\/strong><\/p>\n

Konya’ya gelmi\u015fken Ayini \u015eerif’e kat\u0131lmamak olmaz.<\/p>\n

\u015eimdi biraz da \u015eeb-i Arus ve sema ayinlerinden bahsedelim.<\/p>\n

\u015eeb-i Arus<\/strong>\u00a0(Fars\u00e7a \u015feb: gece, Arap\u00e7a arus: d\u00fc\u011f\u00fcn)<\/p>\n

D\u00fc\u011f\u00fcn gecesi anlam\u0131na gelen \u015eeb-i Arus Mevl\u00e2na Celaleddin-i R\u00fbmi\u2019nin vefat etti\u011fi ve \u0130l\u00e2hi Sevgiliye kavu\u015fmas\u0131na (vuslat) i\u015faret eden gecedir. Her y\u0131l bu gecenin y\u0131l d\u00f6n\u00fcm\u00fc olan 17 Aral\u0131k tarihlerine denk gelen hafta Konya\u2019da “Vuslat Y\u0131l D\u00f6n\u00fcm\u00fc Uluslararas\u0131 Anma T\u00f6renleri” yap\u0131lmaktad\u0131r. Bu sene (2023’de) vuslat\u0131n 750. y\u0131l d\u00f6n\u00fcm\u00fc an\u0131ld\u0131.<\/p>\n

“\u00d6l\u00fcm\u00fcm\u00fczden sonra mezar\u0131m\u0131z\u0131 yerde aramay\u0131n\u0131z!
\nBizim mezar\u0131m\u0131z \u00e2riflerin g\u00f6n\u00fcllerindedir.\u201d
\nHz. Mevl\u00e2na<\/p>\n

Sema<\/strong><\/p>\n

Mevlev\u00eelik ile \u00f6zde\u015fle\u015fen sema; s\u00f6zl\u00fckte i\u015fitmek manas\u0131ndad\u0131r. Terim olarak musiki na\u011fmelerini dinlerken vecde gelip hareket etmek, kendinden ge\u00e7ip d\u00f6nmektir.<\/p>\n

\"\"<\/p>\n

Kainatta zerreden k\u00fcrreye (atom molek\u00fcl\u00fcnden gezegen ve galaksilere) kadar her \u015fey, sa\u011fdan sola do\u011fru d\u00f6nmektedir. Semazen de bir insan olarak bu d\u00f6n\u00fc\u015fe i\u015ftirak eder.<\/p>\n

Yine sema, “\u00d6lmeden evvel \u00f6lmek” anlam\u0131nda sembol ve i\u015faretlerle doludur.<\/p>\n

Sema ve K\u00e2inat\u0131n Hareketi (Hz. Mevl\u00e2na torunu Celaleddin B. \u00c7elebi’den al\u0131nt\u0131)<\/strong><\/p>\n

Sema; T\u00fcrk tarihinin ananesinin, inan\u00e7lar\u0131n\u0131n bir par\u00e7as\u0131 olup Hz. Mevl\u00e2na (1207-1273) ilham\u0131yla olu\u015fmu\u015f ve geli\u015fmi\u015ftir. Kem\u00e2le do\u011fru manevi bir yolculu\u011fu (Mirac\u0131), bir gidi\u015f-geli\u015fi temsil eder…<\/p>\n

Sema kulun hakikate y\u00f6nelip, ak\u0131lla-a\u015fkla y\u00fccelip, nefsini terk ederek, Hak’ta yok olu\u015fu ve olgunlu\u011fa ermi\u015f, k\u00e2mil bir insan olarak tekrar kullu\u011fa d\u00f6n\u00fc\u015f\u00fcd\u00fcr. B\u00fct\u00fcn varl\u0131\u011fa, b\u00fct\u00fcn yarat\u0131lanlara yeni bir ruhla, sevgi i\u00e7in, hizmet i\u00e7in d\u00f6n\u00fc\u015f\u00fcd\u00fcr.<\/p>\n

Semazen h\u0131rkas\u0131n\u0131 \u00e7\u0131karmakla, manen ebedi \u00e2leme, hakikate do\u011far, orada yol al\u0131r. Ba\u015f\u0131nda sikkesi; nefsinin mezar ta\u015f\u0131, \u00fcst\u00fcnde tennuresi; nefsinin kefenidir.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

Kollar\u0131n\u0131 \u00e7apraz ba\u011flayarak g\u00f6r\u00fcn\u00fc\u015fte B\u0130R rakam\u0131n\u0131 temsil eden, b\u00f6ylece Allah’\u0131n birli\u011fini tasdik eden semazen, sema ederken kollar\u0131 a\u00e7\u0131k, sa\u011f eli dua edercesine g\u00f6klere, Hak g\u00f6z\u00fcyle bakt\u0131\u011f\u0131 sol eli yere d\u00f6n\u00fckt\u00fcr. Hakk’tan ald\u0131\u011f\u0131 ihsan\u0131, halka sa\u00e7mas\u0131d\u0131r. Sa\u011fdan sola kalbin etraf\u0131nda d\u00f6nerek, b\u00fct\u00fcn insanlar\u0131, b\u00fct\u00fcn yarat\u0131lm\u0131\u015flar\u0131, b\u00fct\u00fcn kalbiyle sevgi ve a\u015fkla kucaklay\u0131\u015f\u0131d\u0131r…<\/p>\n

\"\"<\/p>\n

Sema t\u00f6reni yedi b\u00f6l\u00fcmd\u00fcr. Her b\u00f6l\u00fcm\u00fcn ayr\u0131 bir manas\u0131 vard\u0131r.<\/p>\n

Birinci b\u00f6l\u00fcm:<\/strong><\/p>\n

\u0130lah\u00ee a\u015fk\u0131 temsil eden Peygamber Efendimiz’i metheden bir “na’t” ile ba\u015flar. Buna “Na’t-\u0131 \u015eerif” denilir. Peygamberimizi methetmek ondan evvelki b\u00fct\u00fcn Peygamberleri ve hepsini yaratan Allah’\u0131 methetmektir.<\/p>\n

\"\"<\/p>\n

\u0130kinci b\u00f6l\u00fcm:<\/strong><\/p>\n

Bu methiyeden sonra bir kud\u00fcm darbesi duyulur. Bu vuru\u015f Allah’\u0131n k\u00e2inat\u0131 yarat\u0131\u015f\u0131ndaki “K\u00fcn=Ol” emrini temsil eder. (Kur’an-\u0131 Kerim S. 36\/A:82)<\/p>\n

\u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm:<\/strong><\/p>\n

Her \u015feye can veren “Nefesi” nefhay\u0131 ilahiyyeyi temsil eden bir ney taksimi duyulur…<\/p>\n

D\u00f6rd\u00fcnc\u00fc b\u00f6l\u00fcm:<\/strong><\/p>\n

Sultan Veled devridir. Bu, semazenlerin birbirine \u00fc\u00e7 kere selam vererek, bir pe\u015frevle dairevi y\u00fcr\u00fcy\u00fc\u015f\u00fcd\u00fcr. \u015eekilde gizli ruhun ruha selam\u0131d\u0131r.<\/p>\n

\"\"<\/p>\n

Be\u015finci b\u00f6l\u00fcm:<\/strong><\/p>\n

Sema t\u00f6reni 4 selamd\u0131r. Semazen \u00fcst\u00fcndeki siyah h\u0131rkay\u0131 \u00e7\u0131kararak sembolik olarak hakikate do\u011far. Kollar\u0131n\u0131 ba\u011flayarak bir rakam\u0131n\u0131 temsil eder. B\u00f6ylece Allah’\u0131n birli\u011fine \u015fehadet eder. \u015eeyh Efendi’nin elini \u00f6perek sema’ya girme izni al\u0131r. Sema ba\u015flar.<\/p>\n

    \n
  1. Selam; insan\u0131n bilgiyle hakikate do\u011farak, Y\u00fcce Yaradan’\u0131n\u0131 ve kendi kullu\u011funa idrakidir..<\/li>\n
  2. Selam; insan\u0131n yarat\u0131l\u0131\u015ftaki nizam\u0131, azameti m\u00fc\u015fahede ederek, Allah’\u0131n kudreti kar\u015f\u0131s\u0131nda hayranl\u0131k duymas\u0131d\u0131r..<\/li>\n
  3. Selam; insan\u0131n hayranl\u0131k ve minnet duygusunun “a\u015fk”a d\u00f6n\u00fc\u015fmesiyle, akl\u0131n “a\u015fk”a kurban olu\u015fudur. Bu tam teslimiyettir. Allah’a vuslatt\u0131r, sevgilide yok olu\u015ftur! Budizm’de en y\u00fcksek mertebe olan “Fen\u00e2fill\u00e2h”t\u0131r. Ancak \u0130sl\u00e2mit’te en y\u00fcksek mertebe kulluk mertebesidir.\u00a0\"\"<\/li>\n
  4. Selam ise; insan\u0131n m\u00e2nevi yolculu\u011funu tamamlay\u0131p, kaderine raz\u0131 olarak, yarat\u0131l\u0131\u015ftaki vazifesine, kullu\u011funa d\u00f6n\u00fc\u015f\u00fcd\u00fcr. Bu Selam’a \u015eeyh Efendi ve Semazen ba\u015f\u0131 da i\u015ftirak eder.\u00a0 \u00a0 \u00a0 \u00a0\"\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bu noktada semazen, \u00c2mene’r Resul\u00fc’deki (Kur’an-\u0131 Kerim Bakara 2. ayet 285) Allah’a Meleklerine, Kitaplar\u0131na, Peygamberlerine… iman etmi\u015f olman\u0131n ne\u015fesi i\u00e7indedir. \u0130lahi emirlerin ve yarat\u0131l\u0131\u015f sebeplerinin zevki ve idraki i\u00e7indedir… Benli\u011fini, egosunu ma\u011flup etmi\u015f Peygamber Efendimizin, “\u00f6lmeden \u00f6nce \u00f6l\u00fcn\u00fcz” ve Kur’an-\u0131 Kerim’in Fecr s\/27, son ayetlerindeki. “Ey emin ve mutmain olan nefis, sen O’ndan ho\u015fnut, O da senden ho\u015fnut olarak Rabbine d\u00f6n! Has kullar\u0131m z\u00fcmresine gir! Onlarla beraber cennetime gir!” emirlerine uymu\u015f ve ne\u015fesine gark olmu\u015ftur.<\/li>\n<\/ol>\n

    Alt\u0131nc\u0131 b\u00f6l\u00fcm:<\/strong><\/p>\n

    Bilhassa “Me\u015frik de Allah’\u0131nd\u0131r, ma\u011frib de. Hangi tarafa d\u00f6nerseniz, Allah’\u0131n y\u00fcz\u00fc oradad\u0131r. \u00c7\u00fcnk\u00fc Allah Vasi’dir, Ali’mdir.” (Bakara s.2 115.) ayetinin okundu\u011fu Kur’an-\u0131 Kerim til\u00e2vetiyle devam eder.<\/p>\n

    Yedinci b\u00f6l\u00fcm:<\/strong><\/p>\n

    Sema t\u00f6reni, b\u00fct\u00fcn Peygamberlerin, \u015fehitlerimizin ve b\u00fct\u00fcn inananlar\u0131n ruhlar\u0131 i\u00e7in okunan bir fatiha ve\u00a0 devletimizin sel\u00e2meti i\u00e7in bir dua ile son bulur.<\/p>\n

    Dedeler ve Dervi\u015fler Sema Mukabelesinden sonra, kimseyle konu\u015fmadan, tefekk\u00fcr (meditasyon) i\u00e7in sessizce h\u00fccrelerine \u00e7ekilirler…<\/p>\n

    \u0130kinci g\u00fcn Konya’n\u0131n do\u011fu taraflar\u0131na do\u011fru gezimize devam ediyoruz.<\/p>\n

    13. Sultan Selim Cami<\/strong><\/p>\n

    \"\"<\/p>\n

    Mevl\u00e2na M\u00fczesinin bat\u0131 kom\u015fulu\u011funda bulunuyor. II. Sultan Selim\u2019in Konya valili\u011fi s\u0131ras\u0131nda 1558 y\u0131l\u0131nda yap\u0131m\u0131na ba\u015flanm\u0131\u015f ve 1567 y\u0131l\u0131nda tamamlanm\u0131\u015ft\u0131r. Klasik Osmanl\u0131 mimarisinin Konya\u2019daki en g\u00fczel \u00f6rneklerinden biridir.<\/p>\n

    Plan itibari ile \u0130stanbul\u2019da bulunan Fatih Camisi’ne benzetiliyor. Caminin i\u00e7 mekan\u0131 kalem i\u015fi ile bezenmi\u015f.<\/p>\n

    \"\"<\/p>\n

    Mevl\u00e2na T\u00fcrbesinin g\u00fcneyindeki Aslanl\u0131 K\u0131\u015fla caddesinden do\u011fuya do\u011fru ilerlerken \u015eehitlik Abidesi<\/strong>‘ni g\u00f6r\u00fcyoruz.<\/p>\n

    \"\"<\/p>\n

    14. Konya \u0130stiklal Harbi \u015eehitli\u011fi<\/strong><\/p>\n

    \u015eehitli\u011fin \u00f6n\u00fcnde tarihteki 16 T\u00fcrk devletinin bayraklar\u0131n\u0131n yer ald\u0131\u011f\u0131 havuzlu yol.<\/p>\n

    \"\"<\/p>\n

    \u015eehitlik; \u00c7anakkale Harbi Cephesi, 1915 y\u0131l\u0131 sonras\u0131 Konya\u2019n\u0131n durumu, \u0130stiklal Harbi haz\u0131rl\u0131\u011f\u0131, harp ve sava\u015f\u0131n kazan\u0131lmas\u0131ndan sonraki Konya ve k\u00f6y hayat\u0131n\u0131 anlatan bir kompozisyon ile d\u00fczenlenmi\u015f.<\/p>\n

    \"\"<\/p>\n

    \"\"<\/p>\n

    15. Konya Panorama M\u00fczesi<\/strong><\/p>\n

    Aral\u0131k 2017\u2019de a\u00e7\u0131lan m\u00fcze, \u0130stanbul 1453 Panorama M\u00fczesi’nden sonra 2. kubbeli panorama m\u00fczesi. M\u00fczenin orta b\u00f6l\u00fcmde yer alan avlunun \u00fczeri a\u00e7\u0131k olarak tasarlanm\u0131\u015f. Kapal\u0131 b\u00f6l\u00fcm ise iki katl\u0131d\u0131r.<\/p>\n

    “M\u00fcze \u00d6zendirme Yar\u0131\u015fmas\u0131”nda \u00f6d\u00fcl alm\u0131\u015ft\u0131r.<\/p>\n

    M\u00fcze; Konya’da Mevlana’n\u0131n ya\u015fad\u0131\u011f\u0131 13. y\u00fczy\u0131l d\u00f6nemine ait bir panorama sunuyor.<\/p>\n

    Bu d\u00f6nemde Anadolu Sel\u00e7uklular\u0131\u2019n\u0131n yakla\u015f\u0131k iki as\u0131r kadar ba\u015fkenti olan Konya\u2019n\u0131n; bilgin, sanatkar, \u015fair ve ediplerin harman oldu\u011fu bir \u015fehir oldu\u011fu anlat\u0131lmaktad\u0131r. \u00d6zellikle Mo\u011fol istilas\u0131ndan ka\u00e7\u0131p Anadolu\u2019ya s\u0131\u011f\u0131nan Mavera\u00fcnnehr, Horasan ve \u0130ranl\u0131 \u00e2lim, mutasavv\u0131f, sanatkar ve tacirler, Konya\u2019y\u0131 vatan edinmi\u015flerdi. Ba\u015fkent Konya, tacirler i\u00e7in g\u00fcvenli ve refah d\u00fczeyi y\u00fcksek bir \u015fehirdi. \u0130pek Yolu \u00fczerinde olmas\u0131 tacirlerin u\u011frak yeri olmas\u0131na sebep olmu\u015ftu. O d\u00f6nemlerde Sel\u00e7uklu Sultanlar\u0131 merkez ve civar\u0131na, kervanlar\u0131n g\u00fcvenle dinlenebilmeleri ve konaklayabilmeleri i\u00e7in hanlar-kervansaraylar in\u015fa ettirmi\u015flerdi. Konya, bu devrin hatta b\u00fct\u00fcn devirlerin en b\u00fcy\u00fck mutasavv\u0131f\u0131 say\u0131lan \u015eeyh\u00fc\u2019l-Ekber Muhiddin-i Arabi\u2019nin Konya\u2019ya gelmesi ve \u00a0vahdet-i v\u00fccut nazariyesini yaymas\u0131yla tasavvufi a\u00e7\u0131dan geli\u015fmi\u015fti. \u00a0Necmeddin D\u00e2ye, Sadreddin Konevi, S\u00fchreverdi, Mevl\u00e2na ve ailesi sayesinde de olduk\u00e7a kuvvetli ve parlak bir d\u00f6nemi ya\u015fam\u0131\u015ft\u0131.<\/p>\n

    Evet bu giri\u015f bilgisinden sonra m\u00fczeyi gezmeye ba\u015flayal\u0131m.<\/p>\n

    Ta\u00e7 Kap\u0131<\/strong><\/p>\n

    M\u00fczeye Sel\u00e7uklu tarz\u0131nda bir Ta\u00e7 Kap\u0131 ile giri\u015f sa\u011flanmaktad\u0131r.<\/p>\n

    \"\"<\/p>\n

    Avlu<\/strong><\/p>\n

    Avlu b\u00f6l\u00fcm\u00fcnde T\u00fcrkiye’de ve yurt d\u0131\u015f\u0131nda bulunan \u00e7ok say\u0131daki Mevlevihanelerden se\u00e7ilmi\u015f 19 tanesinin maketi bulunmaktad\u0131r.<\/p>\n

    Gelibolu Mevlevihanesi’nin mimarisi \u00e7ok g\u00fczeldi. \u00c7anakkale’ye gitti\u011fimizde buray\u0131 nas\u0131l g\u00f6rmeden d\u00f6nm\u00fc\u015f\u00fcz inan\u0131l\u0131r gibi de\u011fil.<\/p>\n

    \"\"<\/p>\n

    Galeri B\u00f6l\u00fcm\u00fc<\/strong><\/p>\n

    Avludan kapal\u0131 b\u00f6l\u00fcme ge\u00e7i\u015fte bir kat a\u015fa\u011f\u0131ya inerek Galeri B\u00f6l\u00fcm\u00fc’ne geliniyor.<\/p>\n

    Bu b\u00f6l\u00fcm; Hz. Mevlana\u2019n\u0131n \u00e7ocuklu\u011fundan vefat\u0131na kadar, hayat\u0131ndaki \u00f6nemli anlar\u0131n ya\u011fl\u0131 boya tablolar ile canland\u0131r\u0131ld\u0131\u011f\u0131 b\u00f6l\u00fcm.<\/p>\n

    Mevl\u00e2na ailesinin Belh’den Konya’ya kadar olan g\u00f6\u00e7 yolunu g\u00f6steren bir harita da sergileniyor.<\/p>\n

    Ayr\u0131ca camekanlar i\u00e7inde Hz. Mevl\u00e2na’n\u0131n Burhaneddin Tirmizi’den tasavvufi ilimleri tahsilini ve \u015eems Hazretleri ile halvetini anlatan heykeller bulunuyor.<\/p>\n

    \"\"<\/p>\n

    Mo\u011fol \u0130stilas\u0131 An\u0131nda Hz. Mevlana\u2019n\u0131n Duru\u015fu ve Konya\u2019n\u0131n Kurtulu\u015fu Tablosu:<\/p>\n

    Mo\u011follar, 1256\u2019da Sel\u00e7uklu ordusunu da\u011f\u0131t\u0131p Konya\u2019ya girmi\u015flerdir. Ancak y\u00fckl\u00fc miktarda hara\u00e7 ald\u0131klar\u0131 i\u00e7in fazla bir y\u0131k\u0131m yapmam\u0131\u015flar. Bu arada korkan halk Mevlana\u2019dan da dua istemi\u015f.<\/p>\n

    Ye\u015fil c\u00fcbbesini giyinen Mevl\u00e2na bir ku\u015fluk vakti y\u00fcksek\u00e7e bir yere gelmi\u015f ve namaz k\u0131lmaya ba\u015flam\u0131\u015f. Hz. Mevlana\u2019y\u0131 g\u00f6ren komutan Baycu Noyan onun heybetinden etkilenmi\u015f, k\u0131y\u0131m yapmadan \u015fehri terk etmi\u015flerdir. Tabloda, \u015fehri ku\u015fatan Mo\u011fol ordusu, Komutan Baycu Noyan ve Hz. Mevl\u00e2na\u2019n\u0131n bu an\u0131 canland\u0131r\u0131lm\u0131\u015f.<\/p>\n

    \"\"<\/p>\n

    Panorama B\u00f6l\u00fcm\u00fc<\/strong><\/p>\n

    Ana galeriden merdivenlerle panorama alan\u0131na \u00e7\u0131k\u0131l\u0131yor.<\/p>\n

    Panorama, tamam\u0131 \u00fc\u00e7 boyutlu olarak resmedilen tek bir kubbe ile \u00f6rt\u00fclm\u00fc\u015f. Resimlerde Konya’n\u0131n 13. y\u00fczy\u0131l mimari eserleri, bedesten, insan ili\u015fkileri, kad\u0131n-erkek giyimleri, ya\u015fam tarzlar\u0131 ve Mevl\u00e2na’n\u0131n ilk semas\u0131 minyat\u00fcr balmumu heykeller ile ziyaret\u00e7ilere sunuluyor.<\/p>\n

    Bedestende Sema:<\/p>\n

    Mevl\u00e2na’n\u0131n g\u00f6nl\u00fc co\u015fmu\u015f ve sema etmeye ba\u015flam\u0131\u015ft\u0131r.<\/p>\n

    \"\"<\/p>\n

    M\u00fczede; Hz. Mevl\u00e2na\u2019n\u0131n ho\u015fg\u00f6r\u00fcs\u00fc ile beraber Konya\u2019da t\u00fcm din mensuplar\u0131n\u0131n karde\u015f\u00e7e ya\u015fad\u0131klar\u0131 vurgulanmaktad\u0131r.<\/p>\n

    \"\"<\/p>\n

    16. Konya Tropikal Kelebek Bah\u00e7esi<\/strong><\/p>\n

    Konya’n\u0131n yakla\u015f\u0131k 10 km kuzeyinde bulunuyor.<\/p>\n

    Kelebek Bah\u00e7esi; kelebeklerin pupa halinden \u00f6l\u00fcm\u00fcne kadar her a\u015famas\u0131n\u0131n ya\u015fand\u0131\u011f\u0131 \u00fcretim alan\u0131, kapal\u0131 u\u00e7u\u015f alan\u0131, a\u00e7\u0131k u\u00e7u\u015f alan\u0131 ve kelebek m\u00fczesi olmak \u00fczere 4 b\u00f6l\u00fcmden olu\u015fuyor. Vadi i\u00e7erisinde 270 bin metrekare ye\u015fil alan, 105 bin metrekare sert alan ve 10 bin metrekare havuz alan\u0131 bulunuyor.<\/p>\n

    \"\"\"\"\"\"\"\"<\/p>\n

    \u0130zmir’e d\u00f6nme vakti geldi.<\/p>\n

    Yine yeniden bulu\u015fma \u00fcmidi ile…<\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    KONYA Konya \u00fclkemizin \u00f6nemli \u015fehirlerinden biridir. Nedenlerinden birincisi; Tarihi Neolitik \u00e7a\u011fa kadar (M.\u00d6. 6800) uzanan, insanl\u0131k tarihinin ilk yerle\u015fim yerlerinden biri olan \u00c7atalh\u00f6y\u00fck’\u00fcn bu ilin s\u0131n\u0131rlar\u0131 i\u00e7inde bulunmas\u0131. Ve buras\u0131 UNESCO D\u00fcnya Miras\u0131 Listesinde yer almaktad\u0131r.<\/p>\n","protected":false},"author":1,"featured_media":6269,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[772],"tags":[339,774,760,764,771,763,765,773,755],"class_list":["post-6010","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konya-konya","tag-gezilecek-yerler","tag-kelebekbahcesi","tag-konya","tag-mevlana","tag-panorama-muzesi","tag-seb-i-arus","tag-sema","tag-semsi-tebrizi","tag-sille"],"_links":{"self":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/6010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/comments?post=6010"}],"version-history":[{"count":20,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/6010\/revisions"}],"predecessor-version":[{"id":6272,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/6010\/revisions\/6272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media\/6269"}],"wp:attachment":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media?parent=6010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/categories?post=6010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/tags?post=6010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}