{"id":2883,"date":"2020-02-23T23:49:29","date_gmt":"2020-02-23T20:49:29","guid":{"rendered":"http:\/\/www.yeryuzundebirkacadim.com\/?p=2883"},"modified":"2024-08-19T13:56:45","modified_gmt":"2024-08-19T10:56:45","slug":"tahran","status":"publish","type":"post","link":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/2020\/02\/23\/tahran\/","title":{"rendered":"Tahran"},"content":{"rendered":"\r\n

1. G\u00fcn: 26 Nisan 2019 Cuma<\/strong><\/p>\r\n

Gece u\u00e7ak yolculu\u011fu ile ge\u00e7iyor.<\/p>\r\n

2. G\u00fcn 27 Nisan 2019 Cumartesi<\/strong><\/p>\r\n

Gezimiz Tahran’dan ba\u015fl\u0131yor.<\/p>\r\n

Tahran; \u0130ran\u2019\u0131n ba\u015fkenti. Modern binalarla donat\u0131lm\u0131\u015f bir \u015fehir.<\/p>\r\n\r\n\r\n\r\n

\u015eah Abbas, 1589’da Horasan’a sefer edip \u00d6zbek Abd\u00fcl Munim Han’\u0131 kovalamak isterken hastalan\u0131p Tahran’da olduk\u00e7a uzun s\u00fcre kalm\u0131\u015f. \u0130lk a\u011fa\u00e7 dikme ve imar i\u015fleri de o zaman ba\u015flam\u0131\u015f.<\/p>\r\n

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Ka\u00e7 tane \u0130ran \u015fah\u0131 niyetlenmi\u015fse de ilk olarak Ka\u00e7ar Hanedan\u0131’ndan Feth Ali \u015eah, Tahran’\u0131 ba\u015fkent ilan etmi\u015f.<\/p>\r\n\r\n\r\n\r\n

Eskilerde av mekan\u0131ym\u0131\u015f. Bir\u00e7ok k\u00f6\u015fk varm\u0131\u015f.<\/p>\r\n\r\n\r\n\r\n

Sadabad Saray\u0131<\/strong><\/p>\r\n

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Ba\u015fkent Tahran\u2019\u0131n en kuzey b\u00f6lgesinde Elbruz da\u011flar\u0131 eteklerinde bulunuyor. 3 bin d\u00f6n\u00fcml\u00fck arazi \u00fczerinde kurulmu\u015f. 1800 d\u00f6n\u00fcm\u00fc orman ve bah\u00e7elere ayr\u0131lm\u0131\u015f.<\/p>\r\n

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Ka\u00e7arlar taraf\u0131ndan 1018 y\u0131l\u0131nda in\u015faat\u0131na ba\u015flanan bu kompleks, son Ka\u00e7ar \u015eah\u0131 Ahmed \u015eah\u2019\u0131 deviren R\u0131za Han ile birlikte Pehlevi Hanedan\u0131’n\u0131n yazl\u0131k saray\u0131 olmu\u015f.\u00a0<\/p>\r\n

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B\u00f6lge, \u0130ran \u0130slam Cumhuriyeti ile birlikte m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f.<\/p>\r\n

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\u0130\u00e7inde 18 saray var. 8’i m\u00fcze.\u00a0<\/p>\r\n

Komplekse giri\u015f yap\u0131p yemye\u015fil bir bah\u00e7ede ilerlerken Millet Saray\u0131’n\u0131n \u00f6n\u00fcnde \u015eehname’deki Ok\u00e7u Are\u015f Kemangir’in heykeli<\/strong> kar\u015f\u0131l\u0131yor bizi. Bir zamanlar \u00fclkeler aras\u0131ndaki s\u0131n\u0131r anla\u015fmazl\u0131klar\u0131nda, son anda sava\u015f\u0131 \u00f6nleyebilmek i\u00e7in b\u00f6yle ok\u00e7ulardan yard\u0131m istenirmi\u015f. Ok\u00e7unun att\u0131\u011f\u0131 okun ula\u015ft\u0131\u011f\u0131 son nokta \u00fclkenin s\u0131n\u0131r\u0131 kabul edilirmi\u015f. Efsaneye g\u00f6re, saray\u0131n bah\u00e7esinde heykeli bulunan kahraman, bir sava\u015fta okunu en uza\u011fa f\u0131rlatmak ve \u00fclkesine birka\u00e7 kar\u0131\u015f fazla toprak kazand\u0131rabilmek i\u00e7in yay\u0131na \u00f6ylesine as\u0131lm\u0131\u015f ki ok yaydan f\u0131rlad\u0131ktan sonra orac\u0131kta can vermi\u015f.<\/p>\r\n

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Millet Saray\u0131 (Beyaz Saray)<\/strong><\/p>\r\n

5000 metrekare alan\u0131 ile Sadabat Saray\u0131\u2019n\u0131n en b\u00fcy\u00fck binas\u0131. Binan\u0131n plan\u0131 \u0130ran ve Rus mimarlar taraf\u0131ndan tasarlanm\u0131\u015f. D\u0131\u015f cephesi beyaz oldu\u011fu i\u00e7in “Beyaz Saray” olarak da an\u0131l\u0131yor. Beyaz saraya giri\u015f merdivenlerinin yan\u0131nda Pehlevi d\u00f6neminden geriye sadece \u00e7izmelerin kald\u0131\u011f\u0131 bir heykel par\u00e7as\u0131 var.<\/p>\r\n

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Muhammed R\u0131za \u015eah ve e\u015fi Farah Diba\u2019n\u0131n yaz ikametgah\u0131 olan bu binada bir\u00e7ok oda bulunuyor.\u00a0<\/p>\r\n

Yunan mitolojisindeki Herakles gibi, Firdevsi’nin \u015eehname eserindeki efsanevi kahraman Zalo\u011flu R\u00fcstem’dir. R\u00fcstem\u2019in de ba\u015farmak zorunda kald\u0131\u011f\u0131 yedi i\u015fi vard\u0131r. \u0130ran\u2019da bir i\u015fin zorluk derecesini anlatmak i\u00e7in \u201cR\u00fcstem\u2019in i\u015finden zor\u201d denir. Saray\u0131n giri\u015f salonunun tavan s\u00fcslemelerinde R\u00fcstem’in kahramanl\u0131k hikayeleri resmedilmi\u015f. \u00a0<\/p>\r\n

Ayr\u0131ca \u00e7at\u0131 pencereleri ile ayd\u0131nlanan salonda, \u0130ran-Bizans kar\u0131\u015f\u0131m\u0131 tarzda 4 s\u00fctun bulunuyor.\u00a0<\/p>\r\n

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Kabul salonu, yemek salonu, \u00e7al\u0131\u015fma ve yatak odalar\u0131n\u0131n bulundu\u011fu sarayda odalar\u0131n tavanlar\u0131 al\u00e7\u0131 s\u00fcsleme ile kapl\u0131. Zeminde b\u00fcy\u00fck ve g\u00fczel \u0130ran hal\u0131lar\u0131 bulunuyor. Odalar\u0131 s\u00fcsleyen goblenler ve yatak \u00f6rt\u00fcleri Fransa\u2019dan ithal edilmi\u015f.<\/p>\r\n

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Saraydan \u00e7\u0131k\u0131p Azadi Kulesi’ne do\u011fru Tahran sokaklar\u0131nda ilerlerken duvarlarda \u00f6zenli graffitiler g\u00f6rmek m\u00fcmk\u00fcn. Sava\u015fta kahramanl\u0131k g\u00f6sterenlerin resimleri yap\u0131lm\u0131\u015f.\u00a0<\/p>\r\n

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Azadi Kulesi\/Meydan\u0131 (\u00d6zg\u00fcrl\u00fck Kulesi)<\/strong><\/p>\r\n

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Bu tesis ayn\u0131 zamana \u00f6nemli bir toplanma alan\u0131. Bizim Taksim Meydan\u0131 gibi, politik g\u00f6r\u00fc\u015f sergilemek isteyen gruplar protestolar i\u00e7in burada toplan\u0131yor. 1979 devrimi s\u0131ras\u0131nda halk say\u0131s\u0131z kez protestolar i\u00e7in burada toplanm\u0131\u015f.<\/p>\r\n

Merdivenle veya asans\u00f6rle yap\u0131n\u0131n en \u00fcst\u00fcne \u00e7\u0131k\u0131labiliyor.<\/p>\r\n

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\u0130ran Ulusal M\u00fczesi (Arkeoloji M\u00fczesi) (Bastan M\u00fczesi)<\/strong><\/p>\r\n

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\u00dclkenin m\u00fcze olarak d\u00fczenlenmi\u015f ilk binas\u0131d\u0131r. B\u00fcy\u00fck bir m\u00fcze de\u011fil. Frans\u0131z mimar Andre Godard taraf\u0131ndan tasarlanan bina 1933-1936 y\u0131llar\u0131nda yap\u0131lm\u0131\u015f. Pers geleneksel tu\u011fla i\u015f\u00e7ili\u011fi, Sasani eyvan gelene\u011fi ve modern mimari birlikteli\u011fi ile giri\u015fi olduk\u00e7a g\u00fczel.<\/p>\r\n

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M\u00fczenin giri\u015f kap\u0131s\u0131n\u0131n \u00fczerinde Kuran\u2019daki \u201cGezin, dola\u015f\u0131n, eski insanlar\u0131n ya\u015fad\u0131klar\u0131n\u0131 \u00f6\u011frenin\u201d ayeti yaz\u0131lm\u0131\u015f.<\/p>\r\n

M.\u00d6. 6 bin y\u0131l\u0131ndan bu yana bulunan eserleri bar\u0131nd\u0131r\u0131r. Deprem korkusu ile Persepolis’te bulunan baz\u0131 tarihi par\u00e7alar m\u00fczeye ta\u015f\u0131nm\u0131\u015f.<\/p>\r\n

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M\u00fczenin en g\u00fczel eserlerinden biri olan kabartma panelde Kral I. Darius (M.\u00d6. 521-486) tahtta otururken, arkas\u0131nda o\u011flu Kserkes, kar\u015f\u0131s\u0131nda Ferengir (tarih\u00e7i) g\u00f6r\u00fclmektedir. I. Darius otururken bile di\u011ferlerinden daha y\u00fcksek g\u00f6sterilmi\u015ftir. I. Darius’un elinde lotus \u00e7i\u00e7e\u011fi ve kutsal asay\u0131 tutmaktad\u0131r. Lotus \u00e7i\u00e7e\u011fi ve asa yaln\u0131zca imparatorlara ait \u00f6zel e\u015fyalard\u0131r. Ferengir’in kula\u011f\u0131nda k\u00fcpe vard\u0131r. K\u00fcpe ve kolye de sadece \u00f6nemli ki\u015filerin takabilecekleri ziynet e\u015fyalar\u0131d\u0131r. Bir di\u011fer ilgin\u00e7 detay da Ferengir’in, a\u011fz\u0131ndan k\u00f6t\u00fc s\u00f6z \u00e7\u0131kmamas\u0131 veya konu\u015fmaya ba\u015flamadan Kral\u0131 selamlayabilmesi i\u00e7in, eliyle a\u011fz\u0131n\u0131 kapatmas\u0131d\u0131r.<\/p>\r\n

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Kral’la tarih\u00e7i aras\u0131nda “Azer” yani “Kutsal Ate\u015f” ve \u00fczerlik g\u00f6r\u00fclmektedir. \u00dczerlik, \u0130ran’da hemen hemen t\u00fcm evlerde bulunur. Nazara kar\u015f\u0131 koruyuculu\u011funu inan\u0131l\u0131r.<\/p>\r\n

Kserkes’in arkas\u0131ndaki \u00f6l\u00fcms\u00fczlerle kabartma tamamlanmaktad\u0131r.<\/p>\r\n

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Hammurabi yasalar\u0131n\u0131n bulundu\u011fu orijinal ta\u015f Paris Louvres M\u00fczesi’ndedir. Tahran Arkeoloji M\u00fczesi’nde ise bu ta\u015f\u0131n bir kopyas\u0131 sergilenmektedir.<\/p>\r\n

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Bir di\u011fer \u00f6nemli eser de B\u00fcy\u00fck Kiros’un \u0130lk \u0130nsan Haklar\u0131 Bildirgesi’nin yaz\u0131l\u0131 oldu\u011fu silindirdir. \u0130ranl\u0131lar’\u0131n en b\u00fcy\u00fck gurur kaynaklar\u0131ndan biri de budur. Orijinali Londra’daki British Museum’da olan silindirin bir kopyas\u0131 da New York Birle\u015fmi\u015f Milletler merkezindedir. Bildirge, kil tablet \u00fczerine Babil \u00e7ivi yaz\u0131s\u0131 ile yaz\u0131lm\u0131\u015ft\u0131r.<\/p>\r\n

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H\u00fckmetmek i\u00e7in sava\u015fmayaca\u011f\u0131n\u0131 ilan etmi\u015f olan B\u00fcy\u00fck Kiros, di\u011fer devletlere isterlerse imparatorlu\u011funa kat\u0131lma hakk\u0131n\u0131 tan\u0131m\u0131\u015ft\u0131. B\u00fcy\u00fck Kiros, k\u00f6lelik ve bask\u0131ya kar\u015f\u0131 \u00e7\u0131km\u0131\u015f, mal ve m\u00fclke tazminat \u00f6denmeden el konulmas\u0131n\u0131 yasaklam\u0131\u015f, dini ve etnik ayr\u0131l\u0131klara son vermek i\u00e7in \u00e7a\u011fr\u0131da bulunmu\u015ftu. B\u00fcy\u00fck Kiros ile birlikte \u00f6zg\u00fcrl\u00fck ve insan haklar\u0131 kavramlar\u0131 d\u00fcnyaya yay\u0131lmaya ba\u015flam\u0131\u015ft\u0131r. Din ve inan\u0131\u015flara izin verilmi\u015f, fethedilen \u00fclkelerde geleneklere sayg\u0131 g\u00f6sterilmi\u015fti. B\u00fcy\u00fck Kiros, M.\u00d6. 529 y\u0131l\u0131nda Babil’de esir d\u00fc\u015fm\u00fc\u015f Yahudileri kurtarmakla kalmam\u0131\u015f, ayr\u0131ca maddi destek sa\u011flayarak tap\u0131naklar\u0131n\u0131 yeniden in\u015fa edebilmeleri i\u00e7in Kud\u00fcs’e gitmelerine bile yard\u0131mc\u0131 olmu\u015ftu.<\/p>\r\n

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B\u00fcy\u00fck Kiros’tan sonra I. Darius d\u00f6neminde Ahameni\u015f hanedan\u0131n\u0131n s\u0131n\u0131rlar\u0131 Akdeniz’den \u0130ndus Nehri ne kadar uzanacakt\u0131r. 23 farkl\u0131 \u0131rktan insan, ba\u015fkenti Pasargad’da bulunan bir y\u00f6netim etraf\u0131nda bar\u0131\u015f ve huzur i\u00e7inde ya\u015fam\u0131\u015flard\u0131. Persler’i d\u00fcnyan\u0131n dini ve k\u00fclt\u00fcrel ho\u015fg\u00f6r\u00fcye sahip ilk s\u00fcper g\u00fcc\u00fc olarak tan\u0131mlamak yanl\u0131\u015f olmayacakt\u0131r.<\/p>\r\n

Darius Heykeli a\u015fa\u011f\u0131da. Elbisesinin sol taraftaki k\u0131sm\u0131nda eski Pers, Elam ve Babil yaz\u0131lar\u0131 bulunuyor.<\/p>\r\n

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Duvarlardaki seramik insan kabartmalar\u0131nda ba\u015f ayak oran\u0131 16 e\u015fit par\u00e7aya ayr\u0131lm\u0131\u015ft\u0131r. Pers sanat\u00e7\u0131s\u0131 \u00f6zenle 1\/16 olan alt\u0131n orana sayg\u0131 g\u00f6stermi\u015ftir. Pers s\u00fct\u00fcn ba\u015fl\u0131klar\u0131nda insan, aslan, bo\u011fa ve mitolojik Kartal ba\u015flar\u0131 kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\r\n

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Vitrinlerden birinde “Salt adam” veya “tuz adam”\u0131 g\u00f6r\u00fcyoruz. Tuz adam, tuz madeninde \u00e7al\u0131\u015f\u0131rken olu\u015fan depremde \u00e7\u00f6ken madende y\u00fczy\u0131llarca g\u00f6m\u00fcl\u00fc kalm\u0131\u015f.\u00a0<\/p>\r\n

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Ulusal M\u00fccevher M\u00fczesi<\/strong><\/p>\r\n

Safeviler\u2019den Pehleviler\u2019e kadar t\u00fcm hanedanlar\u0131n kulland\u0131\u011f\u0131 Kraliyet m\u00fccevherleri, el i\u015f\u00e7ili\u011fi olan tak\u0131lar, de\u011ferli ta\u015flardan olu\u015fan par\u00e7alar\u0131n sergilendi\u011fi bir m\u00fcze. D\u00fcnyan\u0131n en zengin m\u00fczelerinden. Asl\u0131nda tam anlam\u0131 ile m\u00fcze de\u011fil. Merkez Bankas\u0131n\u0131n kasas\u0131nda bir b\u00f6l\u00fcm. Dolay\u0131s\u0131 ile \u00fcst d\u00fczey bir korumaya sahip. M\u00fcze kap\u0131s\u0131 kal\u0131nl\u0131\u011f\u0131 40 cm. imi\u015f.<\/p>\r\n

Giri\u015fte c\u00fczdan, cep telefonu dahil hi\u00e7bir \u015feyi yan\u0131n\u0131za alam\u0131yorsunuz. Sadece pasaportunuzu alabilirsiniz. Girmek i\u00e7in uzun kuyruklar oluyor. \u0130ki ayr\u0131 kuyruk vard\u0131. \u0130ranl\u0131lar ve turistler olarak. \u0130ranl\u0131lar’\u0131n kuyru\u011fu h\u0131zl\u0131ca ilerlerken biz 1 saatten fazla s\u0131ra bekledik. Hatta kuyrukta beklemekten s\u0131k\u0131l\u0131p girmek istemeyen arkada\u015flar\u0131m\u0131z oldu. Zor ikna ettik. Ama de\u011fdi mi derseniz sonuna kadar. Bu kadar \u00e7ok m\u00fccevheri bir arada g\u00f6rece\u011fimi hi\u00e7 tahmin etmemi\u015ftim. Ka\u015f\u0131k\u00e7\u0131 elmas\u0131 hi\u00e7 kal\u0131r. \u00dclke b\u00fct\u00e7esini ge\u00e7er herhalde hepsinin de\u011feri. \u00d6zellikle gruptaki erkekler -ki m\u00fccevher fiyatlar\u0131n\u0131 az \u00e7ok bilirler- \u015fa\u015fk\u0131nl\u0131klar\u0131n\u0131 gizleyemediler. M\u00fcsl\u00fcman bir \u00fclkede b\u00f6yle \u015fa\u015fa, b\u00f6yle l\u00fckse gerek var m\u0131? Tabii ki gerek yok. Hi\u00e7bir \u00fclkede yok. Bu m\u00fccevherlerin paras\u0131 ile ka\u00e7 tane fabrika a\u00e7\u0131l\u0131rm\u0131\u015f.\u00a0<\/p>\r\n

Neyse.<\/p>\r\n

Ta\u00e7lar, tahtlar, bro\u015flar, s\u00fcsl\u00fc b\u0131\u00e7ak ve kalkanlar vs.. o kadar g\u00fczel, de\u011ferli ve \u00e7ok say\u0131da ki.<\/p>\r\n

Derya-i Nur Elmas\u0131 (I\u015f\u0131\u011f\u0131n denizi elmas\u0131); 182 karatm\u0131\u015f, Nadir \u015eah Taht\u0131, Elmasl\u0131 Ta\u00e7, Tavus Ku\u015flu Taht bunlardan baz\u0131lar\u0131.<\/p>\r\n

Bu kadar astonomik de\u011feri olan m\u00fccevherler y\u00fczy\u0131llar boyunca h\u00fck\u00fcm s\u00fcren hanedanl\u0131\u011fa aitmi\u015f. Muhammed R\u0131za Pehlevi\u2019nin babas\u0131 olan R\u0131za Pehlevi bunlar\u0131 1937\u2019de devlet mal\u0131 yapm\u0131\u015f. Bug\u00fcn bu, \u015eah’\u0131 sevenlerin, asl\u0131nda \u015eah’\u0131n ne kadar iyi ve vatansever bir adam oldu\u011funu anlatmak i\u00e7in s\u0131k\u00e7a verdi\u011fi bir \u00f6rnekmi\u015f. Keza o\u011flu Muhammed R\u0131za Pehlevi ve e\u015fi Farah Pehlevi\u2019nin \u00fclkeden ka\u00e7arken bunlar\u0131 g\u00f6t\u00fcrmeye kalkmamalar\u0131 da sevenleri taraf\u0131ndan \u00f6vg\u00fc ile anlat\u0131l\u0131yormu\u015f.\u00a0<\/p>\r\n

M\u00fcze \u00c7ar\u015famba, Per\u015fembe ve Cuma hari\u00e7, her g\u00fcn 14.00 \u2013 16.30 aras\u0131 a\u00e7\u0131k.<\/p>\r\n

Ak\u015fam Tahran’da Aramis Hotelde kal\u0131yoruz.<\/p>\r\n

3. G\u00fcn 28 Nisan 2019 Pazar<\/strong><\/p>\r\n

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G\u00fclistan Saray\u0131 (Golestan Palace)<\/strong><\/p>\r\n

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UNESCO D\u00fcnya K\u00fclt\u00fcr Miras\u0131 Listesi\u2019nde yer alan saray, \u0130ran’da g\u00f6r\u00fclecek en estetik yerlerden biri kesinlikle. Fars sanat\u0131, tarihi ve mimarisinin g\u00fczel bir \u00f6rne\u011fi.<\/p>\r\n

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Saray, Tahran\u2019daki\u00a0en eski tarihi yap\u0131<\/strong>d\u0131r.<\/p>\r\n

Saray, bir zamanlar m\u00fccevher gibi par\u0131ldayan Tahran’\u0131n Tarihi Kalesi’nden (Arg) geriye kalan tek \u015fey. Bu tarihi Arg, I. \u015eah Tahmasb (1524-1576) (\u015eah \u0130smail’in o\u011flu) zaman\u0131nda Safevi d\u00f6neminde yap\u0131lm\u0131\u015ft\u0131r. \u00a0K\u00fc\u00e7\u00fck bir saray ve seyirci odas\u0131ndan olu\u015fuyordu. Art\u0131k mevcut olmayan bu yap\u0131lar bug\u00fcnk\u00fc G\u00fclistan saray\u0131n\u0131n temelini olu\u015fturdu.<\/p>\r\n

Kerim Han Zend zaman\u0131nda yeniden in\u015fa edilip saraya \u00e7evrilmi\u015ftir.\u00a0<\/p>\r\n

Ard\u0131ndan Ka\u00e7arlar ve Pehleviler’in elinde de\u011fi\u015fik restorasyon ve ilaveler yap\u0131lm\u0131\u015f.<\/p>\r\n

Ka\u00e7ar Krall\u0131\u011f\u0131 zaman\u0131nda Kraliyet Saray\u0131 olarak kullan\u0131lm\u0131\u015ft\u0131r.\u00a0<\/p>\r\n

\u0130ran’\u0131n ba\u015fkenti Tahran’da bulunan tek \u0130ran UNESCO D\u00fcnya Miras\u0131 olan saray, Ka\u00e7ar (MS 1789-1925) d\u00f6neminin \u015faheseri olarak kabul edilir.<\/p>\r\n

Pehleviler iktidara geldi\u011finde \u00f6zellikle Nadir \u015eah’\u0131n simgesi haline gelen saray\u0131 yok etmek istemi\u015fler ama ba\u015far\u0131l\u0131 olamam\u0131\u015flar. Ancak restorasyon i\u00e7in g\u00f6revlendirdikleri yabanc\u0131 mimarlar saray\u0131n ihti\u015fam\u0131n\u0131n bozulmas\u0131nda rol oynam\u0131\u015f.<\/p>\r\n

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16. yy\u2019da h\u00fck\u00fcm s\u00fcren Safevi Hanedanl\u0131\u011f\u0131 d\u00f6neminde dekorasyonda kullan\u0131lan a\u011f\u0131rl\u0131kl\u0131 renk turkuazm\u0131\u015f. 18-19. y\u00fczy\u0131lda h\u00fck\u00fcm s\u00fcren Ka\u00e7ar Hanedanl\u0131\u011f\u0131, saraya kendi kraliyet renkleri olan sar\u0131 ve siyah\u0131 da ilave etmi\u015f.\u00a0<\/p>\r\n

G\u00fclistan Saray\u0131 kompleksi; saraylar, m\u00fczeler ve salonlar dahil 17 yap\u0131dan olu\u015fmaktad\u0131r.<\/span>\u00a0Bu kompleksin neredeyse tamam\u0131, Ka\u00e7ar krallar\u0131n\u0131n 200 y\u0131ll\u0131k iktidar\u0131 s\u0131ras\u0131nda ihti\u015faml\u0131 bir \u015fekilde in\u015fa edildi.<\/span><\/p>\r\n

Bu saraylar ta\u00e7 giyme t\u00f6renleri ve di\u011fer \u00f6nemli kutlamalar gibi bir\u00e7ok farkl\u0131 olayda kullan\u0131ld\u0131. R\u0131za Pehlevi ve o\u011flu Muhammed R\u0131za Pehlevi de burada ta\u00e7 giymi\u015fler.<\/span><\/p>\r\n

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S\u00fcsl\u00fc bir geline benzeyen sarayda \u0130ran kraliyet sanat\u00e7\u0131lar\u0131; mimari, resim, ta\u015f oymac\u0131l\u0131\u011f\u0131, fayans i\u015fleme, s\u0131va, ayna \u00e7al\u0131\u015fmas\u0131, ah\u015fap i\u015fleri ve kafes \u00e7al\u0131\u015fmalar\u0131ndaki becerileri ile unutulmaz \u015faheserler yaratm\u0131\u015ft\u0131r.\u00a0<\/p>\r\n

Mermer Taht Teras\u0131<\/strong><\/p>\r\n

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Avluda gezerken havuzlu bah\u00e7ede kar\u015f\u0131m\u0131za \u00e7\u0131kan ilk yap\u0131d\u0131r.\u00a0<\/p>\r\n

1806 y\u0131l\u0131nda yap\u0131lm\u0131\u015ft\u0131r. <\/span>Resimler, mermer oymalar, \u00e7ini, kafes pencerelerle s\u00fcslenmi\u015f bir teras. Teras\u0131n (eyvan) ortas\u0131nda yer alan taht, Yezd’in \u00fcnl\u00fc sar\u0131 mermerinden yap\u0131lm\u0131\u015ft\u0131r. \u015eahlar burada resmi t\u00f6renleri izlerlermi\u015f.\u00a0<\/span><\/p>\r\n

Kerim Han Teras\u0131<\/strong><\/p>\r\n

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Ayn\u0131 binan\u0131n sa\u011f k\u00f6\u015fesinde Kerim Han Teras\u0131 var. Bu terasta mermer bir \u00e7e\u015fme varm\u0131\u015f. Sonralar\u0131 \u00e7e\u015fme \u00e7\u0131kar\u0131l\u0131r ve Nas\u0131rettin \u015eah’\u0131n mermer mezar ta\u015f\u0131 buraya getirilir.\u00a0<\/span><\/p>\r\n

Sarayda; Selamlama, Ta\u00e7 Giyme, Aynal\u0131 ve Fildi\u015fi Salonlar\u0131 var.\u00a0<\/p>\r\n

Selam Salonu (Resepsiyon Salonu, Talar Salam)<\/strong><\/p>\r\n

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Selam Salonu, ortas\u0131ndaki b\u00fcy\u00fck hal\u0131 ve etraf\u0131nda misafirler i\u00e7in ayr\u0131lan divanlar ile \u0130ran \u015fahlar\u0131n\u0131n misafirlere kar\u015f\u0131 olan g\u00f6steri\u015fini de simgelemekte. Bu salon aynalarla ve g\u00f6steri\u015fli avizeler ile s\u00fcslenmi\u015f. Avizelerin \u00e7o\u011fu Avrupa’dan getirtilmi\u015f. Nadir \u015eah\u2019a yurtd\u0131\u015f\u0131 seyahatlerinde takdim edilen hediyeler de salona yerle\u015ftirilmi\u015f. Zeminler mozaikle kaplanm\u0131\u015ft\u0131r.<\/span><\/p>\r\n

Asl\u0131nda bir m\u00fcze olarak tasarlanm\u0131\u015ft\u0131r.<\/span> \u0130ran’\u0131n \u00fcnl\u00fc M\u00fccevherli Tavusku\u015fu Taht\u0131’n\u0131n, Merkez Bankas\u0131’ndaki Kraliyet m\u00fccevherleri koleksiyonuna ta\u015f\u0131nmas\u0131ndan sonra bu salon, kral\u0131n huzurunda \u00f6zel resepsiyonlar i\u00e7in kullan\u0131lm\u0131\u015f.\u00a0<\/span><\/p>\r\n

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Nadir \u015eah’\u0131n mumya heykeli de bulunuyor. 49 y\u0131l tahtta kalan \u015eah, Avrupaya’y\u0131 ziyaret eden ilk y\u00f6netici. Bu geziler nedeniyle Bat\u0131 mimarisinden etkilenen ilk \u0130ran Kral\u0131’d\u0131r.<\/p>\r\n

Ayna Salonu<\/strong><\/p>\r\n

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Bu nispeten k\u00fc\u00e7\u00fck salon, ola\u011fan\u00fcst\u00fc ayna \u00e7al\u0131\u015fmas\u0131yla \u00fcnl\u00fcd\u00fcr.<\/span><\/p>\r\n

Fildi\u015fi Salon<\/strong><\/p>\r\n

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G\u00fcne\u015fin \u0130\u015fareti<\/strong><\/p>\r\n

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Bir de Tahran\u2019da g\u00fcne\u015fin ilk do\u011fdu\u011fu yer kabul edilen G\u00fcne\u015f binas\u0131.\u00a0Kompleksin en y\u00fcksek binas\u0131 olan yap\u0131, <\/span>\u0130ran mimarisinin Avrupa unsurlar\u0131yla harmanland\u0131\u011f\u0131n\u0131 a\u00e7\u0131k\u00e7a g\u00f6rebilece\u011finiz eserlerdendir.<\/p>\r\n

Taretlerle kapl\u0131 iki e\u015f kule ile in\u015fa edilen bina, vitray pencereler ve zarif kemerler ile s\u00fcslenmi\u015f bir cepheye sahip.<\/span><\/p>\r\n

\u00a0R\u00fczgar Kuleleri Binas\u0131 (Emarat Badgir)<\/strong><\/p>\r\n

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Her k\u00f6\u015fede mavi, sar\u0131 ve siyah s\u0131rl\u0131 \u00e7iniler ve alt\u0131n kubbe ile kapl\u0131 uzun bir r\u00fczgar kulesi vard\u0131r.<\/span>\u00a0Bu kulelerden gelen r\u00fczgar, yaz odas\u0131n\u0131, salonu ve odalar\u0131 so\u011futur.<\/span><\/p>\r\n

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REY<\/strong><\/p>\r\n

Tahran’a 25 km mesafede buluna Rey; \u0130ran’daki en \u00f6nemli Orta\u00e7a\u011f \u015fehirlerinden birisidir. \u015eehrin kurulu\u015fu M.\u00d6. \u00fc\u00e7\u00fcnc\u00fc bin y\u0131la kadar gitmektedir.<\/p>\r\n

Sel\u00e7uk Bey’in torunu, B\u00fcy\u00fck Sel\u00e7uklu Devleti’nin kurucusu Tu\u011frul Bey, Rey \u015fehrini ba\u015fkent yapm\u0131\u015ft\u0131r.<\/p>\r\n

D\u00fcnyan\u0131n Gelini: Rey \u015eehri ge\u00e7mi\u015fte b\u00f6yle adland\u0131r\u0131l\u0131rm\u0131\u015f.<\/p>\r\n

Tu\u011frul Bey K\u00fcmbeti: Hem an\u0131t mezar, hem saat<\/strong><\/p>\r\n

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Tu\u011frul Bey i\u00e7in 12. y\u00fczy\u0131lda yap\u0131lan mezard\u0131r. Yap\u0131, gerek i\u00e7inde bulundurdu\u011fu sultan mezarlar\u0131 gerekse mimari yap\u0131s\u0131 ile B\u00fcy\u00fck Sel\u00e7uklu tarih ve sanat\u0131nda \u00f6nemli bir yer tutmaktad\u0131r.<\/p>\r\n

Giri\u015f kap\u0131s\u0131 \u0130ran geleneklerine g\u00f6re tasarlanm\u0131\u015f. Kap\u0131ya as\u0131l\u0131 iki tokmaktan ince sesli olan\u0131 kad\u0131nlar, kal\u0131n sesli olan\u0131 erkekler \u00e7al\u0131yor. B\u00f6ylece gelenin erkek mi kad\u0131n m\u0131 oldu\u011fu biliniyor. Bize kap\u0131y\u0131, son derece m\u00fctevazi \u0130ranl\u0131 t\u00fcrbedar Kas\u0131m Gamberi a\u00e7\u0131yor. “B\u00fcy\u00fck \u0130ran’dan b\u00fcy\u00fck T\u00fcrkiye’ye selam olsun” diye ba\u015fl\u0131yor konu\u015fmas\u0131na. Sava\u015flar\u0131n olmamas\u0131 i\u00e7in dua ediyor ve heyecanla tan\u0131t\u0131m\u0131na ba\u015fl\u0131yor.<\/p>\r\n

20 metre y\u00fcksekli\u011findeki k\u00fcmbet olduk\u00e7a sa\u011flam yap\u0131lm\u0131\u015f ve ihti\u015faml\u0131 g\u00f6r\u00fcn\u00fcyor. Tu\u011fladan yap\u0131lm\u0131\u015f eserde ara harc\u0131n i\u00e7inde yumurta beyaz\u0131, ta\u015f tozu, kire\u00e7, k\u00f6m\u00fcr ve deve t\u00fcy\u00fc bulunuyormu\u015f.<\/p>\r\n

M\u00fchendislik harikas\u0131 yap\u0131 ayn\u0131 zamanda bir g\u00fcne\u015f saati. 24 dikey a\u00e7\u0131da \u00e7okgen duvarlarla \u00e7evreleniyor. G\u00fcne\u015fin do\u011fumundan sonra kuzey kap\u0131s\u0131ndan sola do\u011fru say\u0131ld\u0131\u011f\u0131nda g\u00fcne\u015f \u0131\u015f\u0131nlar\u0131n\u0131n son d\u00fc\u015ft\u00fc\u011f\u00fc duvar ve onun kom\u015fu duvar\u0131 saat ve dakikalar\u0131 bildiriyor.<\/p>\r\n

K\u00fcmbetin i\u00e7ine girdi\u011fimizde \u00e7okgen d\u0131\u015f duvarlar\u0131n\u0131n aksine i\u00e7i dairesel \u015fekilde imar edilmi\u015f. Yukar\u0131da \u00e7at\u0131s\u0131 a\u00e7\u0131k. \u0130\u00e7eride yine kusursuz bir akustik \u00f6zelli\u011fine \u015fahit oluyoruz. K\u00fcmbetin tam ortas\u0131nda durulup ses \u00e7\u0131kar\u0131ld\u0131\u011f\u0131nda, mesela el \u015f\u0131klat\u0131ld\u0131\u011f\u0131nda muazzam bir yank\u0131 ile g\u00fc\u00e7l\u00fc bir ses duyuluyor.<\/p>\r\n

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K\u00fcmbetin \u00f6zellikleri bitmiyor. Kuzey kap\u0131s\u0131n\u0131n alt\u0131ndan yukar\u0131 do\u011fru bak\u0131ld\u0131\u011f\u0131nda gizli bir aslan silueti izleniyor.<\/p>\r\n

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<\/p>","protected":false},"excerpt":{"rendered":"

1. G\u00fcn: 26 Nisan 2019 Cuma Gece u\u00e7ak yolculu\u011fu ile ge\u00e7iyor. 2. G\u00fcn 27 Nisan 2019 Cumartesi Gezimiz Tahran’dan ba\u015fl\u0131yor. Tahran; \u0130ran\u2019\u0131n ba\u015fkenti. Modern binalarla donat\u0131lm\u0131\u015f bir \u015fehir. \u015eah Abbas, 1589’da Horasan’a sefer edip \u00d6zbek Abd\u00fcl Munim Han’\u0131 kovalamak isterken hastalan\u0131p Tahran’da olduk\u00e7a uzun s\u00fcre kalm\u0131\u015f. \u0130lk a\u011fa\u00e7 dikme ve imar i\u015fleri de o zaman […]<\/p>\n","protected":false},"author":1,"featured_media":2985,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[332,383],"tags":[347,349,350,351,348,352,346,345],"class_list":["post-2883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-iran","category-tahran","tag-bastan","tag-bastanmuseum","tag-golestanpalace","tag-gulistansarayi","tag-iranulusalmuzesi","tag-mucevhermuzesi","tag-sadabat","tag-tahran"],"_links":{"self":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/2883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/comments?post=2883"}],"version-history":[{"count":52,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/2883\/revisions"}],"predecessor-version":[{"id":3425,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/posts\/2883\/revisions\/3425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media\/2985"}],"wp:attachment":[{"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/media?parent=2883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/categories?post=2883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yeryuzundebirkacadim.com\/index.php\/wp-json\/wp\/v2\/tags?post=2883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}