{"id":3824,"date":"2020-05-26T00:01:56","date_gmt":"2020-05-25T21:01:56","guid":{"rendered":"http:\/\/www.yeryuzundebirkacadim.com\/?p=3824"},"modified":"2024-08-19T13:56:24","modified_gmt":"2024-08-19T10:56:24","slug":"paris","status":"publish","type":"post","link":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/2020\/05\/26\/paris\/","title":{"rendered":"Paris"},"content":{"rendered":"

24 A\u011eUSTOS – 28 A\u011eUSTOS 2015 PAR\u0130S GEZ\u0130S<\/strong>\u0130<\/p>\n

Vefa’yla Paris’e ilk kez 2000 y\u0131l\u0131nda gitmi\u015ftik. Bu sefer \u00e7ocuklarla geldi\u011fimiz Paris’te k\u00fclt\u00fcr gezisi yapabilmenin yan\u0131nda \u015fehrin sokaklar\u0131nda tela\u015feye yer vermeden gezip hissetmek istiyoruz bu \u015fehri.<\/p>\n

<\/p>\n

1. G\u00fcn 24 A\u011fustos 2015 Pazartesi<\/strong><\/p>\n

Sabah 10.25 Paris u\u00e7a\u011f\u0131 ile yola \u00e7\u0131k\u0131yoruz. Var\u0131\u015f\u0131m\u0131z 13.15 gibi.<\/p>\n

Georges Haussman’\u0131n tasarlad\u0131\u011f\u0131 Paris’in merkezi, Montmartre ve Marais’in b\u00fcy\u00fcleyici Arnavut kald\u0131r\u0131ml\u0131 sokaklar\u0131 ile Paris<\/strong>; d\u00fcnyan\u0131n en g\u00fczel \u015fehirlerinden biridir.\u00a0 Anketlerde d\u00fcnyan\u0131n en romantik \u015fehri \u00fcnvan\u0131n\u0131 ise a\u00e7\u0131k ara \u00f6nde g\u00f6t\u00fcrmektedir. Bat\u0131 d\u00fcnyas\u0131nda fikirlerin, sanat\u0131n, \u015fiirin ve devrimci politikan\u0131n da merkezi olmu\u015ftur.<\/p>\n

\u015eehirde ba\u015flang\u0131\u00e7 noktam\u0131z; Chaillot Tepesi’ndeki Chaillot Saray\u0131’na geliyoruz.<\/p>\n

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Buraya o\u011flu i\u00e7in saray yapt\u0131rmak Napolyon’un hayaliymi\u015f. Ancak imparatorlu\u011funun \u00e7\u00f6k\u00fc\u015f\u00fc nedeniyle ger\u00e7ekle\u015ftirememi\u015f.<\/p>\n

Daha sonra 1878’de Evrensel Sergi i\u00e7in Trocadero Saray\u0131 yap\u0131l\u0131yor.<\/p>\n

1937’de de ba\u015fka bir sergi i\u00e7in, eski saray\u0131n bir k\u0131sm\u0131 y\u0131k\u0131larak Chaillot Saray\u0131 in\u015fa edilmi\u015f.<\/p>\n

Chaillot Saray\u0131 ayn\u0131 zamanda 1948 y\u0131l\u0131nda imzalanan \u0130nsan Haklar\u0131 Evrensel Beyannamesi’nin onayland\u0131\u011f\u0131 yerdir.<\/p>\n

Sen (Seine) Nehri’ne hakim olan beyaz renkli s\u00fctunlu Saray, ortas\u0131ndaki Trocadero Meydan\u0131’n\u0131 iki koldan sarar. G\u00fcn\u00fcm\u00fczde, b\u00fcnyesinde bir akvaryum, bir tiyatro ve m\u00fczeler olmak \u00fczere \u00e7e\u015fitli kurum ve kurulu\u015flar\u0131 bar\u0131nd\u0131rmaktad\u0131r.<\/p>\n

Sa\u011fda ve solda d\u00f6rder adet bronz heykel vard\u0131r. Daha sonra bu heykeller yald\u0131z ile kaplanm\u0131\u015ft\u0131r. Heykellerin yedisi kad\u0131nken biri erke\u011fe aittir. Sa\u011fda; ku\u015f, bah\u00e7\u0131van, bahar ve meyveler temal\u0131 heykeller g\u00f6r\u00fcl\u00fcyor.<\/p>\n

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Trocadero’nun geni\u015f teras\u0131 Eyfel’in en iyi seyredildi\u011fi, foto\u011frafland\u0131\u011f\u0131 yerdir.<\/p>\n

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Bah\u00e7e i\u00e7inde, 1937’de Roger Expert ve Paul Maitre taraf\u0131ndan yarat\u0131lan Var\u015fova \u00c7e\u015fmeleri<\/strong> bulunmaktad\u0131r. Var\u015fova \u00c7e\u015fmeleri, b\u00fcy\u00fck bir havzaya hakim olan bir dizi basamakl\u0131 havuzdur. Burada 20 top tarz\u0131 su jeti, 56 f\u0131skiye, 12 dikey \u00e7e\u015fme vard\u0131r.<\/p>\n

Havuzun etraf\u0131ndaki Trocadero Bah\u00e7eleri’nde de ta\u015f ve bronz bir\u00e7ok heykel var.<\/p>\n

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Meydandan sa\u011fl\u0131 sollu merdivenlerle a\u015fa\u011f\u0131ya iniyoruz.<\/p>\n

\u0130lk alanda sa\u011f ve solda ta\u015f kaidelere yaslanm\u0131\u015f “kad\u0131n” ve “erkek” heykeli var.<\/p>\n

Onun \u00f6n taraf\u0131nda k\u00fc\u00e7\u00fck havuzlar i\u00e7inde “Bo\u011fa ve Geyik” ve “At ve K\u00f6pek” adl\u0131 bronz heylerler var. (Her yerde heykel. Eee sanat \u015fehrindeyiz.)<\/p>\n

Bah\u00e7ede “Ya\u015fam Sevinci” temal\u0131 heykel<\/p>\n

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Trocadero Bah\u00e7eleri’nden ilerleyip Sen Nehri’nin kar\u015f\u0131 yakas\u0131na ge\u00e7mek i\u00e7in Jena K\u00f6pr\u00fcs\u00fc’nden ge\u00e7iyoruz. K\u00f6pr\u00fc \u00fczerinde farkl\u0131 sanat\u00e7\u0131lar taraf\u0131ndan kire\u00e7 ta\u015f\u0131ndan yap\u0131lm\u0131\u015f 4 adet sava\u015f\u00e7\u0131 heykeli var.<\/p>\n

Galya Sava\u015f\u00e7\u0131s\u0131<\/p>\n

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Roma Sava\u015f\u00e7\u0131s\u0131\"\"<\/p>\n

Arap Sava\u015f\u00e7\u0131s\u0131 ve Yunan Sava\u015f\u00e7\u0131s\u0131 da bulunuyor.<\/p>\n

Eyfel Kulesi<\/strong><\/p>\n

Paris’in en \u00fcnl\u00fc simgesi olan kule 1889 Evrensel Sergisi i\u00e7in m\u00fchendis Gustave Eiffel taraf\u0131ndan in\u015fa edilmi\u015ftir. Sergiden sonra kald\u0131r\u0131lmas\u0131 planlanan yap\u0131 \u015fehir halk\u0131n\u0131n bir\u00e7o\u011fu taraf\u0131ndan be\u011fenilmese de ra\u011fbet g\u00f6rm\u00fc\u015f ve kal\u0131c\u0131 olmu\u015ftur.<\/p>\n

320 metre y\u00fcksekli\u011findeki yap\u0131 \u00e7ok kuvvetli r\u00fczgarlarda bile 8 cm sallanmaktad\u0131r.<\/p>\n

Kuleden nefret eden Frans\u0131z \u015fair Maupassant s\u00fcrekli Eyfel’deki bir kafede otururmu\u015f. “Neden kuleden bu kadar nefret etti\u011fin halde buradas\u0131n?” diyenlere “Paris’te Eyfel’in g\u00f6r\u00fcnmedi\u011fi tek yer buras\u0131” diye cevap verirmi\u015f \ud83d\ude42<\/p>\n

1. ve 2. kat aras\u0131nda yer alan ve kuleyi \u00e7epe\u00e7evre saran ku\u015fakta 72 bilim insan\u0131n\u0131n ad\u0131 yazmaktad\u0131r.<\/p>\n

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Ayaklar\u0131n\u0131n alt\u0131na gelince b\u00fcy\u00fckl\u00fc\u011f\u00fcn\u00fc daha iyi farkediyoruz.<\/p>\n

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Kulede 3 tane seyir platformu var. Birinci ve ikinci katlara merdiven veya asans\u00f6rle \u00e7\u0131k\u0131labiliyor. \u00dc\u00e7\u00fcnc\u00fc kat i\u00e7in ikinci katta indikten sonra asans\u00f6r de\u011fi\u015ftiriliyor. \u00dc\u00e7\u00fcnc\u00fc platform 276 metre y\u00fckseklikte. Evet art\u0131k yukar\u0131day\u0131z. \u015eans\u0131m\u0131za kulede kald\u0131\u011f\u0131m\u0131z zaman\u0131n \u00e7o\u011funda \u015fak\u0131r \u015fak\u0131r ya\u011fmur ya\u011fd\u0131.<\/p>\n

Eyfel’den Mars Alan\u0131 (Champ de Mars) <\/strong>manzaras\u0131.\u00a0Halka a\u00e7\u0131k, b\u00fcy\u00fck bir park alan\u0131d\u0131r. Bir zamanlar t\u00f6ren alan\u0131 olan bu uzun bah\u00e7e Eyfel Kulesi’nin dibinden Askeri Okul’a (Ecole Militaire) kadar uzan\u0131yor. Sol tarafta Les \u0130nvalides’in kubbesi de g\u00f6r\u00fcl\u00fcyor.<\/p>\n

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Bu cepheden de Sacre Couer g\u00f6r\u00fcl\u00fcyor.<\/p>\n

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Zafer Tak\u0131 (Arc de Triomphe)<\/strong><\/p>\n

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D\u00fcnyan\u0131n en \u00fcnl\u00fc zafer tak\u0131d\u0131r. Charles de Gaulle Meydan\u0131’nda ve \u015eanzelize Caddesi’nin bat\u0131 taraf\u0131nda yer al\u0131r.<\/p>\n

Napolyon, Austerlitz Sava\u015f\u0131’nda galip gelen Frans\u0131z askerlerine seslenmi\u015f ve “Evinize zafer taklar\u0131n\u0131n alt\u0131ndan ge\u00e7erek d\u00f6neceksiniz“<\/i> demi\u015ftir. 18 \u015eubat 1806 tarihinde Zafer Tak\u0131’n\u0131n in\u015fas\u0131na ba\u015flanm\u0131\u015ft\u0131r. Ama s\u00f6z\u00fcn\u00fc tutamam\u0131\u015f, zaman zaman yap\u0131m\u0131na ara verilmi\u015f ve \u00f6l\u00fcm\u00fcnden sonra 1936’da tamamlanm\u0131\u015ft\u0131r.<\/sup><\/p>\n

4 s\u00fctun \u00fczerine in\u015fa edilmi\u015f Roma mimarisi tarz\u0131nda bir eserdir.<\/p>\n

Tak\u0131n tepesinde Napolyon’un zaferlerinin yazd\u0131\u011f\u0131 “otuz kalkan” bulunur.<\/p>\n

Bunun alt\u0131nda tak\u0131n etraf\u0131n\u0131 saran frizin do\u011fusunda Frans\u0131z askerlerinin sava\u015fa gidi\u015fi, bat\u0131s\u0131nda ise zaferden d\u00f6n\u00fc\u015fleri betimlenmi\u015ftir.<\/p>\n

S\u00fctunlarda 4 b\u00fcy\u00fck kabartma bulunur. Gidi\u015f, Zafer, Direni\u015f ve Bar\u0131\u015f tasvir edilir.<\/p>\n

A\u015fa\u011f\u0131daki heykel Zafer kabartmas\u0131d\u0131r.<\/p>\n

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\u0130\u00e7 k\u0131s\u0131mdaki frizlerden birinde Osmanl\u0131lar’a kar\u015f\u0131 M\u0131s\u0131r’da kazand\u0131klar\u0131 Abukir Zaferi betimlemesi yer al\u0131yor.<\/p>\n

Tak\u0131n i\u00e7 k\u0131sm\u0131nda ise Napolyon Sava\u015flar\u0131’nda \u00f6len ya da kurtulan, sava\u015fm\u0131\u015f askerlerin isimleri yaz\u0131l\u0131d\u0131r.<\/p>\n

Tak\u0131n zemininde “Me\u00e7hul Asker An\u0131t\u0131” bulunur. Mezar\u0131n ba\u015f\u0131nda s\u00f6nmeyen bir ate\u015f vard\u0131r.\"\"<\/p>\n

\u015eanzelize Caddesi (Champs Elysees)<\/strong><\/p>\n

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12 bulvar\u0131n kesi\u015fti\u011fi L’Etoile (y\u0131ld\u0131z) denilen Charles de Gaulle Meydan\u0131’dan Concorde Meydan\u0131’na kadar uzanan 1950 metre uzunlu\u011funda 70 metre geni\u015fli\u011findeki \u015eanzelize, Paris’in en me\u015fhur, en g\u00fczel caddesidir.<\/p>\n

\u0130lk olarak IV. Henri’nin e\u015fi Marie de Medici taraf\u0131ndan Sen Nehri boyunca uzanan batakl\u0131k bir araziye yapt\u0131r\u0131lm\u0131\u015f ve “Krali\u00e7e Yolu” ad\u0131 verilmi\u015ftir (1616).<\/p>\n

1667 y\u0131l\u0131nda a\u011fa\u00e7land\u0131rmas\u0131 yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

1709’da ismi Champs Elysees (Cennet Bah\u00e7eleri) olarak de\u011fi\u015ftirilmi\u015ftir. Yunan mitolojisindeki “ideal mutlulu\u011fun yeri” yani cennet.<\/p>\n

Caddenin \u00e7evresi zenginlik ve g\u00fc\u00e7 sembol\u00fcd\u00fcr. Fransa Cumhurba\u015fkanl\u0131\u011f\u0131, b\u00fcy\u00fckel\u00e7ilikler, konsolosluklar, b\u00fcy\u00fck haute couture moda evleri, se\u00e7kin markalar\u0131n ma\u011fazalar\u0131, b\u00fcy\u00fck malikaneler, \u00fcnl\u00fc otel, kafe ve restoranlar bu caddede mesken tutmu\u015flard\u0131r.<\/p>\n

Ak\u015fam yeme\u011finden sonra bir gece turu at\u0131yoruz.<\/p>\n

Condorde Meydan\u0131’ndan Sen Nehri’ne uzanan yolda sa\u011fl\u0131 sollu iki saray var. Grand Palais ve Petit Palais. Bu iki Saray (Sergi Salonu) 1900 Evrensel Sergisi i\u00e7in yap\u0131lm\u0131\u015f.<\/p>\n

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Petit Palais (K\u00fc\u00e7\u00fck Saray)<\/strong><\/p>\n

Kubbesi ve neoklasik tarz\u0131 ile \u015firin bir g\u00f6r\u00fcnt\u00fcye sahip.<\/p>\n<\/div>\n

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G\u00fcn\u00fc Eyfel’le noktalayal\u0131m.<\/p>\n

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2. G\u00fcn 25 A\u011fustos 2015 Sal\u0131<\/strong><\/p>\n

Bu sabah Selman’\u0131n gitmek istedi\u011fi en eski sokak pazar\u0131na gidece\u011fiz \u00f6nce. Mouffetard soka\u011f\u0131nda. Art\u0131k g\u00fcndemden d\u00fc\u015fm\u00fc\u015f olacak ki bir pazar g\u00f6remedik. Ama Paris’in estetik tarz\u0131 ile d\u00fczenlenmi\u015f renkli meyve, \u015farap, peynir tezgahlar\u0131n\u0131n oldu\u011fu sokakta sal\u0131nd\u0131k biraz.<\/p>\n

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Pantheon<\/strong><\/p>\n

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As\u0131rlard\u0131r e\u011fitim kurumlar\u0131n\u0131n ve dolay\u0131s\u0131yla \u00f6\u011frencilerin mekan\u0131 bir b\u00f6lge olan Latin Mahallesi’nde Rotonda Meydan\u0131’nda bulunan bu g\u00fczel yap\u0131 \u015fehrin se\u00e7kinlerinin mezarlar\u0131n\u0131n bulundu\u011fu bir an\u0131t binad\u0131r. (Pantheon; t\u00fcm Tanr\u0131lar demek.)<\/p>\n

Roma’daki Pantheon, Avrupa’da bir ilkti ve Paris’teki Pantheon in\u015fas\u0131 i\u00e7in ilham kayna\u011f\u0131 oldu. \u0130kisi aras\u0131nda \u00f6zellikle kubbe-mimarisi a\u00e7\u0131s\u0131ndan bak\u0131l\u0131rsa benzerlik vard\u0131r.\u00a0<\/span>Aralar\u0131ndaki fark, Roma’daki Pantheon’un hala kilise olarak kullan\u0131lmas\u0131, Paris’tekinin ise \u015fu anda laik bir t\u00fcrbe (mozole) olmas\u0131.<\/span><\/p>\n

Hikayesine gelecek olursak…<\/p>\n

1774 y\u0131l\u0131nda XV. Louis<\/strong>‘in iste\u011fi \u00fczerine yap\u0131l\u0131p, Paris’in koruyucu azizesi Genevieve’e ithaf edilmi\u015ftir. Genevieve’nin 451 y\u0131l\u0131nda Atilla ile g\u00f6r\u00fc\u015ferek veya dua ederek Paris’i Hun \u0130mparatorlu\u011fu sald\u0131r\u0131s\u0131ndan korudu\u011funa inan\u0131l\u0131yor.<\/p>\n

Buradaki Pantheon’un Roma’daki Pantheon’a benzeyece\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcrken Londra’daki St. Paul’s Katedrali’ne benzemi\u015f.<\/p>\n

Frans\u0131z Devrimi<\/strong> s\u0131ras\u0131nda, Fransa Ulusal Kurucu Meclisi taraf\u0131ndan binan\u0131n dini \u00f6zelli\u011fi ortadan kald\u0131r\u0131l\u0131yor.\u00a0 Frans\u0131z \u00f6zg\u00fcrl\u00fc\u011f\u00fc i\u00e7in sava\u015fan se\u00e7kin Frans\u0131z vatanda\u015flar\u0131n\u0131n k\u00fcllerini bar\u0131nd\u0131rmak i\u00e7in mozole haline getiriliyor.<\/p>\n

19. y\u00fczy\u0131l\u0131n \u00e7alkant\u0131l\u0131 y\u0131llar\u0131nda, rejimler de\u011fi\u015ftik\u00e7e, kilise ve mozole olarak de\u011fi\u015fip duruyor.<\/p>\n

Napolyon taraf\u0131ndan 1806’da kiliseye verildi.<\/p>\n

1885’de ise kamu binas\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/p>\n

Generaller haricinde b\u00fcy\u00fck yazarlar, bilim adamlar\u0131 i\u00e7in de mozole olmu\u015ftur.<\/p>\n

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Klasik Roma mimarisinin m\u00fckemmel bir \u00f6rne\u011fidir. Al\u0131nl\u0131\u011f\u0131 ve reva\u011f\u0131n \u00e7at\u0131s\u0131n\u0131 destekleyen korint s\u00fctunlar mevcut. Al\u0131nl\u0131\u011f\u0131n sol taraf\u0131ndaki kabartmalarda devlet adamlar\u0131 ve alimler, sa\u011f taraftakilerde askerler yer al\u0131r. Bunlar devrim sonras\u0131 vatanseverlerin fig\u00fcrleridir. Ortada Fransa’y\u0131 temsil eden kad\u0131n fig\u00fcr\u00fc, bu ki\u015filere defne yapra\u011f\u0131 da\u011f\u0131t\u0131yor. (Antik Yunan ve Roma’daki gibi).<\/p>\n

Al\u0131nl\u0131\u011f\u0131n alt\u0131ndaki yaz\u0131da \u201cVatan, b\u00fcy\u00fck insanlara minnettard\u0131r\u201d yaz\u0131yor.<\/p>\n

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Demir iskeletli kubbe \u00fc\u00e7 kattan olu\u015fuyor. (Gitti\u011fimizde tadilat vard\u0131 ne yaz\u0131k ki. Posterle kaplanm\u0131\u015ft\u0131.) Kubbenin sadece az bir k\u0131sm\u0131ndan i\u00e7eriye \u0131\u015f\u0131k girer. Bu da mekan\u0131n gizemini artt\u0131r\u0131r.<\/p>\n

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Pantheon’un giri\u015finde, Fizik\u00e7i Leon Foucault’un 1851\u2019de yapt\u0131\u011f\u0131 67 metrelik dev sarkac\u0131 bulunuyor. Frans\u0131zlar’a d\u00fcnyan\u0131n kendi ekseni \u00fczerinde nas\u0131l d\u00f6nd\u00fc\u011f\u00fcn\u00fc g\u00f6stermek i\u00e7in in\u015fa etmi\u015f. <\/span>Orijinal sarka\u00e7 \u015fu anda Ulusal Sanat Konservatuar\u0131’nda bulunuyor. Pantheon’daki sarka\u00e7 bir kopya. (Gitti\u011fimizde yoktu. Kubbe gibi o da bak\u0131ma al\u0131nm\u0131\u015ft\u0131 belki de.)<\/span><\/p>\n

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Ulusal S\u00f6zle\u015fme An\u0131t\u0131<\/p>\n

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Hatiplere, Devlet Adamlar\u0131na \u00d6vg\u00fc An\u0131t\u0131<\/p>\n

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Generallere \u00d6vg\u00fc An\u0131t\u0131<\/p>\n

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Diderot An\u0131t\u0131<\/p>\n

Kripta (Mezar Odalar\u0131)<\/strong>; yap\u0131n\u0131n alt kat\u0131nda mahzeninde bulunuyor. Voltaire, Jean-Jacques Rousseau, Emile Zola, Alexandre Dumas, Pierre ve Marie Curie vb. dahil olmak \u00fczere 70’den fazla \u00fcnl\u00fc ki\u015finin mezarlar\u0131na ev sahipli\u011fi yap\u0131yor.<\/span><\/p>\n

1995 y\u0131l\u0131na kadar kad\u0131nlar\u0131n binada g\u00f6m\u00fclmesine izin verilmiyordu. \u0130zin ilk kez<\/span> Frans\u0131z kimyager ve fizik\u00e7i Marie Curie’ye verildi. Nobel Bar\u0131\u015f \u00d6d\u00fcl\u00fc’n\u00fc ilk kez ve iki kez\u00a0 kazanm\u0131\u015f bir kad\u0131nd\u0131 o.\u00a0<\/span><\/p>\n

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Voltaire’nin mezar\u0131 ve heykeli.<\/p>\n

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Rousseau’nun mezar\u0131.<\/p>\n

Saint Etienne du Mont Kilisesi<\/strong><\/p>\n

Pantheon’a kadar gelmi\u015fken kar\u015f\u0131s\u0131ndaki bu kiliseye u\u011fran\u0131lmal\u0131 bence. D\u0131\u015f cephesi s\u00fcslemelerden zengin. Bir\u00e7ok heykel ve kabartma bulunuyor.<\/p>\n

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1492-1626 y\u0131llar\u0131 aras\u0131nda in\u015fa edilen kilise Paris’in eski katedralinin koruyucu Aziz Saint Etienne’ye ithaf edildi.\u00a0Yap\u0131m\u0131 uzun s\u00fcrd\u00fc\u011f\u00fc i\u00e7in kilisesin d\u0131\u015f ve i\u00e7inde Gotik’ten R\u00f6nesans’a giden bir mimari tarz\u0131n evrimi fark edilebilir.<\/p>\n

Frans\u0131z Devrimi s\u0131ras\u0131nda, kilise ilk \u00f6nce kapat\u0131ld\u0131, bina b\u00fcy\u00fck hasar g\u00f6rd\u00fc, t\u00fcm heykeller par\u00e7aland\u0131. \u015eimdiki heykeller ve r\u00f6lyefler 19. y\u00fczy\u0131ldan kalmad\u0131r.<\/p>\n

Daha sonra “Evlada Dindarl\u0131k Tap\u0131na\u011f\u0131”na d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/p>\n

Kilisenin i\u00e7ine g\u00f6m\u00fcl\u00fc olan dikkat \u00e7ekici insanlar aras\u0131nda matematik\u00e7i Blaise Pascal ve oyun yazar\u0131 Jean Racine var.<\/p>\n

\u00d6n cephedeki \u00fc\u00e7gen al\u0131nl\u0131kta \u201cMesih’in Dirili\u015fi\u201d tasviri.<\/p>\n

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Aziz Stephen’\u0131n Ta\u015flanmas\u0131” (Timpan).<\/p>\n

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Paris’in koruyucu Azizi Genevieve’in t\u00fcrbesi burada bulunuyor.<\/p>\n

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Kilisedeki R\u00f6nesans ve Gotik tarzlar\u0131n yan\u0131 s\u0131ra minber Barok tarz\u0131 temsil ediyor ve 1651 tarihli.<\/p>\n

\u0130ki sarmal merdiven olduk\u00e7a estetik g\u00f6r\u00fcn\u00fcmde.<\/p>\n

15. y\u00fczy\u0131ldan kalma muhte\u015fem bir jube (Rood; Din adamlar\u0131na ayr\u0131lm\u0131\u015f, onlar\u0131 korodan ay\u0131ran galeri. Tipik olarak ah\u015fap veya ta\u015ftan yap\u0131l\u0131r) bulunuyor. Ta\u015f dantel gibi i\u015flenmi\u015f. Jube \u00fczerinde \u0130sa’l\u0131 ha\u00e7 g\u00f6r\u00fcl\u00fcyor. Bu jube Paris’teki sonuncu ve Fransa’daki son 9 judeden biridir.<\/p>\n

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Kutsal Kabir \u015eapeli<\/p>\n

Kilisenin vitray pencerelerinin \u00e7o\u011fu 16. ve 17. y\u00fczy\u0131llara ait.<\/p>\n

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Kilise orgu (Organ), Paris’in en eskisi. 1631’de kuruldu.<\/p>\n

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Sorbon \u00dcniversitesi<\/strong><\/p>\n

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Gelmi\u015fken me\u015fhur Sorbon \u00dcniversitesi’ni g\u00f6rmeden olmaz. Yine Latin Mahallesi’nde, bir sokak \u00f6tede \u00e7\u00fcnk\u00fc.<\/p>\n

Latince uzun y\u0131llar boyunca Avrupa\u2019da bilim dili olarak kullan\u0131lm\u0131\u015f. Mahallede bulunan \u00fcniversitelerde, k\u00fct\u00fcphanelerde, matbaalarda bu dil hakim oldu\u011fu ve konu\u015fuldu\u011fu i\u00e7in ismi Latin mahallesi olarak kalm\u0131\u015f buran\u0131n.<\/p>\n

1253 y\u0131l\u0131nda yoksul 16 \u00f6\u011frenciye teoloji e\u011fitimi vermek i\u00e7in a\u00e7\u0131lan k\u00fc\u00e7\u00fck bir kolejdi. Fransa’n\u0131n ilk matbaas\u0131 1469’da burada kuruldu. Frans\u0131z Devrimi s\u0131ras\u0131nda kapat\u0131ld\u0131. Napolyon taraf\u0131ndan a\u00e7\u0131ld\u0131. 1968 ‘deki \u00f6\u011frenci hareketleri s\u0131ras\u0131nda yine kapat\u0131ld\u0131. Daha sonra da Paris \u00dcniversitesi olarak a\u00e7\u0131ld\u0131.<\/p>\n

Kap\u0131s\u0131nda Montaigne’in heykeli bulunuyor. D\u0131\u015f cephede de ho\u015f bir saat. Heykelleriyle sanata kucak a\u00e7m\u0131\u015f bir yap\u0131.<\/p>\n

L\u00fcksemburg Bah\u00e7eleri<\/strong><\/p>\n

400 metre ileride L\u00fcksemburg Bah\u00e7eleri’ne geliyoruz. Buras\u0131 harika bir dinlenme, huzura kavu\u015fma mekan\u0131.<\/p>\n

25 hektar arazi \u00fczerinde kurulmu\u015f yemye\u015fil bir bah\u00e7e. Ortada \u00e7ocuklar\u0131n yelken y\u00fczd\u00fcrd\u00fckleri b\u00fcy\u00fck\u00e7e bir havuz var. Paris’in koruyucu Azizesi Genevieve’in heykelinin de oldu\u011fu bir\u00e7ok heykel bulunuyor. Bunlar 19. y\u00fczy\u0131ldan kalmad\u0131r. Arkada saray g\u00f6r\u00fcl\u00fcyor.<\/p>\n

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L\u00fcksemburg Saray\u0131<\/strong><\/p>\n

Marie de Medicis bu saray\u0131 \u00e7ocuklu\u011funu ge\u00e7irdi\u011fi Floransa’daki Palazzo Pitti’ye benzeyecek bi\u00e7imde yapt\u0131rm\u0131\u015f. Krali\u00e7e, saray tamamland\u0131ktan k\u0131sa s\u00fcre sonra o\u011flu XIII. Louis taraf\u0131ndan s\u00fcrg\u00fcne g\u00f6nderilmi\u015f. Devrim s\u0131ras\u0131nda kraliyetin elinden al\u0131nan saray cezaevi olarak kullan\u0131lm\u0131\u015f. Bug\u00fcn binada Frans\u0131z Senatosu bulunuyor. Hemen yan\u0131nda L\u00fcksemburg M\u00fczesi var.<\/p>\n

Medici \u00c7e\u015fmesi<\/strong><\/p>\n

Bah\u00e7enin en g\u00fczel yerlerinden biridir. Bu s\u00fcsl\u00fc \u00e7e\u015fme ve havuzu 17. y\u00fczy\u0131lda Marie de Medicis i\u00e7in yap\u0131lm\u0131\u015f\u0131r.<\/p>\n

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Saint Germain des Pres<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
\u0130smini i\u00e7indeki Orta \u00c7a\u011f’dan kalma Saint Germain Kilisesi’nden alan semt, ayn\u0131 isimde \u00e7ok uzun bir bulvara da sahip. 20. y\u00fczy\u0131l\u0131n ilk yar\u0131s\u0131nda bir\u00e7ok yazar, entellekt\u00fcel bu mahallenin kafelerinde g\u00f6r\u00fclm\u00fc\u015f. B\u00f6ylelikle pop\u00fclaritesi artm\u0131\u015f.<\/div>\n
<\/div>\n
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Saint Germain Bulvar\u0131’nda ve \u00e7evresindeki \u015f\u0131k sokaklarda Cafe de Flore ( Hemingway gibi yazarlar\u0131n u\u011frak mekan\u0131ym\u0131\u015f), Cafe Les Deux Magots, Cafe Bonaparte gibi d\u00fcnyaca \u00fcnl\u00fc kafeler, \u00fcnl\u00fc, l\u00fcks, turistik restoranlar bulunuyor. Yine birbirinden \u00fcnl\u00fc ma\u011fazalar da bu semtte bulunur. Sen Nehri k\u0131y\u0131s\u0131nda ikinci el kitap satan \u00e7ok say\u0131da kitap\u00e7\u0131 var.<\/div>\n
542 y\u0131l\u0131nda ba\u015flam\u0131\u015f yerle\u015fimiyle en eski tarihe sahip b\u00f6lgedir.<\/div>\n
<\/div>\n
Saint Michel \u00c7e\u015fmesi<\/strong><\/div>\n
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An\u0131tsal \u00e7e\u015fme, Saint Michel Bulvar\u0131’n\u0131n Sen Nehri k\u0131y\u0131s\u0131 ile bulu\u015ftu\u011fu canl\u0131 bir meydan olan Saint Michel Meydan\u0131’na bak\u0131yor.<\/div>\n
Buras\u0131 bu mahalleyi gezmek isteyen turistler i\u00e7in bir ba\u015flang\u0131\u00e7 noktas\u0131 iken yerli halk i\u00e7in de bir bulu\u015fma noktas\u0131.<\/div>\n
Baron Haussmann taraf\u0131ndan planlanan b\u00fcy\u00fck kentsel projenin bir par\u00e7as\u0131 olarak 1860’ta yap\u0131lm\u0131\u015f Neo-R\u00f6nesans tarz\u0131 bir an\u0131t \u00e7e\u015fme.<\/div>\n
Di\u011fer Paris \u00e7e\u015fmelerinden farkl\u0131 olarak, farkl\u0131 ta\u015f renkleri kullan\u0131larak tasarlanm\u0131\u015ft\u0131r.<\/div>\n
\u00c7e\u015fmenin tasarlanmas\u0131nda 9 heykelt\u0131ra\u015f g\u00f6revlendirilmi\u015f.<\/div>\n
Paris’in ilk duvar \u00e7e\u015fmesi olan L\u00fcksemburg bah\u00e7esindeki Medici \u00e7e\u015fmesi ile benzerlik g\u00f6steriyor.<\/div>\n
<\/div>\n
26 metre y\u00fcksekli\u011finde ve 15 metre geni\u015fli\u011findeki Saint Michel \u00c7e\u015fmesi’nde en \u00fcstteki kabartmada iki insan fig\u00fcr\u00fc Paris’in armas\u0131n\u0131 elinde tutar. G\u00fc\u00e7 ve Il\u0131ml\u0131l\u0131\u011f\u0131 temsil eder.<\/div>\n
<\/div>\n
Alt\u0131ndaki al\u0131nl\u0131kta adanm\u0131\u015fl\u0131k y\u0131l\u0131 (1860) yaz\u0131yor.<\/div>\n
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<\/div>\n
\u00c7e\u015fme, orta ni\u015fi \u00e7evreleyen d\u00f6rt k\u0131rm\u0131z\u0131 mermer korint s\u00fctunuyla zafer tak\u0131 gibi g\u00f6r\u00fcn\u00fcyor.<\/div>\n<\/div>\n
Mermer s\u00fctunlar\u0131n \u00fczerinde kardinal erdemleri temsil eden d\u00f6rt bronz heykel bulunuyor.<\/div>\n
Soldan sa\u011fa:<\/div>\n
Y\u0131lan ve ayna tutan; Sa\u011fduyu – Aslan derisi ve kul\u00fcb\u00fcyle (ilkel bir silah); Zenginlik – \u00d6l\u00e7ek ve k\u0131l\u0131\u00e7la; Adalet – \u00d6l\u00e7\u00fcl\u00fcl\u00fck.<\/div>\n
\"\"<\/strong><\/div>\n
Merkezi ni\u015fte Melek Michel’in \u015feytan\u0131 yendi\u011fi sahnenin heykeli Duret taraf\u0131ndan yap\u0131lm\u0131\u015f. \u0130yili\u011fin k\u00f6t\u00fc\u011fe kar\u015f\u0131 zaferi.<\/div>\n
\u00c7e\u015fmenin \u00f6nde her iki taraf\u0131nda kanatl\u0131 ejderhalar\u00a0 yerle\u015ftirilmi\u015f.<\/div>\n
\u00d6\u011fle yeme\u011fini de yedikten sonra Sen Nehri’ndeki Cite adas\u0131’na ge\u00e7iyoruz.<\/div>\n
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Notre Dame Katedrali<\/strong><\/div>\n
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Sen Nehri’nde Cite Adas\u0131\u2019nda bulunuyor. Ad\u0131 Frans\u0131zca\u2019da \u201cKutsal Bakire\u201d veya \u201cMeryem Anam\u0131z\u201d anlam\u0131na geliyor.<\/div>\n
Gotik mimarinin en g\u00fczel \u00f6rneklerinden biri olan kilise muhte\u015fem d\u0131\u015f cephesi, b\u00fcy\u00fck i\u00e7 mekan\u0131 ve incelikli s\u00fcslemeleri ile Paris \u015fehrinin ve Frans\u0131z ulusunun en \u00e7ok tan\u0131nan sembollerindendir.<\/div>\n
Piskopos Sully’nin tasar\u0131m\u0131 ve Papa III. Alexander’\u0131n temel ta\u015f\u0131n\u0131 koymas\u0131 ile yap\u0131m\u0131na 1160’da ba\u015flanan kilisenin tamamlanmas\u0131 170 y\u0131l\u0131 bulmu\u015f. \u015eaheser yaratmak kolay de\u011fil elbet.<\/div>\n
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Arc ailesinden Aziz Joan, 1431’de sapk\u0131nl\u0131k iddias\u0131yla yak\u0131larak infaz edilen Frans\u0131z yurtsever Jeanne d’Arc<\/strong>‘\u0131n (1412-1431) \u00f6l\u00fcm\u00fcnden sonra temyiz ba\u015fvurusu ba\u015flatt\u0131\u011f\u0131nda duru\u015fmalar Notre Dame’da yap\u0131ld\u0131 (1455). Jeanne d’Arc yakla\u015f\u0131k be\u015f y\u00fczy\u0131l sonra, 1909’da Aziz ilan edildi.<\/div>\n
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1790’larda, Notre Dame Frans\u0131z Devrimi s\u0131ras\u0131nda pay\u0131na d\u00fc\u015feni ald\u0131, kutsall\u0131\u011f\u0131 kald\u0131r\u0131ld\u0131, hazinesi, dini sembollerin \u00e7o\u011fu tahrip veya yok edildi.<\/div>\n
Ancak 19. y\u00fczy\u0131lda Napolyon’un ta\u00e7 giyme t\u00f6reni ve De Gaulle\u2019\u00fcn cenaze merasimi burada yap\u0131lm\u0131\u015f.<\/div>\n
Rivayetlere g\u00f6re; 19. y\u00fczy\u0131l ba\u015flar\u0131nda Paris \u015fehir planlamac\u0131lar\u0131, bak\u0131ms\u0131zl\u0131ktan harap d\u00fc\u015fm\u00fc\u015f Notre Dame Katedrali’ni y\u0131kt\u0131rmak istemi\u015fler. Bunun \u00fczerine \u00fcnl\u00fc Frans\u0131z yazar Victor Hugo, halk\u0131n ilgisini buraya \u00e7ekmek ve katedralin yenilenmesini sa\u011flamak i\u00e7in 1831 y\u0131l\u0131nda “Notre Dame’\u0131n Kamburu” adl\u0131 roman\u0131n\u0131 yazm\u0131\u015f.<\/div>\n
Nitekim 1841-1864 y\u0131llar\u0131 aras\u0131nda mimar Viollet le Duc taraf\u0131ndan restore edilmi\u015f.<\/div>\n
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Katedral, okuma yazma bilmeyen halk\u0131n anlay\u0131p \u00f6\u011frenebilmeleri i\u00e7in \u0130ncil hikayelerini tasvir eden heykellerle kapl\u0131 bir “fakir insanlar\u0131n kitab\u0131” (liber pauperum)’d\u0131r.<\/div>\n
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Bat\u0131 Cephesi (\u00d6n cephe)<\/strong><\/div>\n
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Katedralin en \u00fcnl\u00fc k\u0131sm\u0131d\u0131r. \u0130ki taraf\u0131nda (kuzey-g\u00fcney) bulunan kuleler 69 metre y\u00fcksekli\u011findedir. Bunlar 1889’da Eyfel Kulesi tamamlanana kadar Paris’teki en y\u00fcksek yap\u0131lard\u0131.<\/p>\n

Kuzey Kule; <\/strong>387 basamakla \u00e7\u0131k\u0131l\u0131p harika \u015fehir manzaralar\u0131 seyredilebilir.<\/p>\n

G\u00fcney Kule;<\/strong> katedralin 1681 yap\u0131m\u0131 en b\u00fcy\u00fck \u00e7an\u0131 “Emmanuel” buradad\u0131r.<\/p>\n

Chimeres Galerisi<\/strong>\u00a0(B\u00fcy\u00fck Galeri);<\/strong> iki kuleyi birle\u015ftirir ve katedralin efsanevi chimereslerinin (kimera) bulundu\u011fu yerdir. Kimeralar katedralin sembolik yarat\u0131k \u015feklindeki s\u00fcslemeleridir. Restorasyon s\u0131ras\u0131nda Mimar Viollet le Duc taraf\u0131ndan yap\u0131ya eklenmi\u015ftir.<\/p>\n

Bat\u0131 G\u00fcl Penceresi; <\/strong>10 metre \u00e7ap\u0131ndad\u0131r. \u0130\u015flemelerle s\u00fcsl\u00fc pencerenin bir\u00e7ok k\u0131sm\u0131 katedralin 13. y\u00fczy\u0131ldaki in\u015fas\u0131nda olu\u015fmu\u015ftur. \u00d6n\u00fcnde kuca\u011f\u0131nda bebek \u0130sa ile birlikte bir Meryem Ana Heykeli vard\u0131r.<\/p>\n

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Krallar Galerisi;<\/strong> \u0130ki kuleyi birbirine ba\u011flayan, Yahuda ve \u0130srail’in 28 kral\u0131n\u0131n heykellerinin s\u0131raland\u0131\u011f\u0131 koridordur. Bu k\u0131s\u0131m Frans\u0131z devrimi sonras\u0131nda hasar g\u00f6rm\u00fc\u015f ve Viollet le Duc taraf\u0131ndan yeniden tasarlanm\u0131\u015ft\u0131r. Devrimciler heykellerin Frans\u0131z krallar\u0131na ait oldu\u011funu sanm\u0131\u015f ve kafalar\u0131n\u0131 koparm\u0131\u015flard\u0131r. Bu kafalar 1977 y\u0131l\u0131nda Paris’te bulunmu\u015ftur ve g\u00fcn\u00fcm\u00fczde Paris Cluny Orta \u00c7a\u011f M\u00fczesi’nde sergilenmektedir.<\/p>\n

Alttaki \u00fc\u00e7 b\u00fcy\u00fck kap\u0131;<\/strong><\/p>\n

Meryem Ana Kap\u0131s\u0131; Bakire Meryem’in \u00f6l\u00fcm\u00fc ile cennette g\u00f6rkemli bir \u015fekilde kar\u015f\u0131lanmas\u0131 ve ta\u00e7land\u0131r\u0131lmas\u0131 tasvir edilmi\u015ftir.<\/p>\n

K\u0131yamet G\u00fcn\u00fc (Son Yarg\u0131lama) Kap\u0131s\u0131; Yeniden tahta \u00e7\u0131kan \u0130sa’n\u0131n on bakire de dahil olmak \u00fczere ya\u015fayanlar\u0131 ve \u00f6l\u00fcleri yarg\u0131lamas\u0131<\/p>\n

Azize Anne Kap\u0131s\u0131; Meryem Ana’n\u0131n annesi Azize Anne’e ait hikayeler ile s\u00fcslenmi\u015ftir.<\/p>\n

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K\u0131yamet G\u00fcn\u00fc Kap\u0131s\u0131<\/strong>‘nda; Ba\u015f melek Mikail \u00f6l\u00fclerin ruhlar\u0131n\u0131 tartar. Karar\u0131 etkilemek i\u00e7in k\u00fc\u00e7\u00fck iblisin hile yapt\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcyor \ud83d\ude42<\/p>\n

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A\u015fa\u011f\u0131da, \u00f6l\u00fcler mezarlar\u0131ndan sorgu i\u00e7in \u00e7\u0131karlar.<\/p>\n

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Kap\u0131lar\u0131n aras\u0131ndaki s\u00fctunlar \u00fczerinde g\u00f6r\u00fclen Bakire ve \u00e7ocuk oymalar\u0131 daha yeni replikalard\u0131r.<\/p>\n

U\u00e7an Payandalar<\/strong><\/p>\n

Notre Dame, ana yap\u0131dan ayr\u0131 payandalar\u0131n<\/strong> kullan\u0131ld\u0131\u011f\u0131 ilk binalardan biridir. Binan\u0131n ilk tasar\u0131m\u0131nda bu payandalar yoktur. Ancak yap\u0131m ba\u015flad\u0131ktan sonra Gotik mimaride kullan\u0131lan ince duvarlar daha da y\u00fckseldik\u00e7e d\u0131\u015fa do\u011fru olu\u015fan gerilimlerden dolay\u0131 \u00e7atlamalar ba\u015flam\u0131\u015f. Daha fazla bozulmay\u0131 engellemek i\u00e7in do\u011fu taraf\u0131na bu destekler d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015f. Uzun y\u0131llar boyunca ele\u015ftirilmi\u015fler ve “birilerinin s\u00f6kmeyi unuttu\u011fu yap\u0131 iskeleleri” gibi durduklar\u0131 s\u00f6ylenerek, katedrale “bitirilmemi\u015f” bir hava verdikleri iddia edilmi\u015f. Bu m\u00fckemmeliyet\u00e7i Frans\u0131zlar da hi\u00e7bir \u015feyi be\u011fenmiyor :). Uzaktan bak\u0131ld\u0131\u011f\u0131nda bo\u015flukta duruyormu\u015f gibi g\u00f6r\u00fcnd\u00fc\u011f\u00fc i\u00e7in \u201cU\u00e7an Payandalar\u201d ad\u0131yla an\u0131l\u0131yor.<\/sup><\/p>\n

Gargoyleler<\/strong><\/p>\n

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Gargoyle, Frans\u0131zca “gargouille”den gelen bir t\u00fcr Gotik mimari unsurdur. Oluklarda biriken suyu tahliye etmek amac\u0131yla kullan\u0131l\u0131rlar. Yani oluklar\u0131 bile sanatsal bir g\u00f6r\u00fcn\u00fcmde yapm\u0131\u015flar.<\/p>\n<\/div>\n

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Kule K\u00fclah\u0131<\/strong><\/p>\n

96 metrelik kule k\u00fclah\u0131 Viollet le Duc taraf\u0131ndan eklenmi\u015ftir. \u00c7at\u0131daki Havari heykellerinin (ye\u015fil renkli) yan\u0131nda yer alan kule k\u00fclah\u0131 mimara \u00f6vg\u00fcy\u00fc artt\u0131rm\u0131\u015ft\u0131r.<\/p>\n

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Bat\u0131 cephesinden i\u00e7eri girerken soldaki merdivenlerden kuleye \u00e7\u0131k\u0131labiliyor.<\/p>\n

Giri\u015ften do\u011fuya do\u011fru ilerledi\u011fimizde 130 metre uzunlu\u011funda, 35 metre y\u00fcksekli\u011finde bir ana nef ve her iki tarafta yan nefler bulunur. Otuzun \u00fczerinde \u015fapel, yetmi\u015fin \u00fczerinde dev s\u00fctunu bulunan katedralde 7-9 bin ki\u015fi ibadet edebiliyor.<\/p>\n

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G\u00fcl pencereler<\/strong><\/p>\n

Kilisede kuzey, g\u00fcney ve bat\u0131 cephesini s\u00fcsleyen 3 g\u00fcl penceresi bulunuyor. Bunlara g\u00fcl pencereleri deniyor \u00e7\u00fcnk\u00fc vitray cam b\u00f6lmeler bir g\u00fcl gibi dairesel bir desende d\u0131\u015far\u0131 do\u011fru yay\u0131l\u0131yor.<\/p>\n

Nefin k\u0131sa koridor ile kesi\u015fti\u011fi orta alanda bu 3 g\u00fcl penceresini g\u00f6rmek m\u00fcmk\u00fcn.<\/p>\n

Bunlardan sadece Kuzey G\u00fcl Penceresi’<\/strong>nin vitraylar\u0131 13. y\u00fczy\u0131lda yap\u0131ld\u0131\u011f\u0131 gibi korunabilmi\u015ftir. Eski Ahit’ten ki\u015filerle sar\u0131lm\u0131\u015f Bakire Meryem tasvir edilmi\u015ftir. Altta 18 dikey pencere i\u00e7erir.<\/p>\n

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G\u00fcney G\u00fcl Penceresi<\/strong>‘nde Havariler’le \u00e7evrilmi\u015f \u0130sa bulunur.<\/p>\n

Notre-Dame kilise orgu (organ), baz\u0131lar\u0131 18. y\u00fczy\u0131ldan kalma, be\u015f klavye ile \u00e7al\u0131nan yakla\u015f\u0131k 8000 boruya sahiptir.<\/p>\n<\/div>\n

Bakire ve \u00c7ocuk Heykeli<\/strong><\/p>\n

Koro mahallinin giri\u015finde bulunan 14. y\u00fczy\u0131ldan kalma \u201cBakire ve \u00c7ocuk Heykeli”nin bir di\u011fer ad\u0131 da \u201cNotre Dame de Paris”. <\/strong>Yani bu heykel kiliseye ismini veren eser.<\/p>\n

Pieta Heykeli<\/strong><\/div>\n
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Ana altar\u0131n arkas\u0131nda Nicolas Coustou\u2019nun zarif Pieta heykeli (Ha\u00e7’tan \u0130ni\u015f olarak da adland\u0131r\u0131l\u0131yor) bulunuyor. Meryem Ana’n\u0131n kollar\u0131nda ha\u00e7tan indirilmi\u015f \u0130sa yer al\u0131yor.<\/p>\n

May\u0131s Resimleri<\/strong><\/p>\n

Yan \u015fapellerin duvarlar\u0131n\u0131 s\u00fcsleyen resimler Charles Le Brun\u2019a ait. Bunlara \u201cMay\u0131s resimleri” denmesinin sebebi ise Paris\u2019in esnaflar\u0131n\u0131n her y\u0131l 1 May\u0131s\u2019da katedrale bu tablolar\u0131 hediye etmesinden kaynaklan\u0131yor.<\/p>\n<\/div>\n

\"\"<\/strong><\/p>\n

Notre Dame’\u0131n bir de gece foto\u011fraf\u0131n\u0131 koyal\u0131m.<\/p>\n

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\u00c7ok \u00fcz\u00fcc\u00fcd\u00fcr ki Notre Dame Katedrali’nde 15.04.2019 tarihinde bir yang\u0131n \u00e7\u0131kt\u0131. \u0130\u00e7imizin ac\u0131mamas\u0131 m\u00fcmk\u00fcn de\u011fil. Yang\u0131n\u0131n sebebinin katedralde y\u00fcr\u00fct\u00fclen restorasyon \u00e7al\u0131\u015fmalar\u0131 oldu\u011fu s\u00f6yleniyor. Bir tarih, bir eser kolay yarat\u0131lm\u0131yor. Ka\u00e7 yeti\u015fmi\u015f (deha niteli\u011finde) insan\u0131n ka\u00e7 senelik emekleri var. Umar\u0131m Notre Dame bunu en az hasarla atlat\u0131r.<\/p>\n<\/div>\n

Montmartre\u00a0<\/strong><\/div>\n
Funik\u00fcler ile Montmartre’ye gidiyoruz.<\/div>\n
<\/div>\n
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\u015eehrin en y\u00fcksek yeri olmas\u0131 nedeniyle halk aras\u0131nda “butte” (tepe) de denir.<\/div>\n
Van Gogh,\u00a0 Picasso, Manet gibi bir\u00e7ok ressam ve \u015fairin bu b\u00f6lgelere gelmesi nedeniyle 19-20 y\u00fczy\u0131lda mahalle Bohem ya\u015fam tarz\u0131 ile b\u00fct\u00fcnle\u015fmi\u015ftir.\u00a0 Ressamlar Tepesi’nde (Tertre meydan\u0131) turistlerin resimlerini yapan bir\u00e7ok sokak ressam\u0131 bulunur.<\/div>\n
Sacre Coeur \u00f6n\u00fcnden m\u00fcthi\u015f bir \u015fehir manzaras\u0131 vard\u0131r.<\/div>\n
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Sacre Couer<\/strong><\/div>\n
\u015eehrin en y\u00fcksek tepesinde yerle\u015fti\u011fi i\u00e7in \u015fehirde bir\u00e7ok noktadan g\u00f6r\u00fclen bembeyaz \u015firin, zarif bir kilise.<\/div>\n
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Fransa-Prusya Sava\u015f\u0131 (1870-1871) s\u0131ras\u0131nda \u00f6len 58 bin Frans\u0131z askerinin an\u0131s\u0131na in\u015fa edilen kilisenin yap\u0131m\u0131 1923 y\u0131l\u0131nda tamamlanm\u0131\u015f. Roma-Bizans tarz\u0131 bir mimariye sahip.<\/p>\n<\/div>\n

\u00d6n cephe son derece uyumlu kubbe ve kuleleri ile Mimar Paul Abadie taraf\u0131ndan tasarlanm\u0131\u015f.<\/p>\n

Kubbe, Eyfel Kulesi’nden sonra \u015fehrin ikinci en y\u00fcksek g\u00f6zlem yeridir.<\/p>\n

Ana giri\u015fin \u00fczerindeki ni\u015f i\u00e7inde inananlar\u0131 takdis eden \u0130sa Heykeli kilisenin sembollerinden biridir.<\/p>\n

Yine ana giri\u015fin \u00fcst\u00fcnde iki tarafta iki Frans\u0131z Azizi’nin at \u00fczerinde bronz heykelleri bulunuyor. Jeanne d’Arc ve Aziz Louis.<\/p>\n

Bronz giri\u015f kap\u0131lar\u0131, Son Ak\u015fam Yeme\u011fi ve \u0130sa’n\u0131n hayat\u0131ndan sahneleri tasvir eden kabartmalarla s\u00fcslenmi\u015ftir.<\/p>\n

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1922 y\u0131l\u0131nda Olivier Merson taraf\u0131ndan yap\u0131lan 475 metrekarelik \u0130sa Mozai\u011fi (Apsis Mozai\u011fi) d\u00fcnyan\u0131n en b\u00fcy\u00fck mozaiklerinden biridir. Kollar\u0131 yanlara a\u00e7\u0131lm\u0131\u015f, alt\u0131n bir kalbi ortaya \u00e7\u0131karan y\u00fckselmi\u015f Mesih’i temsil eder.<\/p>\n

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Ressamlar Tepesi’nde geziyoruz.<\/p>\n

Espace Salvador Dali (Salvador Dali M\u00fczesi)<\/strong><\/div>\n
Salvador Dali\u2019nin \u00f6l\u00fcm\u00fcne kadar ya\u015fad\u0131\u011f\u0131 ev, \u00f6l\u00fcm\u00fcnden sonra s\u00fcrrealist sanat\u00e7\u0131ya adanm\u0131\u015f. M\u00fczede, Dali’ye ait bir\u00e7ok \u00e7izim, karikat\u00fcr, heykel, grav\u00fcr ve resim sergileniyor. Biz gidemedik.<\/div>\n

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Montmartre’de hat\u0131rlanmas\u0131 gereken bir film varsa: Amelie. <\/strong>Jean-Pierre Jeunet’in<\/strong> bu uluslararas\u0131 be\u011feni toplayan filmi, Arnavut kald\u0131r\u0131ml\u0131 sokaklar\u0131, k\u00fc\u00e7\u00fck marketleri ve kafeleri ile efsanevi b\u00f6lgenin cazibesini g\u00f6zler \u00f6n\u00fcne seriyor . Amelie’nin \u00e7al\u0131\u015ft\u0131\u011f\u0131 kafeye gidiyoruz biz de. Cafe des Deux Moulins. Kahve ve pasta molas\u0131.<\/p>\n

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Moulin Rouge (K\u0131rm\u0131z\u0131 De\u011firmen)<\/strong><\/p>\n

Neredeyse 130 y\u0131ll\u0131k bir ge\u00e7mi\u015fe sahip olan bu organizasyon daha sonras\u0131nda bir\u00e7ok \u00fclkede taklit edilmeye \u00e7al\u0131\u015f\u0131lm\u0131\u015f. Kan kan dans\u0131n\u0131n yap\u0131ld\u0131\u011f\u0131 ilk kabareymi\u015f.<\/p>\n

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3. G\u00fcn 26 A\u011fustos 2015 \u00c7ar\u015famba<\/strong><\/p>\n

Atl\u0131 Zafer Tak\u0131 (Arc de Triomphe du Carrousel)<\/strong><\/p>\n<\/div>\n

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1806-1808 y\u0131llar\u0131 aras\u0131nda 1805 Napolyon zaferlerini kutlamak i\u00e7in in\u015fa edildi. Ba\u015flang\u0131\u00e7ta 1564’te yap\u0131lan Tuileries Saray\u0131’na an\u0131tsal bir giri\u015f olarak tasarland\u0131. Ancak saray sonraki y\u0131llarda (1871) yak\u0131larak y\u0131k\u0131ld\u0131. \u015eu anda bu alanda Tuileries Bah\u00e7eleri bulunuyor. Tak, bu bah\u00e7eler ve Louvre M\u00fczesi aras\u0131ndad\u0131r.<\/p>\n

\u00dc\u00e7 giri\u015fin bulundu\u011fu tak, k\u0131rm\u0131z\u0131 beyaz renkli 8 mermer s\u00fctun bar\u0131nd\u0131rmaktad\u0131r. Korint tarz\u0131 bu s\u00fctunlar\u0131n \u00fcst k\u0131s\u0131mlar\u0131nda Napolyon ordusunda g\u00f6rev yapan askerlerin heykelleri bulunur.<\/p>\n

Tak\u0131n \u00fcst\u00fcnde d\u00f6rt at taraf\u0131ndan \u00e7ekilen bir araba (quadriga) bulunuyor. At heykelleri Venedik’teki St. Mark Bazilikas\u0131’n\u0131n ana kap\u0131s\u0131nda bulunan “St. Mark Atlar\u0131”n\u0131n bir kopyas\u0131d\u0131r. Orijinal quadriga, 1798’de Paris’e Napolyon taraf\u0131ndan getirildi. Ancak g\u00fc\u00e7 kaybetti\u011finde Venedik’in kontrol\u00fcn\u00fc elinde tutan Avusturyal\u0131lar’a geri vermek zorunda kald\u0131.<\/p>\n

Louvre M\u00fczesi<\/strong><\/div>\n
<\/div>\n
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Paris\u2019in en b\u00fcy\u00fck saraylar\u0131ndan biridir. Yap\u0131n\u0131n tarihi Orta\u00e7a\u011f\u2019a kadar uzan\u0131r. 1190 y\u0131l\u0131nda Philippe Auguste taraf\u0131ndan Paris\u2019i Viking ak\u0131nlar\u0131na kar\u015f\u0131 korumak amac\u0131yla kale olarak yap\u0131lm\u0131\u015f. Zindan ve bur\u00e7lar\u0131 da I. Fran\u00e7ois zaman\u0131nda yerini R\u00f6nesans bir yap\u0131ya b\u0131rakm\u0131\u015ft\u0131r. O y\u0131llardan g\u00fcn\u00fcm\u00fcze kadar Louvre, krallar ve imparatorlar taraf\u0131ndan s\u00fcrekli geni\u015fletilmi\u015f. Frans\u0131z \u0130htilali’nden sonra Devrimciler 1793 y\u0131l\u0131nda sanat koleksiyonunu halka a\u00e7m\u0131\u015ft\u0131r. Daha sonra Napolyon taraf\u0131ndan m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclen yap\u0131ya 1989 y\u0131l\u0131nda \u00fcnl\u00fc cam piramid eklenmi\u015ftir.<\/div>\n
D\u00fcnyan\u0131n en \u00f6nemli sanat kolleksiyonlar\u0131ndan birine sahip olan m\u00fcze d\u00fcnyan\u0131n en \u00e7ok ziyaret edilen m\u00fczesidir. 35 bini a\u015fk\u0131n sanat eseri sergilenmektedir.<\/div>\n
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Ana giri\u015fi ortadaki me\u015fhur cam piramitten olan m\u00fczenin \u201cEski M\u0131s\u0131r Medeniyeti\u201d, \u201cKadim Yunan, Etr\u00fcsk ve Roma\u201d, \u201cEski Yak\u0131n Do\u011fu Sanat Eserleri\u201d, \u201c\u0130slam Sanat\u0131\u201d, \u201cDekoratif Sanatlar\u201d, \u201cHeykeller\u201d, \u201cTablolar\u201d ve \u201cBask\u0131lar ve \u00c7izimler\u201d gibi b\u00f6l\u00fcmleri var.<\/div>\n
Bu eserlerin tamam\u0131n\u0131 bar\u0131nd\u0131ran 3 kanat ise: Richelieu Kanad\u0131, Sully Kanad\u0131 ve Denon Kanad\u0131.<\/div>\n
M\u00fczeyi gezerken da\u011f\u0131t\u0131lan bro\u015f\u00fcrlerde bu kanatlarda her kat, numaralanm\u0131\u015f alanlarla b\u00f6l\u00fcnm\u00fc\u015ft\u00fcr ve de\u011fi\u015fik renk kodlar\u0131yla g\u00f6sterilmektedir.<\/div>\n<\/div>\n<\/div>\n
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M\u00fcze gezmekle bitirilecek bir m\u00fcze de\u011fil. Biz ancak 3 saat ay\u0131rabildik. Hepsi birbirinden de\u011ferli eserlerin en pop\u00fcler olanlar\u0131na a\u011f\u0131rl\u0131k verdik. Bu eserlerden se\u00e7ti\u011fim 16 tanesini sizinle payla\u015f\u0131yorum.<\/div>\n
Mona Lisa (Leonardo da Vinci)<\/strong><\/div>\n
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Gizemli g\u00fcl\u00fc\u015f\u00fc ile Mona Lisa Louvre M\u00fczesi\u2019nin en \u00f6n plana \u00e7\u0131kard\u0131\u011f\u0131 eserdir. Hatta 1911 y\u0131l\u0131nda \u00e7al\u0131nd\u0131ktan hemen sonra insanlar ak\u0131n ak\u0131n Mona Lisa tablosunun bo\u015f kalan yerini g\u00f6rmek i\u00e7in \u00a0m\u00fczeye gitmi\u015f \ud83d\ude42\u00a0\u015eu anda dayan\u0131kl\u0131 cam arkas\u0131nda korunuyor. Mona Lisa’n\u0131n, Florentine kuma\u015f t\u00fcccar\u0131n\u0131n kar\u0131s\u0131 Lisa Gherardini oldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcyor.<\/p>\n

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Les Noces de Cana (Kana’daki D\u00fc\u011f\u00fcn) (Paolo Verenosese)<\/strong><\/p>\n

66 metrekarelik alan\u0131 ile m\u00fczenin en b\u00fcy\u00fck tablosu \u0130talyan ressam Paolo Verenosese’ye ait. Mona Lisa’yla ayn\u0131 odada bulunuyor. Tablo; konusunu \u0130ncil’de ge\u00e7en \u0130sa’n\u0131n ilk mucizesinden alm\u0131\u015f. \u0130sa’n\u0131n, Meryem ve Havarileri ile kat\u0131ld\u0131\u011f\u0131 Cana’daki d\u00fc\u011f\u00fcnde, \u015farab\u0131n bitmesi \u00fczerine k\u00fcplere doldurulan suyu \u015faraba \u00e7evirmesi mucizesini anlat\u0131yor. Olayda bahsi ge\u00e7en k\u00fcpler hemen sa\u011f alt k\u0131s\u0131mda yer almakta. Ayakta duran fig\u00fcr ise \u015farab\u0131 tad\u0131p \u015farab\u0131n g\u00fczelli\u011fi kar\u015f\u0131s\u0131nda mest olmu\u015f \u015f\u00f6len y\u00f6neticisini temsil etmekte. Tabloda 132 d\u00fc\u011f\u00fcn misafiri ve 6 m\u00fczisyen resmedilmi\u015f. Masan\u0131n sol ba\u015flar\u0131nda oturan sar\u0131 kaftanl\u0131 fig\u00fcr ise Kanuni Sultan S\u00fcleyman imi\u015f.<\/p>\n<\/div>\n

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Medusa’n\u0131n Sal\u0131 (Theodora Gericault)<\/strong><\/p>\n

Tablo; Fransa liman\u0131ndan hareket eden Kraliyet F\u0131rkateyni Medusa’n\u0131n trajik kazas\u0131n\u0131 anlat\u0131yor. B\u00fcy\u00fck sansasyon yaratan gemi kazas\u0131ndan etkilenen 25 ya\u015f\u0131ndaki ressam Theodora Gericault taraf\u0131ndan yap\u0131lm\u0131\u015f.<\/p>\n

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Halka Yol G\u00f6steren \u00d6zg\u00fcrl\u00fck (Liberty Leading the People) (Eugene Delacroix)<\/strong><\/p>\n

G\u00fc\u00e7, \u00f6zg\u00fcrl\u00fck ve zafer duygular\u0131n\u0131 \u00e7a\u011fr\u0131\u015ft\u0131ran tablo Frans\u0131z resim sanat\u0131n\u0131n ba\u015fyap\u0131tlar\u0131n biri. Frans\u0131z romantik ressamlar\u0131ndan Eugene Delacroix taraf\u0131ndan yap\u0131lan ya\u011fl\u0131 boya tablo 1830 senesinde Kral X. Charles\u2019in devrili\u015fine yol a\u00e7an \u00fc\u00e7 g\u00fcnl\u00fck halk ayaklanmas\u0131n\u0131n an\u0131s\u0131na yap\u0131lm\u0131\u015f ve ilk olarak 1931 y\u0131l\u0131nda sergilenmi\u015f. Tablodaki elbisesi y\u0131rt\u0131k ayaklar\u0131 \u00e7\u0131plak kad\u0131n, \u00f6zg\u00fcrl\u00fc\u011f\u00fc temsil ediyor ve pe\u015findeki devrimci insanlara \u00f6nc\u00fcl\u00fck ediyor. Bir elinde, E\u015fitlik, Adalet ve Karde\u015fli\u011fi simgeleyen \u00fc\u00e7 renkli Frans\u0131z bayra\u011f\u0131, di\u011fer elinde t\u00fcfe\u011fi bulunuyor. Resimdeki eli tabancal\u0131 \u00e7ocuk fig\u00fcr\u00fcnde Victor Hugo\u2019nun Sefiller roman\u0131ndaki Gavroche karakterinden esinlenildi\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcyor. Resimde bulunan t\u00fcm fig\u00fcrler halk\u0131n farkl\u0131 s\u0131n\u0131flar\u0131ndaki insanlar\u0131 i\u00e7ermektedir.<\/p>\n

New York\u2019ta bulunan \u00d6zg\u00fcrl\u00fck An\u0131t\u0131, bu tablodaki kad\u0131n \u00f6rnek al\u0131narak yap\u0131lm\u0131\u015f ve Fransa taraf\u0131ndan Amerika Birle\u015fik Devletlerine hediye edilmi\u015f.<\/p>\n

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Napolyon’un Ta\u00e7 Giyme T\u00f6reni (The Consecration of the Emperor Napoleon) (Jacques Louis David)<\/strong><\/div>\n
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Napolyon\u2019un resmi ressam\u0131 olan David\u2019in 1805-1807’de bitirdi\u011fi eser Neoklasik eserlerin ba\u015fyap\u0131tlar\u0131ndan biridir. Tablo 1804\u2019te Notre Dame Katedrali\u2019nde d\u00fczenlenen ta\u00e7 giyme t\u00f6renini resmeder. Resimde Papa VII. Pius bulunuyor (Napolyon’un hemen arkas\u0131nda oturuyor) ama Napolyon kendi tac\u0131n\u0131 kendisi giyiyor. Napolyon ta\u00e7 giyme t\u00f6reni i\u00e7in Papa’y\u0131 Paris’e davet etmi\u015f ancak \u0130mparatorluk tac\u0131n\u0131 kendi kendine takm\u0131\u015ft\u0131r. Ard\u0131ndan\u00a0 Josephine’e \u0130mparatori\u00e7e tac\u0131n\u0131 takm\u0131\u015ft\u0131r. Buradaki amac\u0131 Papa’ya bir g\u00f6zda\u011f\u0131 vermektir. Tabloda, Napolyon\u2019un ailesi ve Papa\u2019n\u0131n yan\u0131 s\u0131ra o devirde ya\u015fayan yakla\u015f\u0131k 150 soylu ve y\u00f6neticinin y\u00fcz\u00fc tasvir edilmi\u015ftir. Resimde sa\u011f arka taraflarda sar\u0131\u011f\u0131 ile bir Osmanl\u0131: Paris El\u00e7isi Halet Efendi de bulunuyor.<\/p>\n

Tablonun bir kopyas\u0131 ise Versay Saray\u0131\u2019nda sergilenmektedir.<\/p>\n

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Marly Atlar\u0131 (Cousteau)<\/strong><\/p>\n

Cousteau taraf\u0131ndan XIV. Louis’in Marly \u015eatosu i\u00e7in 1745 y\u0131l\u0131nda yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\"\"<\/p>\n

Kanatl\u0131 Zafer Heykeli (Nike Heykeli)<\/strong><\/p>\n<\/div>\n<\/div>\n

\"\"<\/h3>\n

Yunan mitolojisi Zafer Tanr\u0131\u00e7as\u0131 Nike\u2019nin M.\u00d6. 3. y\u00fczy\u0131ldan kalma mermer heykelidir. 1884 y\u0131l\u0131ndan beri Louvre M\u00fczesi\u2019nde sergilenmektedir. Helen d\u00f6neminin \u015faheserlerinden biridir. Rodos Adas\u0131’nda kazan\u0131lan bir deniz zaferini simgeler. Semadirek Adas\u0131’ndaki tap\u0131nak kompleksinde bulunmu\u015ftur.<\/p>\n

Cam Piramit (Ming Pei)<\/strong><\/p>\n

\n
\n

Binan\u0131n i\u00e7inden panoramik g\u00f6r\u00fcn\u00fcm. Ming Pei’nin tasarlad\u0131\u011f\u0131 piramit 1989’dan sonra m\u00fczenin yeni giri\u015fi olmu\u015ftur. Paslanmaz \u00e7elik \u00e7ubuklarla yap\u0131lm\u0131\u015f yap\u0131 21 metre y\u00fcksekli\u011findedir.<\/p>\n

\"\"<\/p>\n

Oturan Katip<\/strong><\/p>\n

Tahminen M.\u00d6. 3800-1710 y\u0131llar\u0131 aras\u0131nda M\u0131s\u0131r’da yap\u0131lm\u0131\u015f olan bu heykel hakk\u0131nda hi\u00e7bir \u015fey bilinmiyor. Bilinmeyen fig\u00fcrler aras\u0131nda en \u00fcnl\u00fclerden biri say\u0131l\u0131yor.<\/p>\n

\"\"<\/div>\n<\/div>\n<\/div>\n
Milo Ven\u00fcs\u00fc<\/strong><\/div>\n
\n

\"\"<\/p>\n

Antik Yunan heykel sanat\u0131n\u0131n en \u00fcnl\u00fc \u00f6rneklerinden olan bu mermer heykel, 1820 y\u0131l\u0131nda Yunanistan\u2019\u0131n Milos Adas\u0131\u2019nda bulunmu\u015ftur ve XVIII. Louis taraf\u0131ndan Fransa\u2019ya getirilmi\u015ftir. Heykel, ge\u00e7 Helenistik D\u00f6nem boyunca yap\u0131lan heykel \u00e7al\u0131\u015fmalar\u0131n\u0131 yans\u0131t\u0131yor: Spiral kompozisyon, mekandaki konumland\u0131rma ve kuma\u015f\u0131n kal\u00e7alar \u00fczerine d\u00fc\u015fmesi gibi yenilik\u00e7i \u00f6zelliklere sahip.<\/p>\n<\/div>\n

Dantelci K\u0131z (Jan Vermeer)<\/strong><\/p>\n

1665 y\u0131l\u0131nda yap\u0131lm\u0131\u015f bir eserdir.<\/p>\n

\"\"<\/p>\n

Gabrielle d’Estrees ve K\u0131zkarde\u015fi<\/strong><\/p>\n

\"\"<\/h3>\n

Sa\u011fdaki sar\u0131 sa\u00e7l\u0131 han\u0131m olan Gabrielle d’Estrees, Beaufort D\u00fc\u015fesi’dir. Fransa Kral\u0131 IV. Henry’nin dan\u0131\u015fman\u0131 ve metresidir. Di\u011feri ise karde\u015fi Villars D\u00fc\u015fesi’dir.<\/p>\n

Gabrielle ile Henry’nin ili\u015fkisinin 1591 y\u0131l\u0131nda yani Gabrielle hen\u00fcz 18 ya\u015f\u0131ndayken ba\u015flad\u0131\u011f\u0131 biliniyor. Henry’yi \u00e7ok etkiledi\u011fi a\u015fikard\u0131r. Mezhep bile de\u011fi\u015ftirmesine neden olmu\u015ftur. Henry o s\u0131rada Krali\u00e7e Marguerite ile evliydi. Sevgililerin ise tek iste\u011fi birlikteliklerini resmiyete d\u00f6kebilmekti. Gabrielle’in krali\u00e7eden daha fazla krali\u00e7elik yapt\u0131\u011f\u0131 s\u00f6ylenir. Henry ile Gabrielle’in ili\u015fkilerinden 3 \u00e7ocuklar\u0131 olmu\u015f . Gabriel, 4. \u00e7ocu\u011funa hamile iken eklampsi krizi sonucu 1599 y\u0131l\u0131nda \u00f6lm\u00fc\u015f.<\/p>\n

Resimde Gabrielle, banyosunda \u00e7\u0131plak duruyor. Elinde Henry’nin ta\u00e7 giyme y\u00fcz\u00fc\u011f\u00fcn\u00fc tutuyor. K\u0131z karde\u015fi yan\u0131nda \u00e7\u0131plak duruyor ve onun sa\u011f meme ucunu s\u0131k\u0131yor. Bu Gabrielle’in hamile oldu\u011funun i\u015faretiydi. Arka planda g\u00f6r\u00fclen kad\u0131n hizmetlinin bir \u015feyler dikiyor olmas\u0131 do\u011facak \u00e7ocuk i\u00e7in haz\u0131rl\u0131kt\u0131. Gene arka plandaki tabloda belden a\u015fa\u011f\u0131s\u0131 g\u00f6r\u00fcnen \u00e7\u0131plak erkek fig\u00fcr\u00fc, bebe\u011fin varl\u0131\u011f\u0131n\u0131n habercisi idi.<\/p>\n

\u0130\u015fte 1594-95 y\u0131llar\u0131na tarihlenen resim, bilinmeyen bir sanat\u00e7\u0131 taraf\u0131ndan resmedildi. Ressam\u0131n Fontainebleau Okulu’ndan biri oldu\u011fu san\u0131l\u0131yor.<\/p>\n

Yirminci ve yirmi birinci y\u00fczy\u0131llarda bu resim kad\u0131n e\u015f cinselli\u011fini temsil etmek i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Odal\u0131k (Grand Odalisque) (Jean Auguste Dominique Ingres)<\/strong><\/p>\n

Odal\u0131k, ilk sergilendi\u011fi zaman yo\u011fun ele\u015ftiriler ald\u0131. Ancak uzun oranlar ve anatomik ger\u00e7eklikten uzakl\u0131\u011f\u0131 ile \u00fcnl\u00fc oldu. Bu \u00e7al\u0131\u015fma Ingres’in neoklasisizmden kopu\u015funu ve egzotik romantizme y\u00f6neldi\u011fini g\u00f6sterdi.<\/p>\n

\"\"<\/p>\n

Y\u0131kanan Kad\u0131n (The Bather) (Jean Auguste Dominique Ingres)<\/strong><\/p>\n

\"\"<\/p>\n

Jean Auguste Dominique Ingres\u2019in 1808\u2019de Roma\u2019daki Frans\u0131z Akademisi\u2019nde \u00e7al\u0131\u015f\u0131rken Paris\u2019e g\u00f6nderdi\u011fi eserlerden biriydi. Bu erken eser, uyumlu hatlar ve hassas \u0131\u015f\u0131\u011f\u0131n kullan\u0131ld\u0131\u011f\u0131 bir ba\u015fyap\u0131t say\u0131l\u0131yor. Ingles bu temaya \u00e7ok ba\u011fl\u0131 kald\u0131 ve sonraki \u00e7al\u0131\u015fmalar\u0131nda, \u00f6zellikle de T\u00fcrk Hamam\u0131 adl\u0131 eserinde yeniden kulland\u0131.<\/p>\n

T\u00fcrk Hamam\u0131 (Turkish Bath) (Jean Auguste Dominique Ingres)<\/strong><\/p>\n

\"\"<\/h3>\n

Ingres, be eserinde 18. y\u00fczy\u0131l\u0131n ba\u015f\u0131nda \u0130stanbul\u2019da bir kad\u0131n hamam\u0131na yapt\u0131\u011f\u0131 ziyareti anlatan Lady Montague\u2019nin (1690-1760) mektuplar\u0131ndan ilham ald\u0131.<\/p>\n

\n

\u0130nsan Ba\u015fl\u0131 Kanatl\u0131 Bo\u011fa (Irak, Asur, M\u00d6 720-705 )<\/strong><\/p>\n<\/div>\n

\"\"<\/h3>\n

\u0130nsan ba\u015fl\u0131 kanatl\u0131 bo\u011falar, koruyucu Tanr\u0131 Lamassu’yu temsil ediyor. Kentin ve saray\u0131n kap\u0131lar\u0131na koruyucu olarak yerle\u015ftiriliyordu. D\u00fc\u015fmana kar\u015f\u0131 koruma sa\u011fl\u0131yordu.<\/p>\n

Versay Dianas\u0131<\/strong><\/p>\n

\"\"<\/h3>\n

Versay Diana\u2019s\u0131, bir geyikle birlikte Yunan Tanr\u0131\u00e7a Artemis\u2019in (Latince Diana) mermer heykeli. M.\u00d6. 325 y\u0131l\u0131, Leochares\u2019e atfedilen kay\u0131p Antik Yunan bronz orijinalinin Roma kopyas\u0131d\u0131r. (MS 1. veya 2. y\u00fczy\u0131l).<\/p>\n

Four Season (D\u00f6rt Mevsim, Sonbahar) ( Giuseppe Arcimboldo)<\/strong><\/p>\n

\"\"<\/div>\n
Louvre’da bir\u00e7ok kafe var. Biz de bir \u015feyler at\u0131\u015ft\u0131rmak i\u00e7in foto\u011frafta g\u00f6r\u00fclen Cafe Richelieu<\/strong>‘ya u\u011fruyoruz.<\/div>\n

\"\"<\/p>\n

Richelieu kanad\u0131n\u0131n d\u0131\u015f cephesinden bir g\u00f6r\u00fcnt\u00fc.<\/p>\n

\"\"<\/p>\n

\n

Evet maroton bitti. Eh biz de bittik. ilk hedefimiz Tuileries Bah\u00e7esi.<\/p>\n

Tuileries Bah\u00e7esi<\/b><\/div>\n
Louvre M\u00fczesi ve Condorde Meydan\u0131 aras\u0131nda yer alan halka a\u00e7\u0131k bah\u00e7elerdir.<\/div>\n
Catherine de Medici taraf\u0131ndan 1564’te Tuileries Saray\u0131’n\u0131n bah\u00e7esi olarak yapt\u0131r\u0131lan bah\u00e7e 1667’de halka a\u00e7\u0131ld\u0131. Devrimden sonra da halka a\u00e7\u0131k bir park haline geldi.<\/div>\n
Burada sandalyelere oturup 1 saat kadar uyuyoruz \ud83d\ude42<\/div>\n
<\/div>\n<\/div>\n
St. Jacques Kulesi<\/strong><\/div>\n
\"\"<\/div>\n
52 metrelik Gotik kule, Frans\u0131z Devrimi s\u0131ras\u0131nda 1797’de y\u0131k\u0131lan 16. y\u00fczy\u0131l Saint Jacques Kilise’sinin kulesidir.<\/div>\n
<\/div>\n
Georges Pompideu Merkezi\u00a0<\/strong><\/div>\n
<\/div>\n
\"\"<\/div>\n
Fransa\u2019n\u0131n en etkileyici ve benzersiz mimari yap\u0131lar\u0131ndan biridir. 1969-1974 y\u0131llar\u0131 aras\u0131nda Fransa Cumhurba\u015fkan\u0131 Georges Pompidou\u2019nun iste\u011fi \u00fczerine yap\u0131ld\u0131. Bina dev bir k\u00fct\u00fcphane, avangart elektro-akustik m\u00fczik ara\u015ft\u0131rmalar\u0131 merkezi IRCAM ve Avrupa\u2019n\u0131n en b\u00fcy\u00fck modern sanat m\u00fczesine ev sahipli\u011fi yap\u0131yor. Binan\u0131n tasar\u0131m\u0131n\u0131 belirlemek i\u00e7in yar\u0131\u015fma d\u00fczenlendi. Yar\u0131\u015fmaya 49 \u00fclkeden 681 tasar\u0131mc\u0131 kat\u0131ld\u0131 ve bu kat\u0131l\u0131mc\u0131lar aras\u0131ndan \u0130talyan mimarlar Renzo Piano ile Gianfranco Franchini ve \u0130ngiliz mimar Richard Rogers taraf\u0131ndan olu\u015fan ekibin tasar\u0131m\u0131 se\u00e7ildi. Bina, mavi, sar\u0131, ye\u015fil ve k\u0131rm\u0131z\u0131 renkler kullan\u0131larak tasarland\u0131.<\/div>\n
<\/div>\n
\"\"<\/div>\n
Y\u00fcr\u00fcyen merdivenler ve asans\u00f6rler i\u00e7in k\u0131rm\u0131z\u0131 renk, su dola\u015f\u0131m\u0131 i\u00e7in ye\u015fil renk, elektrik dola\u015f\u0131m\u0131 i\u00e7in sar\u0131 renk ve hava dola\u015f\u0131m\u0131 i\u00e7in ise mavi rengin kullan\u0131ld\u0131\u011f\u0131 yap\u0131 10 kattan olu\u015fuyor. Binan\u0131n tesisatlar\u0131 d\u0131\u015far\u0131da yer al\u0131yor. Yap\u0131n\u0131n en dikkat \u00e7eken yerlerinden biri \u015feffaf pleksiglas bir t\u00fcp i\u00e7inde binay\u0131 d\u0131\u015far\u0131dan bir y\u0131lan gibi t\u0131rmanan y\u00fcr\u00fcyen merdivenlerdir.<\/div>\n
\n
\n
\n
\n
\n

Sanat merkezinin \u00f6n\u00fcnde bulunan meydan ise Paris halk\u0131 taraf\u0131ndan s\u0131k kullan\u0131lan bir bulu\u015fma noktas\u0131 olarak \u00f6n plana \u00e7\u0131k\u0131yor. Bu alandaki Stravinsky \u00c7e\u015fmesi<\/strong> ise kendine \u00f6zg\u00fc tasar\u0131m\u0131yla sanatseverlerin favori eserlerindendir.<\/p>\n<\/div>\n

\n

\"\"<\/p>\n<\/div>\n

Centre Georges Pompidou\u2019nun en \u00fcst kat\u0131nda Paris\u2019i g\u00f6zler \u00f6n\u00fcne seren bir teras yer al\u0131yor.<\/p>\n

Pompidou Teras\u0131’ndan Notre Dame.<\/p>\n

\"\"<\/p>\n

St. Jacques Kulesi<\/p>\n

\"\"<\/p>\n<\/div>\n

\n

Ak\u015fam, \u015eanzelize Caddesi \u00fczerinde bulunan Lido \u015fova gittik. (Lido de Paris).<\/p>\n

4. G\u00fcn 27 A\u011fustos 2015 Per\u015fembe<\/strong><\/p>\n

Palais Garnier<\/strong><\/p>\n

\"\"<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Charles Garnier’in III. Napolyon i\u00e7in tasarlad\u0131\u011f\u0131 g\u00f6steri\u015fli Opera Binas\u0131. D\u0131\u015f\u0131ndan foto\u011fraflay\u0131p ge\u00e7iyoruz.<\/p>\n

La Fayette Ma\u011fazas\u0131<\/strong><\/p>\n

\"\" \"\"<\/p>\n

\u015eanzelize \u00fczerinde bulunuyor. Son derece l\u00fcks bir al\u0131\u015f veri\u015f merkezi. \u00c7ok da g\u00fczel. Teras manzaras\u0131 ise harika.<\/p>\n

Madaleine Kilisesi<\/strong><\/p>\n

\"\"<\/p>\n

1764 y\u0131l\u0131nda Yunan Tap\u0131na\u011f\u0131 bi\u00e7iminde in\u015fa edilen kilise, 29 metre uzunlu\u011funda 52 adet korint tarz\u0131 s\u00fctunla \u00e7evrelenmi\u015ftir. Di\u011fer kiliselerden farkl\u0131 olarak ha\u00e7 bi\u00e7imli de\u011fildir ve \u00e7an kulesi yoktur. 1845’de Mecdelli Meryem (Magdalene)’e adanm\u0131\u015ft\u0131r.<\/p>\n

Al\u0131nl\u0131kta K\u0131yamet G\u00fcn\u00fc tasvir edilmi\u015ftir.<\/p>\n

Bronz kap\u0131larda On Emir’i anlatan kabartmalar vard\u0131r.<\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

Gotik tarzda i\u015flenmi\u015f i\u00e7 mekanda g\u00f6steri\u015fli mermer s\u00fcslemeler ve alt\u0131n varaklar kullan\u0131lm\u0131\u015ft\u0131r. Sunakta Magdalene Heykeli bulunur.<\/p>\n

\"\"<\/p>\n

\u0130sa’n\u0131n Vaftizi Heykeli, Fran\u00e7ois Rude taraf\u0131ndan yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/p>\n

Concorde Meydan\u0131’ndan Royale caddesi boyunca bak\u0131ld\u0131\u011f\u0131nda yolun kar\u015f\u0131s\u0131na konumlanm\u0131\u015f Madaleine Kilisesi’nin gece g\u00f6r\u00fcn\u00fcm\u00fc.<\/p>\n

\"\"<\/p>\n

Concorde Meydan\u0131<\/strong><\/p>\n

Bir taraf\u0131nda Tuileries Bah\u00e7eleri di\u011fer yan\u0131nda \u015eanzelize’nin ba\u015flang\u0131\u00e7 k\u0131sm\u0131 bulunur. 1755-1775 y\u0131llar\u0131nda Mimar Gabriel taraf\u0131ndan XV. Louis Heykeli’ne mekan olarak tasarlanm\u0131\u015ft\u0131. Ancak 1792’de Devrim Meydan\u0131’na d\u00f6n\u00fc\u015ft\u00fc ve an\u0131t\u0131n yerini giyotin ald\u0131. XVI. Louis ve Marie Antoinette’in de aralar\u0131nda bulundu\u011fu bini a\u015fk\u0131n ki\u015fi burada \u00f6ld\u00fcr\u00fcld\u00fc. 1795’de uzla\u015fma ile bug\u00fcnk\u00fc ad\u0131n\u0131 (Uzla\u015fma) alm\u0131\u015ft\u0131r. Merkezdeki Dikilita\u015f M\u0131s\u0131r’\u0131n hediyesi olarak 3300 y\u0131ll\u0131k Luksor Tap\u0131na\u011f\u0131’ndan getirilmi\u015f ve 1833 y\u0131l\u0131nda buraya dikilmi\u015ftir. Meydana daha sonra 2 \u00e7e\u015fme ve Frans\u0131z \u015fehirlerini temsil eden 8 heykel eklenmi\u015ftir. Meydan\u0131n kuzey taraf\u0131na yine Gabriel taraf\u0131ndan iki otel (Hotel de la Marine ve Hotel CrillonMalikaneleri) yap\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"\"<\/p>\n

Dikilita\u015f’\u0131n arkas\u0131ndan Sen Nehri’nin kar\u015f\u0131 yakas\u0131nda yer alan Bourbon Saray\u0131 (Ulusal Meclis Binas\u0131)<\/strong> g\u00f6r\u00fcl\u00fcyor.<\/p>\n

\"\"<\/p>\n

Gece g\u00f6r\u00fcn\u00fcm\u00fc.<\/p>\n

\"\"<\/p>\n

Cumhuriyet Meydan\u0131 (Place de la Republic)<\/strong><\/p>\n

\"\"<\/p>\n

Vosges Meydan\u0131<\/strong><\/p>\n

\"\"<\/p>\n

Place des Vosges, Paris’in en eski ve g\u00fczel meydanlar\u0131ndan biridir. Meydan, tarihi semtlerinden biri olan Marais’te bulunuyor. Etraf\u0131 k\u0131rm\u0131z\u0131 tu\u011flal\u0131 cephelere sahip g\u00fczel binalarla \u00e7evrili. 17. ve 18. y\u00fczy\u0131llar\u0131n bir\u00e7ok kona\u011f\u0131 uluslararas\u0131 \u00fcne sahip m\u00fczelere d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr: Picasso M\u00fczesi, Victor Hugo M\u00fcze Evi, Carnavalet M\u00fczesi gibi.<\/p>\n

Ak\u015fam yeme\u011fi i\u00e7in Pompidou’ya yak\u0131n Bistro Beaubourg<\/strong>‘a gidiyoruz.<\/p>\n

\"\"<\/p>\n

5. G\u00fcn 28 A\u011fustos 2015 Cuma<\/strong><\/p>\n

Selman’\u0131n iste\u011fi do\u011frultusunda yolumuz a\u00e7\u0131k hava m\u00fczesi gibi d\u00fc\u015f\u00fcn\u00fclen bir mezarl\u0131\u011f\u0131 d\u00fc\u015f\u00fcyor.<\/p>\n

Pere Lachaise Mezarl\u0131\u011f\u0131<\/strong><\/p>\n

\"\"<\/p>\n

Paris’in en \u00e7ok ziyaret edilen mezarl\u0131\u011f\u0131. Mezarl\u0131\u011fa girdi\u011fimizde Fransa’n\u0131n mezarl\u0131k k\u00fclt\u00fcr\u00fcn\u00fc de g\u00f6rm\u00fc\u015f oluyoruz. Buras\u0131 bir\u00e7ok \u00fcnl\u00fc insan\u0131n son dinlenme yeri. Yakla\u015f\u0131k \u00a040 \u015fark\u0131c\u0131,\u00a040 besteci ve 75 ressam\u0131n mezar\u0131 varm\u0131\u015f.<\/p>\n

Honore de Balzac , Colette, Eugene Delacroix , Raymond Radiguet, Maria Callas, Auguste Comte, Oscar Wilde, Sarah Bernhardt ve Edith Piaf\u00a0 mezarl\u0131\u011f\u0131n \u00fcnl\u00fc isimlerinden baz\u0131lar\u0131.<\/p>\n

Frederic Chopin’in mezar\u0131 da buradad\u0131r. Kalbi ise vasiyeti \u00fczerine annesinin memleketi, \u00e7ok sevdi\u011fi Polonya’da g\u00f6m\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n

\"\"<\/p>\n

Bir\u00e7ok g\u00fczel heykel de mezarl\u0131\u011f\u0131 s\u00fcslemektedir.<\/p>\n

\"\"<\/p>\n

Evet gezimizi burada noktal\u0131yoruz.<\/p>\n

Yeni \u015feyler \u00f6\u011frenece\u011fimiz, tarih bilgilerimizi tazeleyece\u011fimiz, yeni k\u00fclt\u00fcrlerle tan\u0131\u015faca\u011f\u0131m\u0131z nice g\u00fczel gezilere…<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

24 A\u011eUSTOS – 28 A\u011eUSTOS 2015 PAR\u0130S GEZ\u0130S\u0130 Vefa’yla Paris’e ilk kez 2000 y\u0131l\u0131nda gitmi\u015ftik. Bu sefer \u00e7ocuklarla geldi\u011fimiz Paris’te k\u00fclt\u00fcr gezisi yapabilmenin yan\u0131nda \u015fehrin sokaklar\u0131nda tela\u015feye yer vermeden gezip hissetmek istiyoruz bu \u015fehri.<\/p>\n","protected":false},"author":1,"featured_media":4015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[442],"tags":[445,3,452,449,456,455,450,443,446,453,454,448,451,447,444],"class_list":["post-3824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-paris","tag-eyfel","tag-gezi","tag-luksemburg","tag-mouffetard","tag-moulin-rouge","tag-notre-dame","tag-pantheon","tag-paris","tag-sacre-couer","tag-saint-german","tag-saint-michel","tag-sanzelize","tag-sorbon","tag-triomphe","tag-trocadero"],"_links":{"self":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/3824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/comments?post=3824"}],"version-history":[{"count":93,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/3824\/revisions"}],"predecessor-version":[{"id":4042,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/3824\/revisions\/4042"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media\/4015"}],"wp:attachment":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media?parent=3824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/categories?post=3824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/tags?post=3824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}